Making It Up

Raphael Samuel, 4 July 1996

Raymond Williams 
by Fred Inglis.
Routledge, 333 pp., £19.99, October 1995, 0 415 08960 3
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... lectured in the Fifties, becomes the occasion for an inspirational (if inaccurate) Baedeker of the Broad. Likewise, Inglis seems to be on familiar terms with all his chosen players, seldom allowing a name to pass by without offering a thumbnail sketch. Indeed, the book is a sort of stage, on which Inglis’s gods and heroes disport themselves. Thus at the ...

Why Not Eat an Eclair?

David Runciman: Why Vote?, 9 October 2008

Free Riding 
by Richard Tuck.
Harvard, 223 pp., £22.95, June 2008, 978 0 674 02834 0
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... to have felt that voting might be a special case that needed further consideration. However, as Richard Tuck points out in his fascinating new book about the strange hold that the free rider problem has had on political science ever since Olson, such misgivings have not stopped many of his followers from treating voting as the paradigmatic case of the ...

More Pain, Better Sentences

Adam Mars-Jones: Satire and St Aubyn, 8 May 2014

Lost for Words 
by Edward St Aubyn.
Picador, 261 pp., £12.99, May 2014, 978 0 330 45422 3
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Books 
by Charlie Hill.
Tindal Street, 192 pp., £6.99, November 2013, 978 1 78125 163 8
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... John Elton for an American literary agent with a disfiguring hair transplant) and passages of broad pastiche, such as this from a novel about Shakespeare: ‘“Fye, Will,” said Lucretia, arching backwards and pulling William towards her, “keep thy wit for thy plays, for wit is a poor actor that comes on and plays his part and is heard no more, but ...

I want to love it

Susan Pedersen: What on earth was he doing?, 18 April 2019

Eric Hobsbawm: A Life in History 
by Richard J. Evans.
Little, Brown, 800 pp., £35, February 2019, 978 1 4087 0741 8
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... historical and autobiographical questions and then hares off to tackle the former. This means that Richard Evans had an untilled field before him. Based on unrestricted access to Hobsbawm’s personal archive, this is one of those doorstopper biographies that can get published in Britain even when the subject is a historian. It clocks in at 662 pages of text ...

A Hit of Rus in Urbe

Iain Sinclair: In Lea Valley, 27 June 2002

... and the London Waste Ltd plant in particular, was investigated by the television journalist Richard Watson for Newsnight. A predictable story of fudging, economy with the truth, buck-passing and ministerial denial. Until August 2000, London Waste was guilty of mixing relatively safe bottom ash with the contaminated fly ash that the process was ...

The Right Kind of Pain

Mark Greif: The Velvet Underground, 22 March 2007

The Velvet Underground 
by Richard Witts.
Equinox, 171 pp., £10.99, September 2006, 9781904768272
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... of these musicians is a virtuoso of one or another aspect of pop. Yet the first book to appear, by Richard Witts, tackles the Velvet Underground. The Velvet Underground were decidedly not these kinds of virtuoso. There are confirmed music fans who can’t bear to listen to the songs considered their most characteristic (‘Heroin’, ‘Sister Ray’). With a ...

Tinkering

Mark Greif: Walt Disney, 7 June 2007

Walt Disney: The Biography 
by Neal Gabler.
Aurum, 766 pp., £25, May 2007, 978 1 84513 277 4
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The Animated Man: A Life of Walt Disney 
by Michael Barrier.
California, 393 pp., £18.95, April 2007, 978 0 520 24117 6
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Drawing the Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson 
by Tom Sito.
Kentucky, 440 pp., £19.95, September 2006, 0 8131 2407 7
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... Bubbles and hired expert Italian artisans to fabricate it; the result is a centrepiece of the Broad Collection. He could never have executed such work himself; but it was his idea. Was Disney such an artist? Well, he wasn’t exactly like any of these types, though his methods bore some relation to each of the three. He was an old-fashioned craft-oriented ...

Diary

Alan Bennett: Bennett’s Dissection, 1 January 2009

... week. 15 April. I have given all my literary archive to the Bodleian Library and this afternoon Richard Ovenden, the keeper of special collections, comes round to load up the hundred or so box files and take them to Oxford. There will be more in due course, including all my notebooks and the annotated copies of the printed stuff, but I’m very happy to see ...

Is Wagner bad for us?

Nicholas Spice, 11 April 2013

... between the orchestra and the conductor, Hans von Bülow, grew strained: Franz Strauss, father of Richard and the brilliant first horn of the Munich orchestra, had a blazing row with von Bülow, stomped out of the pit and had to be coaxed back. Ludwig Schnorr von Carolsfeld, who sang Tristan to his wife’s Isolde, caught a chill on stage and subsequently ...

What’s It All About?

Tom Lubbock, 6 April 1995

Shark-Infested Waters: The Saatchi Collection of British Art in the Nineties 
by Sarah Kent.
Zwemmer, 270 pp., £19.95, November 1994, 0 302 00648 6
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The Reviews that Caused the Rumpus, and Other Pieces 
by Brian Sewell.
Bloomsbury, 365 pp., £12.99, November 1994, 0 7475 1872 6
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... of ‘contemporary art’: Nicholas Serota (at the Tate), Charles Saatchi, Sarah Kent (Time Out), Richard Dorment (Daily Telegraph, oddly enough). Against: Modern Painters, Brian Sewell (Evening Standard), Giles Auty (Spectator), Glynn Williams (at the RCA) and any number of Johnsonian or Waugh-like commentators who throw themselves into the breach on wet ...

Diary

Alan Bennett: What I did in 2016, 5 January 2017

... I suppose because the rasping quality in his voice echoed Auden’s harsh tones. However, because Richard Griffiths was available and indeed anxious to play the part, the role went to him. Emergency casting sessions such as the one Gambon knew we were holding are always mildly hysterical and often very funny as assorted names (often wildly unsuitable) are put ...

Who’s the real wolf?

Kevin Okoth: Black Marseille, 23 September 2021

Romance in Marseille 
by Claude McKay.
Penguin, 208 pp., £12.99, May 2020, 978 0 14 313422 0
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... and workers is further explored through St Dominique’s relationship with Big Blonde, a broad-shouldered worker who looks like a ‘hero straight out of Joseph Conrad’. Big Blonde is something of an enigma around the Vieux Port: he spends his time working hard on the docks or courting Petit Frère, a sex worker ‘fascinating with his pale ...

Now to Stride into the Sunlight

Ian Jack: The Brexiters, 15 June 2017

What Next: How to Get the Best from Brexit 
by Daniel Hannan.
Head of Zeus, 298 pp., £9.99, November 2016, 978 1 78669 193 4
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The Bad Boys of Brexit: Tales of Mischief, Mayhem & Guerrilla Warfare in the EU Referendum Campaign 
by Arron Banks.
Biteback, 354 pp., £9.99, June 2017, 978 1 78590 205 5
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All Out War: The Full Story of How Brexit Sank Britain’s Political Class 
by Tim Shipman.
William Collins, 688 pp., £9.99, June 2017, 978 0 00 821517 0
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... to bring countries together than any number of EU directives.’ He quotes another political hero, Richard Cobden, the Manchester textile manufacturer and Anti-Corn Law Leaguer, who described free trade as ‘God’s diplomacy’, not bothering to notice that in the case of the redundant cotton weavers of Bengal, the casualties of cheap Lancashire cloth, God ...

Blink, Bid, Buy

Donald MacKenzie, 12 May 2022

... which tries to prevent any ads appearing at all.)Newspapers usually arrange their content into broad categories: ‘news’, ‘politics’, ‘sport’, ‘travel’. Some advertisers simply don’t allow their adverts to be shown alongside ‘news’. In November last year, for example, the editorial staff of one major UK newspaper quite reasonably chose ...

Theory and Truth

Frank Kermode, 21 November 1991

Minor Prophecies: The Literary Essay in the Culture Wars 
by Geoffrey Hartman.
Harvard, 252 pp., £23.95, October 1991, 0 674 57636 5
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Spinoza and the Origins of Modern Critical Theory 
by Christopher Norris.
Blackwell, 240 pp., £30, July 1990, 0 631 17557 1
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What’s wrong with Postmodernism: Critical Theory and the Ends of Philosophy 
by Christopher Norris.
Harvester, 287 pp., £40, October 1990, 0 7450 0714 7
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... and envy. Disapproval of English critical ‘conversation’ spills over into a censure of Richard Rorty: for just as the new, fully professional criticism is fighting free of ‘conversation’, that English laxity, Rorty is calling on philosophers to take it up. Yet a certain envy remains. The book oscillates between a lofty endorsement of high-level ...