“... typically disembarked at Philadelphia but then settled a broad arc of territory from central New York down through the Carolina back-country. The ‘remarkable mixture of peoples’ that captured the imagination of Crèvecoeur and so many later commentators was an 18th-century phenomenon. Culture and institutions, though, demand thicker description than ...”

“... flourishing for several thousand years, failed and was forgotten. This show, which comes from New York and will eventually move on to Athens, is the first big exhibition to use the museum’s new spaces. I never really knew the unreformed Ashmolean, and I retain only the impression of an overcrowded, loveable depository of jumbled treasures: Grand Tour marble ...”

“... Certainly, to read a collection like The Oxford Book of Narrative Verse, newly-edited by Iona and Peter Opie, is to be reminded of the powerful appeal that’s made in poetry by ‘the kind of story in which, you want to know what happens next’. The Opies’ choice is often cautious and occasionally perverse. In some respects, moreover, their book belongs ...”

“... colleagues, John Hollander, Norman Podhoretz and Louis Simpson, all cutting their teeth in the New York literary scene under the approving auspices of Lionel and Diana Trilling, who led the charge against the Beats. ‘It is only fair to Allen Ginsberg to remark on the utter lack of decorum of any kind in his dreadful little volume,’ began Hollander in ...”

“... useful objects respected like artworks. Blades, chisels, axes, boots, helmets, guns. The actor Peter Coyote remembers Joanne Kyger laughing about ‘how much stuff Gary had to store so that he could go off to Japan and live simply’. The novice monk insisted that his future wife clear her credit-card debt, which had climbed to $1000, before she travelled ...”

“... War. In his new book, Modernism: The Lure of Heresy, the inordinately prolific and widely admired Peter Gay has much to say about the creativity of the moderns but surprisingly little about their negativity. He conceives of Modernism in older terms as principally an intellectual and artistic grouping bent on liberation rather than as a broader frame of mind ...”

“... production of The Magic Flute (all of this under the auspices of the American director Peter Sellars). Robert Lowell meant to write a libretto and duly boned up with intensive attendance at the New York Met, but never delivered. John Ashbery has not, so far as I know, produced a libretto – only the ...”

“... The second episode​ of season four of Mad Men opens in 1964, somewhere in New York State. Luxurious flakes of snow fall on a lot filled with flawless Christmas trees for sale, lit by strings of lights hung from red and white candy-striped poles. The camera swoops on a family of five, husband, wife and three children, arranged in perfect descending height order from left to right, husband Henry to little Bobby ...”

“... Count Basie, Cab Calloway and Louis Armstrong, beginning a lifelong fascination with New York.Ravi began taking small dance parts in the troupe’s productions, but his attention was increasingly drawn to the sitar. Back in Calcutta, now fourteen years old, he practised obsessively. The guru of gurus at the time was the sitarist Enayat Khan and Ravi ...”

“... the first inkling, but never in quite the same words. The drift was this. He had been out in New York one afternoon with his friend the writer George Mandel, when a sudden commotion stirred the crowd near the entrance to a store. Two people – kids he sometimes thought – were rushing towards the street, one urging on the other, calling back over his ...”

“... the perspective of an adult, and to assume that Gorey did too. Yet, as his occasional collaborator Peter Neumeyer remarked: ‘Of all the people I’ve known nobody has been less interested in children.’ He had no memory of Gorey ever even using the word ‘child’.What Gorey understood was not children, but the perspective of childhood and its lack of ...”

“... from Tucson or Albuquerque, on a wave-band still blanketed by the vociferous transmitters of New York. And perhaps this is just as well: for one shudders to anticipate the strenuously polemical ‘study’, perhaps to appear any day soon, that will see in any sympathetic concern with Spanish-speaking or pueblo cultures only some PR manoeuvre by the Reagan ...”

“... writing in English, Buruma is known for his work on the Far Eastern Economic Review and in the New York Times, and as the author of A Japanese Mirror, a racy book on the Japanese underworld. God’s Dust, too, is somewhat breathlessly written as he moves us from Burma to Japan at almost breakneck speed, but it is a sensitive and rewarding book. He has an ...”

“... American Art’); the real ‘site’ is that provided by the New Museum of Contemporary Art, New York, and the MIT Press, organs of the established order whose ‘discourse’ subsumes and defines that of the ‘artists’ it patronises. Mr Wallis’s own Introduction is part of this process: it can never have occurred to him that the very fact of providing ...”

“... He was world-weary from the beginning. Nowhere was safe. Before he was 25 he declared New York to be a ‘giant snake pit’, Los Angeles to be ‘quel hole’. Naples was ‘crooked’, London ‘a dreary place’. Even Paris, ‘a divine city’, could be ‘colder than a nun’s cunt’. Once he had passed the quarter century he hit on Rome: ‘a beautiful city, really – though inhabited by a quarrelsome and cynical race ...”