“... for putting oneself to this task. Isherwood expressed this with typical simplicity in a letter to John Lehmann in July 1939: ‘I am so sick of being a person.’ The beginnings of his interest in Eastern religion were not easy, and this book starts out by conveying powerfully the Tennysonian quality of ‘honest doubt’ that Isherwood felt towards the whole ...”

“... the J.C. Squire literary atmosphere, which Dunn summons up by a pretence of       being a John Buchan of the underdog With my waistcoated breast puffed against the wind. And yet however well organised it is, much of the overt ‘feeling’ in these poems, as in many of those in the anthology, remains second-hand, not truly sui generis; and the reason ...”

“... of the law of treason by Eyre (which has recently attracted renewed ironical attention from John Barrell) which was hurled into print on the very eve of the notorious Treason Trials of 1794. The second piece is the ‘Considerations’ on the Two Acts (1795), in which Godwin seemed to come forward (anonymously) to condone legislation against popular ...”

“... Court of Elizabeth I, Michel de Castelnau, seigneur de Mauvissière, an establishment described by John Bossy as ‘zany, convivial and leak-ridden’. Bossy asks us to take our places at the dinner table at Salisbury Court in November 1583, ‘as in a late novel by Henry James’: ‘who had done what, who knew who had done what, and who knew who knew who had ...”

“... been photographed by the KGB in compromising circumstances with his political secretary, Marcia Williams, and had then been blackmailed to do the KGB’s bidding. He had surrounded himself with ministers who were either secret Communists or Communist sympathisers. Given the fierce libel laws in this country there was no way such allegations could be ...”

“... way things are all manner of discontinuous instrumentalities, and one of these is the aphorism. So John Gross’s Oxford Book of Aphorisms might, if properly used, be less a book to nod over than a neo-philosophical catena, an instance of the edifying that ousts the epistemological. As a matter of fact, it contains some strong anti-systematic ...”

“... more recent Erics – Ambler, Sykes, Shipton, Heffer – oozed shame when signing their names. John Betjeman, in Summoned by Bells, agonises over Farrar’s ‘mawkish’ and ‘oh-so-melodious’ book through which runs a schoolboy sense of impending ‘Doom! Shivering Doom!’ The doom which Betjeman and his contemporaries at Marlborough dreaded was no ...”

“... of form and language, blurred distinctions between the real and imaginary, time now and time then. John Barth has written about Barthelme’s ‘nonlinear narration, sportive form and cohabitation of radical fantasy with quotidian detail’. Along with those traits, Brautigan shares with Barthelme his extreme minimalism, the deft placement, or misplacement, of ...”

“... it adversity, that such beauty does exist.’ Baraka made the observation in his liner notes to John Coltrane’s album Live at Birdland, which includes ‘Alabama’, an elegy for the four girls murdered in the 1963 Birmingham Church bombing.I thought of Baraka’s words at New York’s Riverside Church last Saturday, at the funeral of the alto saxophonist ...”

“... By 1963​ , John Cage had become an unlikely celebrity. Anyone who knew anything about music – who had perhaps followed the perplexed reviews in the New York Times – could tell you how he had managed to transform the piano into a one-man percussion ensemble by wedging nails, bolts and erasers between its strings; or how he had – ‘and you’re never gonna believe this’ – somehow composed silent music ...”

“... of Class Theory, both Marxist and other, are greater than they are here prepared to admit. Raymond Williams has recently complained that in the whole range of contemporary discussion of this concept and the controversy that surrounds it three basic ‘meanings of class can be seen in operation, usually without clear distinction ... (i) group ...”

“... Recovery, a rope cinched tightly around her right ankle. She is defenceless and exposed. Captain John Kimber seems to be taking pleasure in her pain. He is corpulent, grotesque. We do not know the girl’s name. Nor did the crew who watched or assisted in her torture. They called one of her fellow captives Venus, which of course had no meaning in the village ...”

“... In 1940, after she’d gained the admiration of Marianne Moore and William Carlos Williams, and had had nearly thirty of her poems published in literary journals or book collections, Elizabeth Bishop, then 28, admitted in a letter to Moore: ‘I scarcely know why I persist at all. It is really fantastic to place so much on the fact that I have written a half-dozen phrases that I can still bear to reread without too much embarrassment ...”

“... feel, blush for it. Mostly they contradict it. The style of interesting poets like Peter Didsbury, John Ash, Pauline Stainer and one of the editors, Michael Hulse, is not particularly ‘democratic’, but playfully enigmatic and donnish. There is a tendency to think aloud with a somewhat creaky jauntiness, as if the poets were sharing secrets with their ...”

“... of mind’, it must be a broad category indeed to contain two such different representatives as John Henry Newman and James Fitzjames Stephen. They shared a distrust of reform and democracy, a love of England, and a penchant for getting into controversy in print. Otherwise, they strike one as chalk and cheese, or ‘dog and fish’, as Newman put it, à ...”