“... it adversity, that such beauty does exist.’ Baraka made the observation in his liner notes to John Coltrane’s album Live at Birdland, which includes ‘Alabama’, an elegy for the four girls murdered in the 1963 Birmingham Church bombing.I thought of Baraka’s words at New York’s Riverside Church last Saturday, at the funeral of the alto saxophonist ...”

“... followed years of apparent failure. Or so the story goes. Welles, like his fellow Midwesterner Scott Fitzgerald, had no second act. The most lavishly gifted American film-maker of his generation became a Promethean figure, the outsize artistic temperament laid low, by Hollywood or perhaps by his own character. The intractable nature of character was a ...”

“... quality – a little like Weegee’s – at once random and composed. In one, the circus director John Ringling North dominates the right half of the frame, shouting instructions to an unseen person, while above and to the left a high-wire act has two showgirls suspended from the wheels of a bicycle: the picture frame is divided by a balancing bar carried by ...”

“... station, bearing leaflets, carrying messages as proudly as the freshly baked loaves in Ridley Scott’s celebrated commercial, shot in 1973, on the picturesque slopes of Shaftesbury. Carl Barlow, the youth who featured in the advertisement, underscored by the slow movement of Dvorak’s Symphony No 9, arranged for brass, went on to become a fireman in ...”

“... never ceased to love her from that moment.’ The person who said that was known as Christopher St John, though her real name was Christabel Marshall. We know how she felt about the object of her passion, Vita Sackville-West, because she kept a ‘love-journal’ in Vita’s honour. Miss Sackville-West, who had recently (and most unusually) been abandoned by ...”

“... once-great names with scant ceremony, interpreting Fielding as too like his own Squire Western, Scott as a mere Border balladeer. Richardson and Dickens, though allowed some merit, were kept out of the limelight. Even within the oeuvres of the favoured George Eliot, James and Conrad, Leavis went in for a further process of separating wheat from chaff, so ...”

“... The Life and Letters of John Galsworthy by H.V. Marrot appeared at the end of 1935, not quite three years after its subject’s death, and must be one of the very last examples of what was by that time a gravely endangered species. In the preface to Eminent Victorians Strachey had wittily mocked the solemn pretensions of the Victorian and Edwardian monumental biography, ponderously discreet as an old-fashioned manservant: but 17 years later Marrot found it still possible to produce a work of unblushing hagiography ...”

“... cloud at the end of Schumann’s life has been seen as overshadowing everything on the way, but John Worthen’s biography refuses idle teleology. An emeritus professor of English at the University of Nottingham, Worthen has written about D.H. Lawrence and the Wordsworth circle and makes no claim to musical expertise; but he has been seized by the Schumann ...”

“... what in life was boring, transitory, confused, insipid, banal. Dickens and Thackeray and Proust, Scott Fitzgerald and Elizabeth Bowen and Anthony Powell – they are all packed with lunches and dinners, balls and parties, which one would much rather not have been at, but which art has contrived to make glorious for us by proxy. Unfair to compare diaries with ...”

“... a dust-sheet over her first husband. Miss Edwards excellently takes it off. The second husband, John Marsh, was an advertising copywriter and a PR man. He read her epic carefully and, among many other things, took out the dashes. Gone with the Wind was written in a peculiar manner. It is, of course, very long, but epics are supposed to be. (Beckett’s ...”

“... in virtue, may get travestied by the inwardly vicious. Everyone also suspects himself, as Scott Fitzgerald noted, of possessing at least one cardinal virtue. Where politicians continually have to flatter a demos that sees them as clay-footed, each citizen, banjaxed and blandished by turns, is apt to divine in himself a moral purity his political ...”

“... the reign of Charles I would have been his favoured archbishop, William Laud? What justice did the John Hothams, father and son, get for defying their king when he attempted to claim his magazine of arms and munitions at Hull? They were subsequently executed by order of Parliament. How could the oracles of the common law reconcile the principle of inviolable ...”

“... if contested motif of the elderly sybarite – best known from the fiction of Philip Roth and John Updike – whose declining sexual picaresque is set against historical or social forces which leave the ageing roué flummoxed and rueful. The Escape, or rather its protagonist, evinces a worldview that is best described as aspirant Rothdike: all raging ...”

“... of Modern Art in New York has started to issue a series called Studies in Modern Art, edited by John Elderfield (who was born in Middlesbrough and is another veteran of the Conceptualist/Modernist art school battles of circa 1970). The first of them, American Art of the 1960s, contains seven essays and is like a heavily illustrated, hardback academic ...”

“... in Blessings, Kicks and Curses) he develops a very just and instructive distinction between Walter Scott, prepared to compromise with his public, and Wordsworth, not so prepared; then realises that this is just the distinction that Leavis would have made and, instead of welcoming Leavis as an ally, marks out his distinction from him by talking of his ...”