“... the family lived in the ‘style of millionaire paupers’, and care was taken to give the young David Cornwell the best of public school educations, and a thorough grounding in the codes of upper-class Englishness. The son of a crook, Cornwell was brought up a gent. By his own account, the young Cornwell, subjected to these strange contradictions, ‘became ...”

“... After working​ on his film adaptation of William Burroughs’s Naked Lunch (1991), David Cronenberg apotheosised both the writer and himself by claiming his screenwriting and Burroughs’s literary style had synergised. Cronenberg apparently mused that were Burroughs to die he might write his next novel. Burroughs expired in 1997, and although Cronenberg has directed many films since then – operas too – while dabbling in graphic novels and other writings, Consumed is his first full-length work of fiction ...”

“... and repaired church organs, mechanical pianos, music boxes and hurdy-gurdies’, David Sheppard records in his biography of Eno, On Some Faraway Beach (2008). Eno’s father, William, was a postman who repaired clocks and watches for pennies. Eno came of age at a time when you could still get a decent higher education without taking on ...”

“... that Dickens was then busy launching; one thanked a Sheffield firm (innocently mentioned in David Copperfield) for the gift of a set of knives; another attempted to patch up his lapsed friendship with George Cruikshank, who had probably been offended by Dickens’s attacks on his temperance pamphlets; another was a long, newsy report to a Swiss friend ...”

“... states of affairs currently preoccupying and bedevilling the unhappy place. However, after reading David Lamb’s The Africans these responses should be leavened with another one – despair. For this comprehensive and valuable survey of the status quo in sub-Saharan Africa is such a depressing catalogue of human iniquity that the reader experiences the same ...”

“... volatile, become permanently fixed for the poet to work on at leisure. Perhaps this lies behind David Sweetman’s recent remark about photography as an art that helps people to ‘see what they had previously merely looked at’: a role Romantic theorists sometimes reserved for poetry itself. Viewed thus, the photograph, itself a work of art, performs in a ...”

“... the new study of forensics had given the police, ‘the principle of the trace and so on’. As David Gibson recounts in Planting Clues, Locard was also a keen botanist. One of the scores of cases he included in his textbooks described a man who had been found murdered in the countryside outside Lyon. A group of suspects was rounded up. Inspecting one of ...”

“... and its eclectic membership included the philosopher Bernard Williams, the sports commentator David Coleman and the agony aunt Marje Proops. The report they produced two years later was measured, intelligent, elegantly written, slightly agonised and almost wholly ineffectual. The Rothschild Commission accepted that the law on gambling in Britain remained ...”

“... about how to use Milner in our daily lives: Emilia Halton-Hernandez’s The Marion Milner Method, David Russell’s Marion Milner: On Creativity and Akshi Singh’s In Defence of Leisure, forthcoming this spring, which is described as a book about ‘experiments in living with Marion Milner’. I don’t think it’s a coincidence that most of these books ...”

“... syphilis of time, played so well, on an anvil of whitewashed cement, alongside a municipal bowling green, that it became the provocation for a pedestrian expedition testing the Brexit boundaries of a timeless mead-hall England, before the fleet of plundering Papist Normans came sailing over the horizon. Just as tabloid gangs of Albanian drug-trafficking white ...”

“... rooms and the individuals and things that existed inside them. He played a parlour game with David Sylvester in which they challenged each other to remember the names and exact positions of paintings in small museums that they knew by heart. His memories of childhood interiors were so precise that they sometimes read like the entries of auction ...”

“... posters and catalogues for exhibitions of the work of Donald Judd, Patrick Heron, Richard Long and David Hockney. When Hockney drew a portrait of Glazebrook, he chose to represent him with Hollis’s 1970 catalogue in his lap. Christopher Wilson’s excellent Richard Hollis Designs for the Whitechapel, the final book from Hyphen Press, is not only a detailed ...”

“... always described in terms of ‘our boys out there’, sons, lads, children, a poor, beleaguered David. That’s us, the eternal victims. And the enemy is always Goliath, even the children who defied the IDF in Rafah three days ago and therefore had to die while demonstrating, empty-handed, in solidarity with the thousands whom the benevolent military had ...”

“... of Etienne-Jules Marey and Lucien Bull, and the popular adventures of Jacques Cousteau and David Attenborough. In another light Painlevé is a photographic modernist, attending to tiny spines on the rostrum of a shrimp with the abstracting eye that Karl Blossfeldt brought to fiddlehead ferns or László Moholy-Nagy to the geometry of a city street. On ...”

“... between ‘Useless Man’, a dirge from Bowery’s trash art noise band Minty, and a rendition of David Bowie’s ‘Ashes to Ashes’. What might Bowery have identified with in the latter song? I ain’t got no money and I ain’t got no hair? Or something to do with salacious self-mythology? Sordid details following …He was born in 1961 and grew up in ...”