“... martyr of Khartoum, I left the pier and its deserted wine bars and found my way to the Old Town Hall: the political and civic centre. The big attraction was an exhibition of paintings by Duncan Grant: ‘Duncan Grant, Gravesend Artist’, that is, not the Bloomsbury wildboy. A pulsating view, down High Street and the Heritage Quarter to the Thames, having ...”

“... plotline. But how to screw the girl without ending up in the new semi with the pram in the hall on the council estate at the edge of town? Women in these fictions are enticing but dangerous, knees-together honeypots bartering sex for a ring. To quote Julie Christie, who would know: ‘They exist to be disliked by the heroes.’How, then, to make sense ...”

“... will to literature received its fullest critical acknowledgment in the period between Richard Ellmann’s 1959 biography of Joyce and Hugh Kenner’s The Pound Era (1971). Kenner’s book, based in part on interviews with Pound, presents itself as a parting glimpse of an age of demi-gods. It marvellously exhibits, by a vivid survey of ...”

“... the Liverpool department-store manager who’d built it up from its wartime use as a dance-hall, and then for 18 years as general director. The high point of Webster’s reign was the Georg Solti era (1961-71). Tooley presided over the rather lesser era of Colin Davis (1971-86). Things, indeed, began to fall apart when Davis’s partnerships with Peter ...”

“... hyperreality in Baudrillard’s sense – something that is more real than real, a hall of mirrors in which the separation between the world and its representations dissolves? Or perhaps all of the above?The ‘rich confusion’ of American identity, as Baldwin put it, has given rise to endless attempts at definition, by foreign observers as ...”

“... his La Boutique fantasque brought André Derain’s designs to the Coliseum, then a music hall. The story of two cancan dolls who elope from a Victorian toyshop, it provided a satirical view of 19th-century mores, its human characters more like ironic cartoons and its dancing toys – Massine and Lopokova – strangely sinister as well as ...”

“... itself. As Primo Levi wrote, ‘it happened, therefore it can happen again.’Are​ we, as Richard Seymour suggests, ‘in the early days of a new fascism’? In Disaster Nationalism, Seymour argues that in trying to understand the new far right, we have been looking in the wrong places. Parties and policy platforms, or the personalities of ...”

“... Oxford 1968-9. In the evenings, after dinner in hall, groups would take shape informally in the quad. There was Richard Cobb’s lot, making for the buttery and another round of worldly banter. There was this or that sodality, taking a cigarette break or killing time before revision ...”

“... then would have swived the other sister both’. He fought for the invading Tudor forces against Richard III. Unsubstantiated legend has him as a standard-bearer at Bosworth, cut down close to the person of the man who would soon be king. Whatever the exact truth, he died a hero with a claim on the gratitude of the new regime. He did not leave much land for ...”

“... winning was important to Britten, whether it was a game of cards or the building of a new concert hall, a tennis match or the staging of an opera. Criticism was intolerable to him. Britten had the misfortune to be born with a talent so much greater than that of his competitors that winning came fatally easily. Now this is plain to see. W.H. Auden saw it at ...”

“... football pitches, changing rooms erected to replace shower blocks opened in the dark ages by Wendy Richard of EastEnders. Back in the 1820s Gas Company funds were misappropriated, illegal payments made to council officials and stock accounts falsified. Now, in more enlightened times, when bureaucratic malpractice is exposed and celebrated every ...”

“... began to produce books. In the library Kazin sometimes sat across from his friend the historian Richard Hofstadter, who was also writing his first book, and their simultaneous composition was also a form of becoming. The battle Kazin had all his writers fight in On Native Grounds was a battle against an uncaring America, a vast industrial civilisation. He ...”

“... Butterfield, Frederick Pilkington, Dominikus and Gottfried Böhm, Claude Parent, Rodney Gordon, Richard Rogers (in his Gothic moods), Zaha Hadid. Sometimes, as with the Communist emulator of the style of Italian Fascism Douglas Stephen, architect of a ‘Dan Dare mini-skyscraper’ in Swindon, or the South London aesthete Sextus Dyball, designer of ...”

“... the austere concrete box of a decommissioned power station. The ancient oak trees at Mundon Hall were already beginning to die when Warner first saw them; the trunks still stand in spindly echelon. It was during a visit to the Essex marshland that she became, as her biographer Claire Harman puts it, ‘properly her own person’. For the first time in ...”

“... One refers to the public human being, as when you say: ‘I’ll meet you in front of Carnegie Hall at a quarter to eight.’ The other refers to the subject of consciousness, as when you think, ‘I hear an oboe,’ or ‘cogito ergo sum.’ The argument of the book proceeds from phenomenology – an introspective examination of the subjective character ...”