“... have some answers) by writing. At first she reads books by men. Graham Greene, Edgar Allan Poe, Robert Louis Stevenson, ‘that man who wrote Heart of Darkness, whose name escapes me’.I hardly ever saw so much as a glimpse of myself in any of their books and I didn’t care to. I didn’t want to exist in books. I liked how the men talked to other men and ...”

“... of an apparently seamless whole.If time isn’t continuous, it becomes barely recognisable. In Robert Coover’s great story ‘Going for a Beer’, barely a thousand words long, the continuousness is deceptive, belonging to language and not to the experience language claims to represent. ‘He finds himself sitting in the neighbourhood bar drinking a ...”

“... bizarre proportions when, in 1923, learning that he would be present at a dinner for Ezra Pound, Robert Desnos, author of Pénalités de l’enfer, turned up with the serious intention of killing Cocteau. In the end, his desired victim didn’t show up, and Desnos tried to plant his knife in Pound’s back; he was restrained and escorted out. The incident is ...”

“... next, a romantic comedy at the pictures after that. The so-called ‘morbid’ age was also, as Robert Graves and Alan Hodge suggested in 1940, when calling their social history of the interwar years The Long Weekend, an age of mass pleasures, of the lido, rambling and cycling clubs, the first holiday camps and the dance hall (the ‘Lambeth Walk’ was the ...”

“... says, in ‘a race to the bottom driven by ever-receding profitability’. The Nazi politician Robert Ley said that ‘there is no longer such a thing as a private individual.’ Half a century after Ley’s suicide at Nuremberg, Morgan, as editor of the News of the World, ensured that this was the case in Britain. Every parasite has its parasite. Every ...”

“... newt carved on the wall of Aughton Church. This is thought to be a not so enigmatic reference to Robert Aske, leader of the Pilgrimage of Grace in 1536, martyred by Henry VIII, aske being a folk name for ‘newt’. Less memorably, the Neaves refer to a railway carriage perched parlously on the cliff edge at Skipsea. Unless there is another railway carriage ...”

“... naturally – to Sparta. Its catalogue of model leaders begins with the Confederate general Robert E. Lee, long idolised by McChrystal as a flawed but brilliant military commander, and moves on through a baffling assortment of characters ranging from Walt Disney and Coco Chanel (‘Founders’) to Martin Luther and Martin Luther King ...”

“... his first book of art history, Form and Meaning: Writings on the Renaissance and Modern Art by Robert Klein, which includes an intriguing essay on ‘the eclipse of the work of art’. Soon Bois is obsessed with the transformations in American art glimpsed in the pages of Artforum, and contrives to visit the United States as an exchange student. Though ...”

“... The radical edge to writing on convicts has long since been blunted by those historians whom Robert Hughes, in his epic The Fatal Shore (a tour de force which showed that the expatriate can instruct the locals), labelled as the ‘normalisers’. To expunge the convict stain, the normalisers play down the violence and horror of the transportation ...”

“... his national service in Puerto Rico. The manuscript was submitted to Simon and Schuster, where Robert Gottlieb, after dickering for two years, eventually turned it down in 1966. By 1969 Toole was an English instructor at Dominican University, working in his spare time on his PhD. A modest academic career seemed likely. But Toole began to behave in a ...”

“... they were following, in some measure and according to their capacity, the brilliant example of Robert Graves, whose coming to maturity as a poet was a matter of saying a decisive ‘goodbye’ not only to the war but to all ghosts and rubbish (including cast-off language) that threatened the living. It was in 1930 that T.S. Eliot wrote in Criterion, with ...”

“... the cinema-owners; the idiocy involved in cutting films down, etc.’ An essay from 1976 praising Robert Altman’s Nashville begins with two and a half pages of honest rage at the philistine state of German film criticism, which has dwindled to the status of the listings guide. ‘As this sort of criticism writes about films only as something that you ...”

“... Lawrence found in him the combined perfections of the finest Classical statues, and Benjamin Robert Haydon wrote as enthusiastically about him as he did about the Parthenon Marbles. Having taken separate moulds of all parts of Wilson’s body, Haydon conceived of a bolder plan and had him enclosed in a box into which he poured seven bushels of plaster of ...”

“... gather from his letters to them – or to close English friends like Charles Milnes Gaskell, Sir Robert Cuncliffe and Cecil Spring Rice – that the gamut of writers he casually and aptly quoted or alluded to seriously engaged him. Not one letter contains an extended passage on a literary work. His test for a storyteller, a ‘trivial sort of animal’, was ...”

“... of The Magic Flute (all of this under the auspices of the American director Peter Sellars). Robert Lowell meant to write a libretto and duly boned up with intensive attendance at the New York Met, but never delivered. John Ashbery has not, so far as I know, produced a libretto – only the poem, ‘Syringa’, specially composed for a setting by Elliott ...”