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“... emphasised the natural rights of the people to remove a tyrant who would reduce them to servitude. John Locke, whose work was not immediately influential but had by the 1740s become a vital prop of the Whig regime, upheld the classical definition of liberty as independence. The work of Algernon Sidney, another Whig icon, who was executed by Charles II in ...”

“... Wilde himself – that she makes the occasional mistake. For instance, there is no evidence that John Gray was ever Wilde’s lover, or that his disagreable domestic companion Raffalovich was ever (whatever this would be) a ‘Dominican monk’. The National Gallery in London is cheerfully muddled with the National Portrait Gallery. The familiar Gospel ...”

“... It is said that, the night before the capture of Quebec from the French in 1759, General Wolfe read Gray’s Elegy aloud to his officers as they crossed the St Lawrence River. ‘I would rather have been the author of that piece than beat the French tomorrow,’ he is supposed to have said. Presumably his men didn’t suddenly start to worry that they were being led into combat by some absurd literary connoisseur ...”

“... now only of brains, hard-wired through natural selection to serve the interests of selfish genes. John Gray declares that morality is a ‘myth’ obscuring the fact that our existence has ‘no more meaning than the life of a slime mould’. David Brooks, author of the bestselling pop-science Bildungsroman The Social Animal, explains that his fictional ...”

“... about the screen-mediation of reality. In his philosophic commonplace book Straw Dogs (2002), John Gray propounded a new theory of consciousness: ‘In evolutionary prehistory consciousness emerged as a side-effect of language. Today it is a by-product of the media.’ Cronenberg is one of a burgeoning group of artists who are attempting to describe ...”

“... got their first chance in that pub. A few of the celebrants are, or have been, English dons – John Fuller, Simon Gray, Dan Jacobson; but even they arrived by what might be called the bohemian route. There are of course other ways in; anybody can see how much space the dons occupy in the respectable papers and ...”

“... with the ‘time of old sin’ – whether a fantastical Alma-Tadema-ish Ancient Rome, or a John Addington Symonds Athens, where pederasty was not merely permissible but praiseworthy – drifted, for those who survived their heady youth of Baudelaire and absinthe, into the Aesthetes’ religion, in which chalices and smoke played their part. ...”

“... of grandiose theory. The new book’s jacket image, a striking black and white photo by John Sadovy, shows a young man almost literally biting the dust. Only after turning the book over to look at the back does one notice his presumed killer, reloading his rifle. This example already poses questions beyond the ken of liberal orthodoxy. The dead ...”

“... forth the optimistic spirit of the revolution’. However, the transposition means that unlike John Gray (with whom he otherwise has much in common), Mishra can follow a straight line from the Counter-Enlightenment, tracing the legacy of Rousseau from the German Romantics, through the European nationalists and anarchists of the 19th century, to their ...”

“... with the wonderfully satisfying, wonderfully interesting fiction he has made of his life. Bill Gray, the central character of Mao II, Don DeLillo’s tenth novel, is one of these Pynchon/Salinger recluses: the mysterious power of the image of the writer-cum-herrnit is one of the book’s main concerns. ‘When a writer refuses to show his face,’ ...”

“... to impose a form, in other words, on the chaos of the work and the life. In the case of Alasdair Gray (who is, in any case, already his own critic and his own biographer), the extent of that chaos is daunting. As Rodge Glass’s book reminds us, besides writing the novels for which he is famous, Gray has been an ...”

“... book in 1960, as part of my trousseau. It was called Plats du Jour, or Foreign Food by Patience Gray and Primrose Boyd, a Penguin paperback with a seductive pink jacket depicting a large family at table – evidently not a British family, for its members, shirt-sleeved, aproned, some of them children, were uncorking bottles, slicing bread, eagerly tucking ...”

“... tradition that we use to understand our lives. In Men are from Mars, Women are from Venus (1992), John Gray proposed a vulgarised version of narrativist-deconstructionist psychoanalysis. Since we ultimately ‘are’ the stories we tell ourselves about ourselves, the solution to a psychic deadlock resides, he proposes, in a ‘positive’ rewriting of ...”

“... his critique of liberalism – and implicitly of liberalisms somewhat akin to Rorty’s – John Gray writes in his New Leviathans that ‘the hyper-liberal project is to emancipate human beings from identities that have been inherited from the past. Human beings must be free to make of themselves whatever they wish … Stripped of these ...”

“... among the Dublin epithets collected by his fellow writer Susan Mitchell and here passed on by Tony Gray. Manet thought Moore’s face had the look of a broken egg-yolk, and his first portrait of the author ‘was described by the critics as like that of a drowned man, taken out of the water’. Sickert’s portrait was likened to ‘an intoxicated mummy, a ...”