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“... dealings with publishers than any man living.’ His letters to his chief publishers, Chapman and Hall, Blackwood, and Smith, Elder, are those of a hard-headed bargainer, civil but firm, who knew the market value of his product and was determined to get the best price for it. In a day when the royalty system was only beginning to be adopted and formal ...”

“... open space suited to party rallies. On May Day 1937, Rudolf Hess laid the foundation stone of the Hall of the People’s Community, with standing room for two thousand. It is now a shopping centre. The huge administrative building for the local party remains, occupied by the Thuringian state government. Weimar is a place of memories and memorials. Visitors ...”

“... established this stretch of riverside as a public space, and brought in its aftermath the Festival Hall, the National Film Theatre and, on the other side of Giles Gilbert Scott’s Waterloo Bridge, the new National Theatre. The next came in 1977, with the foundation of the Coin Street Action Group when, reacting against a decline in public housing and the ...”

“... to the British Empire and the Atlantic slave trade. ‘Fatima’s Poem’ is addressed to Richard Pennant, 1st Baron Penrhyn (1737-1808), and was inspired by a visit to Penrhyn Castle, one of eleven National Trust houses involved in the project. Pennant’s family owned four sugar plantations in Jamaica and he used some of the profits to develop the ...”

“... Fire: the theory and practice of catastrophe find their focus in Phaethon. For Vanbrugh’s great hall has charted upon its ceilings and walls the headlong career of Phaethon, whose hideous ruin and combustion had thrilled the young Piers and had terrified the young Tom. Then it is discovered that in 1697 there had been a decision to perform in the great ...”

“... It is natural to contrast this book with The Victorians and Ancient Greece, by Richard Jenkyns, reviewed by me in the issue of this journal for 21 August-3 September 1980 (Vol. 2, No 16). Mr Jenkyns is a Classical scholar and a smooth and polished writer; I wrote that he ‘offers a great deal of information, clearly and pleasingly ...”

“... suggest that maybe there is nothing to tell, only telling itself. Roy Porter and Lesley Hall say they agree with Michel Foucault that ‘sex must be understood as discursively produced.’ (Actually, I don’t think they do agree, but more about that later.) If we take the point, then the history of sexual knowledge becomes the history of the making ...”

“... were still smouldering, and continued for three weeks to sketch from the lead roof of Westminster Hall. It was London’s biggest accidental demolition job between the Great Fire and the Tooley Street conflagration of 1861, and he revelled in his good fortune. His finished watercolour, ten feet long by two and a half feet high, was exhibited at the New Water ...”

“... It is interesting that Richard Serra, who is not short of offers of highly promising locations for which to make site-specific sculptures, accepted the Tate’s invitation to do something in their domineering central hall – a space ostensibly built for showing sculpture but serving that purpose rather badly, partly because it makes the things put into it look as if they were lost at the bottom of a well, partly because its huge Ionic columns dwarf other forms in the same field of vision ...”

“... even now by memories from school. Till I read N.A.M. Rodger’s book I could not have placed Richard Grenville and the Revenge within twenty years, nor had any idea what he was doing ‘at Flores in the Azores’; nor do I know even yet (for Rodger is certainly not going to mention it) who wrote the poem about him, but I can remember whole stanzas of ...”

“... How do you get to Carnegie Hall?’ ‘Practice, practice.’ Here’s a different way: start anywhere you like and take a step at random. If it’s a step in the right direction, I’ll say ‘warmer’; in which case repeat the process from your new position. If I say ‘colder’, go back a step and repeat from there ...”

“... things like wages and class struggles. They are so sordid!’The cartoon, reproduced in Edith Hall and Henry Stead’s People’s History of Classics, encapsulates several elements of the debate about classical education at the turn of the 20th century. In Classics Transformed: Schools, Universities and Society in England, 1830-1960, published in ...”

“... Six hundred years ago this summer, Richard II lost his throne. Preoccupied by the attempt to shore up his failing Irish peace settlement, Richard unwisely delayed his return to the mainland in order to confront a rumoured uprising, and landed to find his kingdom already slipping from his grasp ...”

“... Richard Rayner’s The Blue Suit is a memoir, a work of non-fiction. In it his father dies several times: of cancer, in a car crash, missing presumed drowned and, finally, of a heart attack. He makes guest appearances in between, as a sick man in Scotland, as a diplomat in Australia, as a stepfather. These events all form part of a story, a sort of Arabian Nights of the confessional, in which Rayner admits his real life to his girlfriend (‘one confession veiling the next’), and the whole truth turns out to be a narration of the lies he has told ...”

“... and, were it better known, the story ‘Delay has danger’, part of the very uneven Tales of the Hall (1819), would be known for what it is, a masterpiece. But Crabbe’s work, like that of the contemporary Austrian master Thomas Bernard, is still not widely read. In his own day Crabbe was a famous and distinguished author – the favourite of both Jane ...”