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“... Marcus, to her credit writing boldly against the feminist critics and queer theorists – such as Judith Butler, Martha Vicinus, Eve Kosofsky Sedgwick and Carroll Smith-Rosenberg – through whom she has evidently formulated her thinking, proposes a new account of women’s lives in the mid to late 19th century. The advantage of her method is that it ...”

“... studies stands condemned as too quick to reduce social practices to an ‘ensemble of texts’. Judith Butler is addressed not through her work at all but via a student fanzine that fantasises racily about queer theorists. As Butler protested in a letter, ‘Lingua Franca re-engages that anti-intellectual aggression ...”

“... heats the whole by the halogen sparkle of the superanovae of the American cultural empyrean – Judith Butler, Eve Kosofsky Sedgwick, Patricia J. Williams, Catherine MacKinnon. ‘Can we conceptualise people as people in relations?’ he asks. ‘Can we create a bodily discourse of pleasure, or sexuality? Can we develop a constitutional jurisprudence ...”

“... but some touted names in contemporary North American literary criticism and theory: Eve Sedgwick, Judith Butler, Jonathan Goldberg, Judith Fetterley, Jean Schwind, Elizabeth Ammons. Acocella takes no prisoners. She is queen of the devastating citation, and more than happy to let the jargon-mad professors hang ...”

“... contains references to Wayne Koestenbaum, Gertrude Stein, George Oppen, Robin D.G. Kelley, Judith Butler, Fred Moten and Wendy Brown. In as far as this amorphous work can be defined, On Freedom is an example of a recent genre that takes as its subject the phenomenon of mass scolding on the left – you could call it ‘cancel culture’, though ...”

“... or fitful intimation. Art, or theory, is the enemy of the natural and familiar. Felski quotes Judith Butler as denigrating the familiar in contrast to the other or unknown, a standard postmodern move; but one continues to hope in one’s churlish, outmoded way that the species will remain unfamiliar with global nuclear war, while recalling that the ...”

“... and identity and the tropes of gender, whatever the fuck they are, and Roland Barthes and Judith Butler and Mieke Bal – I could do that, they taught us how to do it, that’s what art school seemed mostly to be for, but I couldn’t do it with a straight face … and that’s why I went to get my master’s in Education and appeared to myself ...”

“... superstars – Jacques Derrida, Gayatri Chakravorty Spivak, Fredric Jameson, Michel Foucault, Judith Butler, Umberto Eco – who were sometimes to be found lecturing in Sicily or Slovenia when they should have been teaching a class in New Jersey. At once prestigious and contentious, prized and reviled, theory was a way of amassing cultural capital ...”

“... the sort of fairy-tale fear-mongering that puts them in league with the far right. Theirs is, as Judith Butler writes, ‘a rich fantasy, and one that comes from powerful fears, but it does not describe a social reality’. Trans women are more likely to be sexually assaulted than cis women, and vulnerability to violence is, for most women, a more ...”

“... story again and again across so many fields is arresting. When Ronald Reagan begins to sound like Judith Butler and right-wing evangelicals make the linguistic turn, it’s clear there is something in the air. ‘Ideas,’ Rodgers writes, ‘moved first in the arena of economic debate.’ Throughout the first half of the 20th century, the dominant tropes ...”

“... Claude Lefort, Slavoj Žižek, Jean Baudrillard, Jacques Lacan, Tzvetan Todorov, Julia Kristeva, Judith Butler: an extraordinary range of theorists is included. Derrida, Bourdieu, Habermas, De Certeau and Althusser are not forgotten, and even Freud (though not Marx) makes it into the bibliography. We hear about Foucault on modernity, Chakrabarty on ...”

“... with the Wind’ (1992) sends Scarlett and her children to Ireland, where she meets up with Rhett Butler, whose wife has conveniently died, and falls (back) into his arms. There is a paradox implicit in the very concept of the sequel. In experiential terms, a sequel is a highly conservative genre that supplies the comfort of familiarity together with the ...”

“... The books are indeed pastiches: Victoriana as a queer theorist might perform it, with costumes by Judith Butler, prisons and madhouses by Foucault. They are indeed frissony, being peopled by young women just becoming aware of their sexuality, in scenarios involving much disguise and dissembling, and silky drawers with slits. But the books are less ...”

“... Discourse; the bits about new kinship systems and older nuclear-family arrangements come from Judith Butler. And here’s another, from Eve Kosofsky Sedgwick, a frequent and clearly much loved presence: ‘Queer is a continuing moment, movement, motive – recurrent, eddying, troublant. Keenly, it is relational, and strange.’ The book begins with ...”

“... Illinois’. Bayard – who’s being taught a lesson about gender performativity by the young Judith Butler during a drugged-up threesome with Cixous – finds out what’s going on in time to disrupt the handover, though not in time to prevent the story from taking a decisive step into irrealism via the death of someone who wasn’t in fact torn ...”