“... of the empire. His son, Osman Hamdi Bey, would become the empire’s leading archaeologist and painter, training under Jean-Léon Gérôme, the master of French Orientalism. Yet Gérôme’s painting The Slave Market is a lurid portrayal of Muslim slavery; it’s a work that, as Marozzi notes, ‘pits Western moral supremacy against a cruel and depraved ...”

“... little, after 1688, the arts relied on royal patronage, and how much on commercial exploitation. George II mattered less than Tyres did. In one of many entertaining vignettes, Brewer describes the attempts to celebrate the ending of the War of the Austrian Succession in 1749 and the British monarchy’s ‘inability or unwillingness to use the arts ...”

“... in politics rather than literature: he had an obsession, for instance, with the theories of Henry George. By contrast, it is impossible to imagine Douglas as anything other than an artist. At the risk of over-simplification, one might describe Hillary as a man of action endowed with a journalistic facility, and Douglas as an artist with a taste for ...”

“... personifications on the skylines of buildings, which reached a climax in the quadrigas by George Récepon which burst with exhilarating absurdity from the roof of the Grand Palais in 1900. This type of sculpture was made possible by welding sheets of copper over an armature – essentially the same technique that Mukhina used. The Winged Victory was ...”

“... leaping great distances ... overflowing with an abundance of power’. Alexandre Benois, the painter, and one of the new kind of set designers courted by Diaghilev, saw the young Nijinsky as ‘half-cat, half-snake, fiendishly agile, feminine and yet wholly terrifying’. And he tried to capture the new ethos: ‘In the ballet,’ he wrote, ‘I would ...”

“... his talents: at the time of joining the GPO Film Unit, he thought of himself primarily as a painter, though he also wrote poetry and literary criticism, designed theatre sets, collected rare books and had begun to compile texts for an ambitious anthology about the machine age and its dehumanising effects, which owed something to his parents’ William ...”

“... on signing himself in letters to his ‘Spanish Woman’ – arranged for the court portrait painter to paint Lola’s picture, and soon developed the habit of kissing it first thing in the morning and last thing at night. He visited her daily at her hotel. And he lavished money on her, while being so mean with his own wife and eight children that they ...”

“... the kind of modern vessel he opposed till the day of his death several decades later.The painter, David Wilkie, had been prescribed foreign travel by his doctor, as a remedy for what sounds like depression. He was a Scotsman who’d risen from poverty and, in the early part of the century, became a great favourite of the establishment (...”

“... people who were in the crowd outside Buckingham Palace remember how they chanted: ‘We want George,’ ‘We want Liz.’ I don’t believe this. It’s what they would chant now so they think it was what they did then. The king was never ‘George’ still less the queen ‘Liz’. That was in the future (though not ...”

“... works blowing over from Newington Butts. She was 77 years old, a relic of the days of mad King George. She had outlived both her husband and her son. It was her daughter-in-law Caroline, now married to a clerk named Eastwood, who was with her when she died. There were no obituaries. It was a small event in a small corner of the metropolis; a drop in the ...”

“... first British self-service launderette is opened on Queensway, London 1949.’4 January. George F. tells me that when Andrew Lloyd Webber, the Lord Lloyd Webber, as we must now say, bought his Canaletto at Christie’s he paid the £10 million bill by Access in order to earn the air miles – enough presumably to last him till the end of his ...”

“... John Jeffries, Jean-François Pilâtre de Rozier and James Sadler, the balloonists; in King George III, who loved telescopes and music and balloons; in Thomas Beddoes, the doctor, and his Pneumatic Institute, and his wife, Anna; in Michael Faraday, the physicist; in Charles Babbage, the mathematician and inventor of the difference engine; in ...”

“... Made’ (a reference to the weaselly ‘past exonerative’ tense popularised by Richard Perle and George W. Bush among others), which fits the scheme, but doesn’t wholly convince. Franzen has gone for the thematically resonant joke at the expense of the character. Would Patty really title her cri de coeur, which doesn’t attempt in any way to dodge ...”

“... darker comedy out of a related exchange, in which a Daisy Miller-like heroine who aspires to be a painter tours a Roman gallery with a successful writer and art critic, while dismissing in succession the merits of a Raphael double portrait, a Sebastian del Piombo, a Velázquez, two Claude Lorrains and a Memling. In that story, the writer finally proposes ...”

“... fourteen when he arrived in London from Everton, Lancashire in 1753. He came to be apprenticed to George Keith, a bookseller in Gracechurch Street in the City. This was Hogarth’s London, a scene of dirty streets and dark alleys in which impressionable young people were met off the coach by an expectant crowd of brothel keepers, cutpurses and card ...”