“... Gaudi in Barcelona, Wagner and Hoffman in Vienna, Guimard and Horta in France and Belgium, Frank Lloyd Wright in the US – of which he finds Clough, and the AA generally, unaware. I am not at all sure, either about the unawareness or about this ferment being the only one available. After all, Clough was plumb in the middle of the excitements of the ...”

“... in the North of England in the early Seventies. In Last Night a DJ Saved My Life Bill Brewster and Frank Broughton put Northern Soul in a historical context, not just as the ‘first rave culture’ but also ‘a vitally important step in the creation of today’s club culture and in the evolution of the DJ’. Now, when, in the words of one Mixmag ...”

“... in literary history where ‘Dylanesque’ could be taken to refer to either Bob Dylan or Dylan Thomas, with roughly equal justice.) Good though the game was, it was sometimes forced on Lennon, as in ‘Norwegian Wood’, where he wished to write about an affair without letting his wife know the details. Sometimes he forced it on us, as in the towering ...”

“... Speaking of the American painters he championed in the 1960s – Kenneth Noland, Jules Olitski and Frank Stella – Fried observed that their work ‘not only arises largely out of their personal interpretations of the situation in which advanced painting found itself at crucial moments in their respective developments’: it ‘also aspires to be judged, in ...”

“... was carefully trained in the art of letter writing. His bedroom, according to his early biographer Thomas Moffet, ‘overflowed with elegant epistles’ which he had painstakingly written. The opening letter in Roger Kuin’s superb new edition of his correspondence, addressed to the 12-year-old Philip by his father, Sir Henry, urges him ‘to exercise that ...”

“... up. The Quarry also shares a number of similarities with The Wasp Factory: like the psychopathic Frank in The Wasp Factory, The Quarry’s narrator, Kit, is a troubled teen stuck in a house with strange and unpredictable adults. What, the novel seems to be asking, is normal adult behaviour? What is innocence? What is youth? How shall we then live? In both ...”

“... contained. It included such early classics as R.S.R. Fitter on the natural history of London, and Frank Fraser Darling on the Scottish Highlands. Rackham has all their verve and learning, the same immediacy in the telling, but an even greater wish to involve the reader in a problem and its solving. It is, he says, a book more about questions than answers. It ...”

“... like he is absorbing the Viktor Orbán lesson.’ Among the speakers at NatCon London was Frank Furedi, the former leader of the Revolutionary Communist Party who currently heads the Brussels branch of a private Hungarian college that has received billions of forints from Orbán’s government. He’s called it ‘a chance to fight back in the culture ...”

“... whole European tradition. It suits me fine if that’s all down the drain.’ This happens to be Frank Judd speaking in the late 1960s, but all that distinguishes it from Futurist manifestos of fifty years before is its tone of lumpen disgruntlement. Allen Ginsberg, quoted in one of Butler’s epigraphs, says: ‘there is nothing to be learned from history ...”

“... and the argument over how to define and apply Constitutional freedoms begins to turn ugly. Judge Frank M. Johnson Jr, the great liberal Southern jurist on the 11th US Circuit Court of Appeals, who former Alabama Governor George Wallace called an ‘integrating, carpet-bagging, scalawagging, bald-faced liar’, explained the flammable Constitutional argument ...”

“... I do much more in Sedaris than quote Sedaris, much more than simply ‘rhapsodise’ (to quote Frank Lentricchia). I analyse the man. I synthesise him. I provide what both Marxists and Freudians call ‘symptomatic readings’. But beyond that, beyond what all literary critics (including Lentricchia) are supposed to do, I – well, let me quote Winton ...”

“... In the 1964 film Robin and the Seven Hoods, when someone compares ‘Robbo’ (Frank Sinatra) to Robin Hood, one of the gangsters asks: ‘Who’s Robin Hood?’ And another replies: ‘Well, he was a hood, some Englishman who lived long ago and had an operation going for him in the forest. And I guess the "robin” means he stole birds ...”

“... Who is worse, the cannibals who eat their enemies or the French who torture them? Montaigne’s frank self-revelation, fluid understanding of the self and cultural relativism can feel surprisingly modern. So can his views on gender: ‘I say that male and female are cast in the same mould: save for education and custom the difference between them is not ...”

“... you now is like/seeing a god or a king/naked and starving in a field,’ the poet Rebecca Morgan Frank wrote in ‘Monk Automaton, c.1560’ (2021), an ode to the machine. But clothed and activated the monk becomes uncanny, even whimsical. When placed on a table it traces the path of a seven-pointed shape. With its head turning left to right, and its eyes ...”

“... and pouncing upon the first occasion helpfully to get at me’. Both James in his stories and Thomas Mann in The Magic Mountain (1924) understood the power which ghosts and séance scenes held in the imaginations of their readers. During the First World War, as Maddox says, ‘grieving millions turned to the spiritualist movement, searching for messages ...”