“... turn by the two writers Chernyshevsky most admired, Godwin and Harriet Beecher Stowe. But Caleb Williams and Uncle Tom’s Cabin are like Macbeth and Lear in comparison with What is to be done? In the radical climate of the time it had immense success, nonetheless; and Lenin himself, sixty years later, used to flush with anger at any suggestion that it was ...”

“... years have seen the publication of important collections of theatrical letters; those of Tennessee Williams and Elia Kazan, for instance, brilliantly illuminate their personalities, their times and their artistic struggles. The Letters of Cole Porter, for all its piquant tidbits, is not in that league. Part of the problem is that the editors have been dealt a ...”

“... that Mary was ‘a beauty’ with many young men to choose among. That the one she decided on, John Moore, was known only for his sense of humour and love of the theatre is puzzling at first – she has seemed so earnest – but it turns out that performance was something she too enjoyed. Pretending to be someone or something else, preferably a small ...”

“... for putting oneself to this task. Isherwood expressed this with typical simplicity in a letter to John Lehmann in July 1939: ‘I am so sick of being a person.’ The beginnings of his interest in Eastern religion were not easy, and this book starts out by conveying powerfully the Tennysonian quality of ‘honest doubt’ that Isherwood felt towards the whole ...”

“... Calligrammes, Pound’s Cantos, the spatial innovations of Marianne Moore, William Carlos Williams, John Cage. But spatiality functions in other less obvious, if no less important ways. The formating of a printed text (book or otherwise), the conventions of book production which dictate what sorts of framing ...”

“... the J.C. Squire literary atmosphere, which Dunn summons up by a pretence of       being a John Buchan of the underdog With my waistcoated breast puffed against the wind. And yet however well organised it is, much of the overt ‘feeling’ in these poems, as in many of those in the anthology, remains second-hand, not truly sui generis; and the reason ...”

“... of the law of treason by Eyre (which has recently attracted renewed ironical attention from John Barrell) which was hurled into print on the very eve of the notorious Treason Trials of 1794. The second piece is the ‘Considerations’ on the Two Acts (1795), in which Godwin seemed to come forward (anonymously) to condone legislation against popular ...”

“... Court of Elizabeth I, Michel de Castelnau, seigneur de Mauvissière, an establishment described by John Bossy as ‘zany, convivial and leak-ridden’. Bossy asks us to take our places at the dinner table at Salisbury Court in November 1583, ‘as in a late novel by Henry James’: ‘who had done what, who knew who had done what, and who knew who knew who had ...”

“... been photographed by the KGB in compromising circumstances with his political secretary, Marcia Williams, and had then been blackmailed to do the KGB’s bidding. He had surrounded himself with ministers who were either secret Communists or Communist sympathisers. Given the fierce libel laws in this country there was no way such allegations could be ...”

“... way things are all manner of discontinuous instrumentalities, and one of these is the aphorism. So John Gross’s Oxford Book of Aphorisms might, if properly used, be less a book to nod over than a neo-philosophical catena, an instance of the edifying that ousts the epistemological. As a matter of fact, it contains some strong anti-systematic ...”

“... more recent Erics – Ambler, Sykes, Shipton, Heffer – oozed shame when signing their names. John Betjeman, in Summoned by Bells, agonises over Farrar’s ‘mawkish’ and ‘oh-so-melodious’ book through which runs a schoolboy sense of impending ‘Doom! Shivering Doom!’ The doom which Betjeman and his contemporaries at Marlborough dreaded was no ...”

“... of form and language, blurred distinctions between the real and imaginary, time now and time then. John Barth has written about Barthelme’s ‘nonlinear narration, sportive form and cohabitation of radical fantasy with quotidian detail’. Along with those traits, Brautigan shares with Barthelme his extreme minimalism, the deft placement, or misplacement, of ...”

“... it adversity, that such beauty does exist.’ Baraka made the observation in his liner notes to John Coltrane’s album Live at Birdland, which includes ‘Alabama’, an elegy for the four girls murdered in the 1963 Birmingham Church bombing.I thought of Baraka’s words at New York’s Riverside Church last Saturday, at the funeral of the alto saxophonist ...”

“... By 1963​ , John Cage had become an unlikely celebrity. Anyone who knew anything about music – who had perhaps followed the perplexed reviews in the New York Times – could tell you how he had managed to transform the piano into a one-man percussion ensemble by wedging nails, bolts and erasers between its strings; or how he had – ‘and you’re never gonna believe this’ – somehow composed silent music ...”

“... taking his first job at Amherst College in 1917. Pound, Eliot, Wallace Stevens, William Carlos Williams, Marianne Moore, Hart Crane all lived by other means; though it’s worth pointing out that the poetry and criticism of Eliot in particular, and to a lesser extent of Pound, played a significant role in shaping the curriculum and methodologies these ...”