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“... Galerie 22 in Düsseldorf in November 1959. In a letter that year, he explained that Hommage à John Cage: Music for Audiotapes and Piano was composed around three ten-minute movements, each containing a number of cultural references. The first combined Duchamp, Dostoevsky and Kurt Schwitters. ‘It proves,’ he wrote, ‘that the sublime is ...”

“... to fill in the details of his life, written with affection, humour and perspicacity by the pianist John Tilbury. Tilbury was Cardew’s friend and colleague, and a one-time (and part-time) fellow-traveller on the Maoist road; he has spent a quarter of a century writing this book. Aficionados will love his account; others might have preferred a more succinct ...”

“... to be repeated a mind-numbing 840 times. The piece wasn’t performed in full until 1963, when John Cage managed it with a relay team of 11 pianists: it took 18 and a half hours. The relationship with Valadon was, as far as we know, the last sexual relationship Satie had.His despondency slowed down his rate of production. For at least two years, his ...”

“... tracing a line from Rimbaud through Futurism to Gertrude Stein, Wittgenstein, Frank O’Hara, John Cage and beyond – who have advanced what she sees as modernist goals: above all, the up-to-date, sceptical investigation of the materials and ideas from which a work of art gets made. Though much of Perloff’s writing concerns the great dead, she ...”

“... fictions dependent on that end. He is keenly pro-life, and quotes, ultimately with approval, what John Cage said in response to a complaint that there was too much suffering in the world – namely, that on the contrary there was just the right amount. This is theodicy with God left out, or replaced by Nature. The argument here is that Darwin and Freud ...”

“... it adversity, that such beauty does exist.’ Baraka made the observation in his liner notes to John Coltrane’s album Live at Birdland, which includes ‘Alabama’, an elegy for the four girls murdered in the 1963 Birmingham Church bombing.I thought of Baraka’s words at New York’s Riverside Church last Saturday, at the funeral of the alto saxophonist ...”

“... boogie woogie’ may be, it isn’t concerned with the destruction of melody; Boulez, Cage, Stockhausen and electronic music would soon be seeing to that. Yet Vergo leaves these assertions untested. In the final pages cracks start to appear in Vergo’s thesis about music, as the world of correspondences between colour, shape and sound is ruined ...”

“... a negative condition into a positive possibility. ‘I have nothing to say and I am saying it,’ John Cage wrote in 1949; two decades later Nauman said, in effect, ‘I have nothing to do and I am doing it.’ Although this formulation isn’t as dire as ‘I can’t go on, I’ll go on,’ Nauman does share with Samuel Beckett (another early ...”

“... the very computer on which I’m typing these words, and could knock you up a copy of the Shorter John Cage, gratis, in a matter of minutes); but recorded CDs are still expensive. The expense is, from the point of view of the record companies, pure profit. So the cartel loves CDs – why wouldn’t they? The high price of CDs kept sales a lot lower than ...”

“... on any film and store it. Storing would then become the main endeavour of a filmmaker.’When John Lennon was killed in 1980, Ono became the guardian of his work and set about retrieving items that had belonged to him. (Gillon Aitken wrote about bidding on behalf of Ono for Lennon’s tie in the LRB of 25 July 1991.) She saw at first-hand the growth of ...”

“... biography, Travels over Feeling, the 15-year-old Russell is already referring to Walt Whitman, John Cage and Allen Ginsberg (prefiguring later, more explicit involvements with queer sexuality, paganism and utopian politics). There is also an Alan Watts name-drop and a lot of talk about Buddhism.It isn’t easy, reading the early pages of Travels over ...”

“... Boulez is no doubt keenly aware. Among Boulez’s contemporaries, Stockhausen, Elliott Carter and John Cage are notably eloquent and prolific commentators on themselves. Boulez’s writing covers a considerable range: he is not just a theorist like Messiaen in Technique of My Musical Language or Hindemith in The Craft of Musical Composition, but also on ...”

“... piece called Appalachian Spring in collaboration with Aaron Copland and Isamu Noguchi. In 1945, John Cage and Merce Cunningham would marry their exploratory sensibilities. All these artists were struggling, in the words of Lincoln Kirstein, who co-founded the New York City Ballet, ‘to impose a native meaning on a recalcitrant alien dance ...”

“... from time to time exhibit selected Screen Tests. The idea was already in the air. The neo-dadaist, John Cage-influenced Fluxus artists were already making similar perversely conceptual films. At least a year before Warhol began documenting faces for The 13 Most Beautiful Boys, the Icelandic political pop artist Erró, then based in New York, was at work ...”