“... religious lyrics of Christina Rossetti to Arthur Clough’s The Bothie of Tober-Na-Vuolich(1848), James Thomson’s The City of Dreadful Night (1874) and Thomas Hardy’s The Dynasts (1904-8). Though she has been considerably influenced by recent theorising, both linguistic and otherwise, Armstrong does not so much wish to deconstruct Victorian poetry as to ...”

“... early life, so that we see, not only Grieve the friend of Red Clydesiders John MacLean and James Maxton, but also the Grieve whose Scottish nationalism was encouraged by his rejection by English girls. Heady on his home-brew of Nietzsche, John Davidson, and almost any other literary material he could devour, this proto-MacDiarmid emerges as something ...”

“... Gerard de Nerval, Terence Malick, lots of Yeats, lots and lots of Masefield’s ‘Cargoes’, Scott Fitzgerald, Delmore Schwartz, Marilyn Monroe, Un Chien Andalou, Hart Crane, Ben Hur... An index to proper names in the book would be several pages long. This all-pervasive cosmopolitan glamorousness, often treated ironically, is most vivid in ‘7, Middagh ...”

“... sarcasm and rage that alienated virtually all his friends. He picked on the ever-insultable Scott Fitzgerald, taunted Archibald MacLeish for not having a ‘big enough prick’, razzed Gertrude Stein as the ‘lesbian with the old menopause’. Things only got worse after 1936, when sour reviews of Green Hills of Africa left him more than usually ...”

“... quoth: the usual Scots pronunciation is normally spelt quo, but there is a variant, normally spelt co or ko, and qo might serve for both pronunciations. On the other hand, his son quotes him as saying that ‘I have deliberately refrained from writing in a uniform “standard” Scots,’ and he does vary dialects, though only slightly, between different ...”

“... and presented them to the French Convention. Lockhart attributes it to his father-in-law Walter Scott, but it now seems improbable. On the other hand, another much-cited episode of later the same year – that Burns joined in one or more demonstrations in the theatre at Dumfries in favour of the French and against King George – must be substantially true ...”

“... suggests otherwise. Long before I met him, Peter was intrigued and outraged at the hanging of James Hanratty for the 1961 A6 murder. When I took the case up in the late Sixties he bombarded me with questions and offers of support. Sometime in 1978 I asked him if he would give away the prizes and draw the raffle at an Anti-Nazi League fête in North ...”

“... wars on pointless subjects; straight-faced manuals of advice on behaving badly. For Walter Scott, his shrewdest 19th-century reader, Swift ‘possessed the faculty of transfusing his own soul into the body of anyone whom he selected’. His lifelong preference was to write under assumed identities – Isaac Bickerstaff or Lemuel Gulliver; the bumptious ...”

“... history, which extended citizenship and basic legal rights to blacks, overturning the Dred Scott Supreme Court decision of 1857 which had insisted that only white persons could be citizens of the United States. Johnson vetoed both bills. This was the start of an increasingly acrimonious conflict with Congress, in which, Wineapple writes, Johnson ...”

“... unable to spot the cop in their midst. True Romance, Tarantino’s first script, directed by Tony Scott and released in 1993, has a big drug deal that ends in a massacre because too many people show up at the party. There is a marvellous three-way stand-off here – drug-buyer’s bodyguards against cops against Mafia – which is repeated in Reservoir Dogs ...”

“... gains a hold. That is or should be the virtue of the business, as if the reader were helping – co-operating – in keeping the thing going, the writers existent. The reader is flattered to be participating, but he also gloats: his own share continues, whereas theirs is over. They have been abandoned by the words with which they gained a hold over the ...”

“... appeared in little magazines, the incessant reader (even on safari), the recipient, like Henry James, of an obscure wound that kept him from the war. Were his stories full of ‘action’ or of ‘love’? Did he sympathise with men or with women? Was he more interested in plot or in character? What did he mean by ‘style’: the way a matador moved in a ...”

“... to ‘British and Irish Authors’, a high-quality series which includes Patrick Parrinder on James Joyce and John Batchelor on H.G. Wells. Barnard gets a great deal into his short book, presenting a rather different Keats from that of the many other Keats scholars and biographers. Keats’s vividness has been present to his admirers in many forms. In ...”

“... ages. In the course of this account Kafka is shown to anticipate Sartre’s protest in Qu’est-ce que la littérature? of 1948 against the finished, fully rounded story and the omniscient narrator who makes such an ending possible and thus falsifies (Sartre argues) ‘what happens in real life’. Following the chronology of Kafka’s stories (he leaves ...”

“... once-great names with scant ceremony, interpreting Fielding as too like his own Squire Western, Scott as a mere Border balladeer. Richardson and Dickens, though allowed some merit, were kept out of the limelight. Even within the oeuvres of the favoured George Eliot, James and Conrad, Leavis went in for a further process ...”