Search Results

“... and early 1980s there was a turn to glib pastiche, prompted by the musical flops of Bogdanovich, Francis FordCoppola and Scorsese as well as the Lucas-Spielberg collaboration Raiders of the Lost Ark. But Kael’s concerns were quickly dispelled by the work of directors who revealed the possibilities of a committed ...”

“... than passing acquaintances, are Marguerite Yourcenar, Christopher Isherwood, Susan Sontag and Francis FordCoppola (among several interesting photographs is one of Richie beside a gawky, 19-year-old Sofia Coppola, who looks thoroughly lost). He knew Ozu and Kurosawa, and wrote ...”

“... Warren Beatty or Ryan O’Neal.’ Imagine The Godfather with Robert Redford as Michael! But Francis FordCoppola had wanted Pacino from the start and was finally able to persuade the studio execs after they saw eight minutes of footage from The Panic in Needle Park. Pacino had to fly to California to do a screen ...”

“... John Paul or Mickey Mouse. Lucas’s second movie and first hit, American Graffiti (produced by Francis Coppola, conceived and directed by Lucas), was the most profitable investment in Hollywood history: it brought in $117m against a production cost of $750,000. Raiders of the Lost Ark (conceived and produced by Lucas, directed by Steven Spielberg) has ...”

“... pictures grew less necessary, or compelling, and by 1972 he was scarcely employable. That’s when Francis Coppola insisted to Paramount that only Brando should play Vito Corleone in The Godfather. Other actors had been mentioned, including Laurence Olivier, Robert Mitchum and Sinatra. But Coppola held out; he shot a ...”

“... done with her? At the end of the mangy, scrambling movie decade that gave us Robert Altman, Francis FordCoppola, Steven Spielberg and Martin Scorsese, there was nary a murmur from her (just imagine what she might have made of Elaine May’s Mikey and Nicky). We know from Nunez and others that Sontag boogied in ...”

“... who had given Khrzhanovsky carte blanche. Some have compared the pre-story of Dau to that of Francis FordCoppola’s Apocalypse Now, which began shooting in the Philippines in March 1976, ended principal photography in May of the following year, and went on general release more than two years later. Yet although ...”