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“... in Russia, Greece, Poland and Hungary, as well as Taiwan and Iran. The other prominent declinist, David Thomson, wasn’t even convinced of that. The only director in Sontag’s contemporary pantheon who featured in the edition of Thomson’s Biographical Dictionary of Film that I owned was the oldest, Theo Angelopoulos, and in his entry Thomson lamented that ...”

“... Lucian Freud​ resembled certain film directors – Ingmar Bergman, for example – in that the lead characters in his works influenced the way the creation took shape, often guiding it into entirely new territory. There is an unspoken understanding between the film director and the actor that their involvement isn’t permanent: the actor may be offered a more desirable part, or the director may feel the need to make a different kind of film ...”

“... Hendrix noted in his diary after their first, brief meeting. ‘She just knocked me on my ass,’ David Crosby said after hearing her sing ‘Both Sides, Now’. ‘It was the highest quality of songwriting. I liked her better than Dylan.’ Crosby briefly became Mitchell’s inamorato and produced her first album. Leonard Cohen, another influential early ...”

“... are not the end of the book. We turn the page and read a quotation from the American novelist David Markson: ‘Or was it possibly nothing more than a fundamentally recognisable genre all the while, no matter what Writer averred? Nothing more or less than a read?’ We can take the question as referring both to the described movie and to the describing ...”

“... although she is one, an avenging angel.’ Rita Hayworth, Shirley Temple, Ginger Rogers, Ingrid Bergman and Mary Pickford joined a committee to welcome her to Hollywood, where David O. Selznick sponsored an evening in her honour during which the Los Angeles Philharmonic played ‘The Madame Chiang Kai-shek March’. (As ...”

“... with the decline or disappearance of the main series that flourished in the Sixties, the era of Bergman, Fellini and Godard. Secker had Cinema One and Cinema Two; Lorrimer did Classic and Modern Film Scripts; and Movie magazine, through Studio Vista, produced a couple of dozen Movie Paperbacks. These mostly gave way in the mid-Seventies to the theories of ...”

“... aware of the difference between a ‘life of purity’, such as he found exemplified by the poet David Jones when visiting him in a Harrow lodging-house with Stephen Spender, and the ‘many lives of pastiche’. But he is aware of the origin of his woes. From 4 October 1953: ‘My deepest problem. I have changed families and at a terrible cost substituted ...”

“... is dead. There are many distinguished analytic philosophers, particularly admirers of Kripke like David Lewis and Frank Jackson, who are unabashed physicalist metaphysicians. They think of themselves as continuing the struggle against mystificatory nonsense that Thomas Huxley waged against Bishop Wilberforce, Russell against Bergson, and Carnap against ...”

“... of adolescent boys who are part of the church. It ends as follows: All during the trip home David seemed preoccupied. When he finally sought out Johnnie he found him sitting by himself on the top deck, shivering a little in the night air. He sat down beside him. After a moment Johnnie moved and put his head on ...”

“... brilliance and annoyingness are perfectly bound. Often​ his character recalls both Larry David and Bertie Wooster. Many are the plans that Kafka makes in a manner that ensures their eventual unmaking. Over five years he courts, engages, un-engages, re-engages but never marries Felice Bauer, a woman with whom he spends less than 15 scattered and not ...”

“... picture, I am sure that the average movie fan could learn in time to distinguish between Ingrid Bergman and Harpo. I don’t know whether I could, but I certainly would like to try. You claim you own Casablanca and that no one else can use that name without your permission. What about ‘Warner Brothers’? Do you own that, too? You probably have the ...”

“... auteur theory. He proudly recounts either leaving or being thrown out of screenings of films ‘by Bergman, Tarkovsky, Wenders, Antonioni’. Fassbinder is the antithesis of these filmmakers, not just in the speed at which he worked but also because his work ‘felt far less ponderous and self-regarding. The air felt different.’ It was common for auteurs to ...”

“... extended feature for Vanity Fair. We learn that Bob Dylan adored her in Raintree County and that David Lynch kissed her after the 1987 Oscars (she was a fan of Blue Velvet) and that she resented Andy Warhol for making millions by turning her face into a silk screen image. What the book doesn’t do is discuss Taylor’s film performances in any depth. This ...”

“... her album Butterfly, encouraging her to ditch the showtunes for covers of Bill Withers and David Bowie. He wanted to bring out Streisand’s ‘sexy side’: he told a journalist she had been playing ‘Ray Stark’s mother-in-law’ for too long.Streisand and Peters stayed together for eight years. He sold his salon and made a move on Hollywood, using ...”

“... one would expect from any collection of pictures, except for the jarring and very public Star of David which feels eerily as if it had invaded the private space of the pictures without its bearers having noticed. There were 1536 such pictures in the first, 1994 French edition; 1834 in the 1995 edition; another 497 in a January 1996 supplement; and a further ...”