Modernity and Identity 
edited by Scott Lash and Jonathan Friedman.
Blackwell, 448 pp., £45, January 1992, 0 631 17585 7
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Fundamentalisms Observed 
edited by Martin Marty and Scott Appleby.
Chicago, 872 pp., $40, November 1991, 0 226 50877 3
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The Post-Modern and the Post-Industrial 
by Margaret Rose.
Cambridge, 317 pp., £35, July 1991, 0 521 40131 3
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Under God: Religion and American Politics 
by Garry Wills.
Simon and Schuster, 445 pp., £17.99, February 1992, 0 671 65705 4
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“... he reports a conversation on the subject which took place some years earlier between a ‘foreign painter’ and Fromentin, the historian of Dutch art. Modernism in theology had, however, already been denounced by another Dutchman, the Calvinist Abraham Kuyper, who, in 1871, published a book entitled Het Modernisme: Een Fata Morgana op Christelijk Gebied ...”

Mythic Elements

Stephen Bann, 30 December 1982

Queen of Stones 
by Emma Tennant.
Cape, 160 pp., £6.95, November 1982, 0 224 02601 1
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E.T. the Extra-Terrestrial 
by William Kotzwinkle, based on a screenplay by Melissa Mathison.
Arthur Barker, 246 pp., £6.95, November 1982, 0 213 16848 0
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Tales of Afghanistan 
by Amina Shah.
Octagon Press, 128 pp., £6.50, November 1982, 0 900860 94 4
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The Masque of St Eadmundsburg 
by Humphrey Morrison.
Blond and Briggs, 228 pp., £7.95, October 1982, 0 85634 127 4
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A Villa in France 
by J.I.M. Stewart.
Gollancz, 206 pp., £6.95, October 1982, 0 575 03103 4
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Collected Stories: Vol. III 
by Sean O’Faolain.
Constable, 422 pp., £9.95, November 1982, 0 09 463920 5
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Work Suspended and Other Stories 
by Evelyn Waugh.
Penguin, 318 pp., £2.75, November 1982, 0 14 006518 0
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“... If a 19th-century paternity exists for this novel, it is surely in the mannered accomplishments of George Meredith, who is credited in passing with being the most recent novelist to be studied in the Oxford English School. A Villa in France has that that beguiling property – so eminently characteristic of Meredith – of seeming to slide more or less ...”

Diary

Iain Sinclair: In Guy Vaes’s Footsteps, 21 May 2020

“... of my character.’ He was a nightwalker in the tradition of Léon Spilliaert, the Ostend painter; a connoisseur of suburbs and out-of-season resorts where impatient dunes threaten to bury speculative housing. Vaes repeated his established circuits, testing for pavements in which ‘the Elsewhere had taken root’. There were psychogeographical ...”

Don’t pee in the lift

Stefan Collini: Keeping Up with the Toynbees, 6 June 2024

An Uneasy Inheritance: My Family and Other Radicals 
by Polly Toynbee.
Atlantic, 436 pp., £10.99, June, 978 1 83895 837 4
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“... a half. Her mother, Anne Powell, came from a decidedly unintellectual background: Anne’s father, George Powell, was a lieutenant colonel in the Grenadier Guards and briefly a Tory MP, while his wife was the daughter of a brewing family; Anne was a debutante and presented at court in the traditional upper-class way. But then she married the ...”

His Favourite Camel

Youssef Ben Ismail: Slavery in the Islamic World, 21 May 2026

Captives and Companions: A History of Slavery and the Slave Trade in the Islamic World 
by Justin Marozzi.
Penguin, 524 pp., £16.99, July, 978 0 14 199765 0
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“... of the empire. His son, Osman Hamdi Bey, would become the empire’s leading archaeologist and painter, training under Jean-Léon Gérôme, the master of French Orientalism. Yet Gérôme’s painting The Slave Market is a lurid portrayal of Muslim slavery; it’s a work that, as Marozzi notes, ‘pits Western moral supremacy against a cruel and depraved ...”

Cultivating Cultivation

John Mullan: English culture, 18 June 1998

The Pleasures of the Imagination: English Culture in the 18th Century 
by John Brewer.
HarperCollins, 448 pp., £19.99, January 1997, 0 00 255537 9
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“... little, after 1688, the arts relied on royal patronage, and how much on commercial exploitation. George II mattered less than Tyres did. In one of many entertaining vignettes, Brewer describes the attempts to celebrate the ending of the War of the Austrian Succession in 1749 and the British monarchy’s ‘inability or unwillingness to use the arts ...”

Shaky Do

Tony Gould, 5 May 1988

Mary and Richard: The Story of Richard Hillary and Mary Booker 
by Michael Burn.
Deutsch, 249 pp., £12.95, April 1988, 0 233 98280 9
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“... in politics rather than literature: he had an obsession, for instance, with the theories of Henry George. By contrast, it is impossible to imagine Douglas as anything other than an artist. At the risk of over-simplification, one might describe Hillary as a man of action endowed with a journalistic facility, and Douglas as an artist with a taste for ...”

Hollow-Headed Angels

Nicholas Penny, 4 January 1996

Art and Power: Europe under the Dictators 1930-1945 
edited by David Britt.
Hayward Gallery, 360 pp., £19.95, October 1995, 1 85332 148 6
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“... personifications on the skylines of buildings, which reached a climax in the quadrigas by George Récepon which burst with exhilarating absurdity from the roof of the Grand Palais in 1900. This type of sculpture was made possible by welding sheets of copper over an armature – essentially the same technique that Mukhina used. The Winged Victory was ...”

You gu gu and I gu gu

Andrew O’Hagan: Vaslav Nijinsky, 20 July 2000

The Diary of Vaslav Nijinsky 
edited by Joan Acocella and Kyril Fitzylon.
Allen Lane, 312 pp., £20, August 1999, 0 7139 9354 5
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Rites of Spring: The Great War and the Birth of the Modern Age 
by Modris Eksteins.
Macmillan, 396 pp., £12, May 2000, 0 333 76622 9
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“... leaping great distances ... overflowing with an abundance of power’. Alexandre Benois, the painter, and one of the new kind of set designers courted by Diaghilev, saw the young Nijinsky as ‘half-cat, half-snake, fiendishly agile, feminine and yet wholly terrifying’. And he tried to capture the new ethos: ‘In the ballet,’ he wrote, ‘I would ...”

Damsons and Custard

Paul Laity: Documentary cinema’s unsung poet, 3 March 2005

Humphrey Jennings 
by Kevin Jackson.
Picador, 448 pp., £30, October 2004, 0 330 35438 8
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“... his talents: at the time of joining the GPO Film Unit, he thought of himself primarily as a painter, though he also wrote poetry and literary criticism, designed theatre sets, collected rare books and had begun to compile texts for an ambitious anthology about the machine age and its dehumanising effects, which owed something to his parents’ William ...”

Boudoir Politics

Bee Wilson: Lola Montez, 7 June 2007

Lola Montez: Her Life and Conquests 
by James Morton.
Portrait, 390 pp., £20, January 2007, 978 0 7499 5115 3
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“... on signing himself in letters to his ‘Spanish Woman’ – arranged for the court portrait painter to paint Lola’s picture, and soon developed the habit of kissing it first thing in the morning and last thing at night. He visited her daily at her hotel. And he lavished money on her, while being so mean with his own wife and eight children that they ...”

Double Barbarism

Sheila Fitzpatrick: Stalin under the Blanket, 8 October 2026

Always under Siege: Olga Freidenberg’s Diary-Theory and the Everyday Terror of Stalinism 
by Irina Paperno.
Cornell, 244 pp., £23.99, March, 978 1 5017 8583 2
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“... shipped out of the Soviet Union to the Pasternak Family Trust in Oxford (Boris’s father, the painter Leonid Pasternak, had not returned to Russia after travelling to Berlin for medical treatment in 1921). This archive was the basis for Elliott Mossman’s publication in 1982 of a volume of letters between Freidenberg and Boris Pasternak, which in ...”

Anglo-Egyptian Attitudes

Marina Warner, 5 January 2017

“... the kind of modern vessel he opposed till the day of his death several decades later.The painter, David Wilkie, had been prescribed foreign travel by his doctor, as a remedy for what sounds like depression. He was a Scotsman who’d risen from poverty and, in the early part of the century, became a great favourite of the establishment (...”

Diary

Alan Bennett: What I did in 2005, 5 January 2006

“... people who were in the crowd outside Buckingham Palace remember how they chanted: ‘We want George,’ ‘We want Liz.’ I don’t believe this. It’s what they would chant now so they think it was what they did then. The king was never ‘George’ still less the queen ‘Liz’. That was in the future (though not ...”

‘A Being full of Witching’

Charles Nicholl: The ‘poor half-harlot’ of Hazlitt’s affections, 18 May 2000

“... works blowing over from Newington Butts. She was 77 years old, a relic of the days of mad King George. She had outlived both her husband and her son. It was her daughter-in-law Caroline, now married to a clerk named Eastwood, who was with her when she died. There were no obituaries. It was a small event in a small corner of the metropolis; a drop in the ...”