The New Deal

Tom Crewe, 17 August 2017

... period, a lawless Wild West of unmeaning and misunderstanding that was at some point tamed by the self-discipline and integrity of politicians and the formation of the national media which until recently we held in such high regard. This second assumption is equally misguided. Politicians have always lied, or half-lied, and the media has always leaned one way ...

Report from Sirius B

Jeremy Harding: ‘Phantom Africa’, 22 March 2018

Phantom Africa 
by Michel Leiris, translated by Brent Hayes Edwards.
Seagull, 711 pp., £42, January 2017, 978 0 85742 377 1
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... Leiris (b. 1901) went on to become an ethnographer, though he is much more famous for his lifelong self-investigation in a series of startling autobiographical works. L’Age d’homme, which began to take shape in 1930, was the first. By then, he had finished his military service, abandoned his studies in chemistry and was moving in a world that suited his ...

Bereft and Beruffed

Michael Dobson: Shakespeare’s Last Plays, 6 June 2019

Shakespeare’s Lyric Stage: Myth, Music and Poetry in the Last Plays 
by Seth Lerer.
Chicago, 276 pp., £20.50, November 2018, 978 0 226 58254 2
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... and directors, and will very likely be heard in due course at Branagh’s own, gives this ending a self-consciousness and self-reflexiveness which further align it with the habits of the last plays. It is a little inconvenient for accounts of Shakespeare’s last period that insist on explaining it in terms of a return to ...

It’s a playground

Gilberto Perez: Kiarostami et Compagnie, 27 June 2002

Close-Up: Iranian Cinema, Past, Present and Future 
by Hamid Dabashi.
Verso, 302 pp., £15, November 2001, 1 85984 332 8
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... of the portrayal of Kiarostami as an auteur. What he seems to admire most about him is his self-effacement. He praises the ‘ingenuous eye of his camera’ for stripping away cultural constructions and quietly enabling us to see the ‘nakedness of reality’. Kiarostami ‘became the Iranian post-Revolutionary film-maker par excellence’, Dabashi ...

Stewing Waters

Tim Parks: Garibaldi, 21 July 2005

Rome or Death: The Obsessions of General Garibaldi 
by Daniel Pick.
Cape, 288 pp., £16.99, July 2005, 0 224 07179 3
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... of some collective ‘illusion’ that would provide its people with a sense of purpose and mutual self-esteem. To give his considerations on Rome a focus, Pick follows the story of the man who, in the decades following Leopardi’s death, sought to promote an ‘illusion’ of the sort the poet had prescribed: in speech after speech from the balconies of ...

The Atlantic Gap

Neal Ascherson: Europe since the War, 17 November 2005

Postwar: A History of Europe since 1945 
by Tony Judt.
Heinemann, 878 pp., £25, October 2005, 0 434 00749 8
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... It was not a ‘harbinger of the downfall of Communist power’, in his view, but a carefully self-limiting revolt which accepted that Communism could not be overthrown. ‘The developments in Poland were a stirring prologue to the narrative of Communism’s collapse, but they remained a sideshow. The real story was elsewhere.’ In other words, not in ...

Special Frocks

Jenny Turner: Justine Picardie, 5 January 2006

My Mother’s Wedding Dress: The Fabric of Our Lives 
by Justine Picardie.
Picador, 336 pp., £12.99, September 2005, 0 330 41306 6
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... with very pale tights’ look like ‘pigs’ trotters’, apparently, but ‘clothes are about self-expression’ so ‘feel free to ignore all of the above.’ The most straightforwardly entertaining parts of the book are those in which Picardie uses her press credentials to enter the dim, gothic world of European high fashion, with its ...

Complacent Bounty

Susan Eilenberg: The Detachment of Muriel Spark, 15 December 2005

All the Poems 
by Muriel Spark.
Carcanet, 130 pp., £9.95, October 2004, 9781857547733
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The Finishing School 
by Muriel Spark.
Penguin, 156 pp., £6.99, April 2005, 9780141005980
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... Spark performs a perpetual disowning and reowning of creaturely and particularly writerly self-loss: to write or to speak is to borrow a power capable of being turned unnervingly against one, and autobiographical connection yields not security of possession but a sense of the uncanny. Spark’s fiction seems not merely to recall her life but – just ...

Pseud’s Corner

John Sutherland, 17 July 1980

Duffy 
by Dan Kavanagh.
Cape, 181 pp., £4.95, July 1980, 0 224 01822 1
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Moscow Gold 
by John Salisbury.
Futura, 320 pp., £1.10, March 1980, 0 7088 1702 5
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The Middle Ground 
by Margaret Drabble.
Weidenfeld, 248 pp., £5.95, June 1980, 0 297 77808 0
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The Boy Who Followed Ripley 
by Patricia Highsmith.
Heinemann, 292 pp., £6.50, April 1980, 0 434 33520 7
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... it seems likely that Orwell needed some symbolic manumission in order to emancipate his writing self. One notes, in support of this, the prominence in the novels of heroes like Gordon Comstock who break with their stultifying families. And it is interesting, in the light of the works reviewed here, that Patricia Highsmith also seems to have been one of ...

Heart, Head, Life, Fate

Steven Shapin: Talk to the hand, 19 March 2026

Decoding the Hand: A History of Science, Medicine and Magic 
by Alison Bashford.
Chicago, 446 pp., £25, December 2025, 978 0 226 83115 2
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... emotions.’ Hand-reading was, Bashford says, ‘part of the history of a modern search for a self’, its language changing with historical changes in conceptions of the self’s structure and dynamics.In the 19th and 20th centuries, while hand-reading might tell what you were really like as an individual, Darwin’s ...

World-Beating Buster-Upper

Colin Burrow: Muriel Spark’s Wickedness, 9 October 2025

The Letters of Muriel Spark, Vol. 1: 1944-63 
edited by Dan Gunn.
Virago, 679 pp., £35, August, 978 0 349 01434 0
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Electric Spark: The Enigma of Muriel Spark 
by Frances Wilson.
Bloomsbury, 408 pp., £25, June, 978 1 5266 6303 0
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... early religious feeling made him ‘rest in the thought of two and two only supreme and luminously self-evident beings, myself and my Creator’. Spark’s heroine loves the passage, but also feels ‘a revulsion against an awful madness I then discerned in it’. That awful madness within the love of God, and the correspondingly awful madness that potentially ...

Diary

Sheila Fitzpatrick: Two Cultures of Denunciation, 25 September 2025

... This was one of the Cold War axioms encountered in the US in the 1970s that struck me as self-evidently wrong. Having grown up with an outspoken left-wing father who trod on toes in Cold War Australia (where we had our own HUAC equivalents in the form of Royal Commissions on espionage and communism), it seemed odd to me that Americans had so quickly ...
... be achieved by examining men’s attitudes to God, nature, one another, and in particular their self-images as these are embodied in social institutions, especially in forms of language and of religious and artistic self-expression, connected in his mind with class conflict and social tension: these institutions provided ...

Poland’s Special Way

Keith Middlemas, 4 February 1982

The Polish August: What Happened in Poland 
by Neal Ascherson.
Allen Lane, 316 pp., £12.50, December 1981, 0 7139 1469 6
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... the innate political wisdom of the Polish people, requires a suspension of disbelief. The ‘self-limiting revolution’ of the American subtitle looks like a marker set down for a future which will not now take place. There is, in fact, a contradiction between his highly realistic narrative and his idealism, which amounts almost to an emotional ...

Rising above it

Russell Davies, 2 December 1982

The Noel Coward Diaries 
edited by Graham Payn and Sheridan Morley.
Weidenfeld, 698 pp., £15, September 1982, 0 297 78142 1
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... one might call it a civilian’s version of ‘I was only obeying orders’ – is about as far as self-accusation goes in these pages. I suppose it is inevitable that actors will put most of their scientific rigour, if not in some cases their entire capacity for self-criticism, into their literally life-enhancing work on ...