Dun and Gum
Nicholas Jose: Murray Bail, 16 July 1998
“... of Henry Lawson’s 1892 classic. Bail approaches Lawson’s ‘The Drover’s Wife’ through Russell Drysdale’s well-known painting of the same name. In Lawson, the wife finds a strength of her own while maintaining a firm sense of connection with her absent drover husband. In Bail, the wife has run off with the drover, abandoning her suburban dentist ... ”