“... named the gift as the liberating source of identity and power.’ Auden thought that D.H. Lawrence owed ‘his influence for good and evil to his gift’, but that Matthew Arnold had ‘thrust his gift in prison till it died’. According to Mendelson, ‘almost everything [Auden] wrote in 1939 was an attempt to clarify his mixed feelings about the ...”

“... the first thing was just to read, non-stop, books that were never available in Pakistan: D.H. Lawrence, Henry Miller, Isaac Deutscher’s Trotsky trilogy, Trotsky himself, other Bolshevik leaders, many others. So for me Oxford was very liberating and on many fronts. When I came to Britain, it was obvious that the United States had taken over the function ...”

“... that so many people fail to recognise his greatness, and value him less than, say, James, Conrad, Lawrence or Virginia Woolf, is because they miss his depths, they cannot fathom them unless they present in a frontal, full-dress form.’ It is a matter for regret or possibly indignation that this sentence, absurd in almost every possible way, should have ...”

“... It wasn’t lost on me that a significant gap existed between the good faith exchanges here at the Lawrence County Courthouse, and the brazenly bad faith goings-on at the Justice Department itself. Only that morning, a young insurance lawyer with no prosecutorial experience, appointed specifically to pursue the president’s private vendettas, had brought ...”

“... that devotes far more of its time to writers like the Sitwells than it does to Joyce, Pound and Lawrence, all three of whom receive no more than a handful of glancing allusions in the book as a whole. There is a single brief reference to Pound’s Cantos and four mentions of Wyndham Lewis. Sylvia Plath’s name surfaces only twice. The study is rich in ...”

“... desert air and the famous Southwestern ‘light’ – indeed, the whole Stieglitz-O’Keeffe-D.H. Lawrence-Mabel Dodge Luhan-Willa Cather-Pueblo-Cliff-Dwellers-Death-Comes-for-the-Archbishop thing. Maybe we’ll even see Julia Roberts. (The sun-dried actress – a fortysomething Roma tomato in disguise? – has a ranch near Taos.) Our hotel is right on the ...”

“... he determined to return to the air. In taking this decision, he was critically influenced by T.E. Lawrence, whose work, particularly The Mint, his (then) unpublished account of life in the ranks of the RAF, and personality, one might say, he encountered through the painter Eric Kennington. Hillary had gone to Kennington to have his portrait painted but he got ...”

“... University. In the 1920s he worked in the WEA and was obscurely connected with D.H. and Frieda Lawrence. It seems that he wrote, going so far as to describe himself as ‘author’ by profession. What he wrote cannot be traced. From the time of the break-up of his marriage in 1933 to his reunion (unsatisfactory) with his surviving family thirty years ...”

“... which in its turn provokes the repudiation and alienation found, characteristically, in D.H. Lawrence’s autobiographical sketch: ‘One can belong absolutely to no class.’ All classes are prisons. But it may give cachet to have belonged to one, to the working class especially, as it does to have been at a war, or in a real prison. It is commonplace ...”

“... the desirable ‘probability’ and ‘truth to nature’ that had become the new realism. D.H. Lawrence’s works went through different versions depending on the state of the law – but with Lawrence we can always imagine a paradisal first essential version of Lady Chatterley’s Lover, for instance. Jane Austen ...”

“... Sufism – is often read by literary critics as the symbolic history of our age, just as ‘D.H. Lawrence’s proposal that the Industrial Revolution began in the Eastwood of his boyhood and was finally exorcised in the woods of the Chatterley estate is a received fact of literary education.’ Like Lawrence, Lessing is an ...”

“... the law, doomed upholder of vanishing virtues; ‘hard, isolate, stoic and a killer’ in D.H. Lawrence’s description of the original of the breed, James Fenimore Cooper’s Leatherstocking. ‘In a lonely street, in lonely rooms, puzzled but never quite defeated’ was how Chandler himself imagined Marlowe’s future. The frontiersman and the private ...”

“... very largely to the habits and love affairs of homosexuals. Melville’s ‘Billy Budd’ and D.H. Lawrence’s ‘The Prussian Officer’ are oddly similar – oddly, because Lawrence didn’t know Melville’s story – in that they both depict an older man’s unarticulated, obscure but angry passion for a younger ...”

“... Romanticism, as the emblem of the impossible and irresistible search. ‘I started from D.H. Lawrence’s fatal flower of happiness at the end of The Fox, having always wondered how D.H.L. knew it was blue,’ Fitzgerald wrote in a letter to Frank Kermode, who had reviewed The Blue Flower in this paper (‘the more you ...”

“... or manufactured, as opposed to felt. Denis’s ‘artificiality’ points this way. Or D.H. Lawrence’s ‘consciousness’. Here, for example, is the odious Rupert Birkin in Women in Love, rounding on Hermione: ‘Spontaneous!’ he cried. ‘You and spontaneity! You, the most deliberate thing that ever walked or crawled! … Because you want to have ...”