Keep the baby safe

Stephen Sedley: Corrupt and Deprave, 10 March 2022

A Matter of Obscenity: The Politics of Censorship in Modern England 
by Christopher Hilliard.
Princeton, 320 pp., £28, September 2021, 978 0 691 19798 2
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“... in 1960 whether Lady Chatterley’s Lover was a book they would want their wives or servants to read. The jury – which included three women – is said to have laughed. Its acquittal of Penguin on a charge of violating the newly minted Obscene Publications Act 1959 is widely regarded as a turning point in the centuries-long persecution of literature and ...”

Maypoles

Conrad Russell, 5 September 1985

The Restoration: A Political and Religious History of England and Wales 1658-1667 
by Ronald Hutton.
Oxford, 379 pp., £17.50, June 1985, 0 19 822698 5
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“... Hutton was justified in complaining that hitherto the history of the ‘English Revolution’ has read like ‘a marvellous story with the last chapter missing’. This is so no longer, but what does it tell us about ourselves that we have allowed the concept of ‘revolution’ (itself a French import) to excite us so much that we do not attempt to study ...”

At the British Library

Peter Campbell: ‘Magnificent Maps’, 8 July 2010

“... an elaborate cartouche that fills another. They are showy pieces of engraving: things to be read in quite a different way from the precise and comprehensive array of symbols (‘over 50 signs for human settlements, physical relief, military installations and so on’) that fill the topographic map that lies between them. The divisions of the exhibition ...”

Imagine Tintin

Michael Hofmann: Basil Bunting, 9 January 2014

A Strong Song Tows Us: The Life of Basil Bunting 
by Richard Burton.
Infinite Ideas, 618 pp., £30, September 2013, 978 1 908984 18 0
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“... might nominate Trakl, Laforgue, Keats and Shelley (I don’t think I breathed while I was reading Richard Holmes’s Shelley: The Pursuit all those years ago); for a rare, artful blending of long and short, one can’t do better than Rimbaud and Hölderlin; and for the latter, Hamsun, Yeats, Shaw – and Bunting. Incidentally, or maybe not, Bunting also shows ...”

At the National Portrait Gallery

Peter Campbell: Wyndham Lewis, 11 September 2008

“... is telling. In both in the engraving and Lewis’s portraits cheeks, nose, chin and eyelids read as sculpted volumes rather than soft, mobile flesh. You wouldn’t have got much help if you were trying to imagine what Shakespeare or Lewis might have looked like had they walked into the room. On the other hand, the engraving has only to appear on the ...”

At the V&A

Peter Campbell: Penguin’s 70th birthday, 2 June 2005

“... and elegant. He hated the pages of black sans serif type, punctuated with illustrations, which Richard Hollis – working with Berger and others – had produced.Beatrice Warde, advocating the kind of tailored designs which Tschichold (briefly, but brilliantly) and Schmoller produced at Penguin, said that a book, like a wine glass, should not draw ...”

Mirror Images

Christopher Andrew, 3 April 1986

World of Secrets: The Uses and Limits of Intelligence 
by Walter Laqueur.
Weidenfeld, 404 pp., £25, November 1985, 0 297 78745 4
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“... Stimson took office as US Secretary of State in 1929 in the firm belief that ‘gentlemen do not read each other’s mail,’ and closed down the State Department’s SIGINT (signals intelligence) agency. The success of the Japanese surprise attack at Pearl Harbour in 1941 reflected the Administration’s continuing inability to make good use of the SIGINT ...”

Posthumous Gentleman

Michael Dobson: Kit Marlowe’s Schooldays, 19 August 2004

The World of Christopher Marlowe 
by David Riggs.
Faber, 411 pp., £25, May 2004, 0 571 22159 9
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Christopher Marlowe and Richard Baines: Journeys through the Elizabethan Underground 
by Roy Kendall.
Fairleigh Dickinson, 453 pp., $75, January 2004, 0 8386 3974 7
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Tamburlaine Must Die 
by Louise Welsh.
Canongate, 149 pp., £9.99, July 2004, 1 84195 532 9
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History Play: The Lives and Afterlife of Christopher Marlowe 
by Rodney Bolt.
HarperCollins, 388 pp., £17.99, July 2004, 0 00 712123 7
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“... a short step to the triple breakthrough of 1595, A Midsummer Night’s Dream, Romeo and Juliet and Richard II. The combination of a learned and allusive style with the indulgent mockery of a schoolmaster who enjoys the friendly patronage of a king proclaim a writer at ease with his own educational capital and the position it may earn him. As it turned ...”

At the Movies

Michael Wood: ‘Man on Wire’, 11 September 2008

Man on Wire 
directed by James Marsh.
August 2008
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“... doesn’t tell us to), other, later figures who couldn’t walk in the air, and especially perhaps Richard Drew’s famous photograph, taken at 9.41 a.m. on 11 September 2001, showing a man dropping downwards head first, one leg bent at the knee, only the abstract vertical lines of a building behind him, a construction that in the photograph has neither top ...”

On Putting Things Off

Robert Hanks, 10 September 2015

“... procrastinator in the relationship. While this was going on the LRB commissioned me to write about Richard Hughes, who wrote A High Wind in Jamaica. I like Hughes and it seemed like a job I could get on with. I cheerfully settled to the research, reading the novels I hadn’t read, rereading the ones I had. Then I started ...”

Bad Nights at ‘The Libertine’

Keith Walker, 8 October 1992

Handel’s ‘Messiah’: A Celebration 
by Richard Luckett.
Gollancz, 258 pp., £18.99, April 1992, 0 575 05286 4
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The Rise of Musical Classics in 18th-Century England: A Study in Canon, Ritual and Ideology 
by William Weber.
Oxford, 274 pp., £35, July 1992, 0 19 816287 1
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“... the virtual extinction of original English music for more than a hundred years’. Richard Luckett will have no truck with cultural snobbery of this sort, even if he fastidiously forgets ‘Hallelujah’ when he writes that in ‘For now is Christ risen’ Christ is ‘named for the first time in Messiah’. His quirky, learned, acerbic book ...”

Most losers are self-made men

Theo Tait: Richard Ford, 5 July 2012

Canada 
by Richard Ford.
Bloomsbury, 420 pp., £18.99, June 2012, 978 0 7475 9860 2
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“... The first two sentences of Richard Ford’s seventh novel have the ring of permanence about them: ‘First, I’ll tell about the robbery our parents committed. Then about the murders, which happened later.’ They encapsulate not just Canada’s events, but its mood and style, the balance of sensational goings-on with a ruminative, rueful delivery ...”

Doomed

Graham Hough, 3 December 1981

Ah, but your land is beautiful 
by Alan Paton.
Cape, 270 pp., £6.95, November 1981, 0 02 241981 0
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A Flag for Sunrise 
by Robert Stone.
Secker, 402 pp., £6.95, November 1981, 9780436496813
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Something Else 
by Virginia Fassnidge.
Constable, 152 pp., £5.95, October 1981, 0 09 464340 7
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The Air We Breathe 
by Gabriel Josipovici.
Harvester, 114 pp., £6.95, November 1981, 0 7108 0056 8
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“... physical detail, and has all the pace and grip of the high-class modern thriller. Yet no one could read it as a thriller. It is heavy with a sense of doomed history that connects it with Dog Soldiers, for the leading figures have been involved in previous American adventures overseas, and describe themselves as Vietnam burn-outs. Most of the characters are ...”

It Didn’t Dry in Winter

Nicholas Penny, 10 November 1994

Wealth and the Demand for Art in Italy 1300-1600 
by Richard Goldthwaite.
Johns Hopkins, 266 pp., £25, July 1993, 0 8018 4612 9
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“... and Ezra Pound, for example, at much 16th-century Italian art. In the Introduction to his book Richard Goldthwaite writes that it is an ‘enlargement of Jacob Burckhardt’s classic – and much-debated – vision of Renaissance Italy as the birthplace of the modern world’. But he takes no interest in the discovery of pagan antiquity, the natural world ...”

Diary

Robert Walshe: Bumping into Beckett, 7 November 1985

“... learned, comes in volumes of thirty or forty pages and seldom fills up the page. It can be read, which does not mean to say that it may be absorbed, in the time it takes to polish off your apple and cheese. Prose, if it happens to be Dostoevskian epic with injections of Tolstoy, will keep you busy for a solid month and easily stop you getting on with ...”