“... the greatest symphonist since Beethoven, had no interest in folksong (though he studied with Vaughan Williams and liked and respected him), adored jazz for its virtuosity and instrumental sound but had little patience with most of the so-called symphonic jazz of the 1920s. The key to this apparent ragbag of a pantheon is that Lambert had come to music ...”

“... as more significant ‘utopians’ than has been recognised. Dr Davis is also interesting on William Sprigge’s A Modest Plea for an Equal Commonwealth of 1659, the anonymous Chaos (1659) and The Free State of Noland (1696), which he classifies as ‘Harringtonian’. He has even found a couple of Royalist utopias, which he discusses in Chapter ...”

“... voices of the time. During or just after the last war it was Connolly and Koestler and Spender, William Plomer, Alun Lewis, Dylan Thomas, Peter Quennell. Some still have life or fame or both, some not: but then, not now, was their moment. Was Connolly himself any good as a writer? The question means little because the point of Connolly turned out to be ...”

“... The same goes for one of the most celebrated passages in all Victorian sexual literature, Dr William Acton on the female sexual response: The majority of women (happily for them) are not very much troubled with sexual feelings of any kind. What men are habitually, women are only exceptionally ... No nervous or feeble young man need, therefore, be ...”

“... summer of 1743, the English engraver George Vertue paid tribute to his friend the ‘ingenious’ William Taverner, who ‘besides his practice of the Law ... has an extraordinary Genius in drawing and painting Landskips, equal if not superior in some degree to any painter in England’. Like other contemporary amateur producers of landscape ...”

“... as it performed the Ninth Symphony of Beethoven. Beecham is ‘irresponsible’, others such as Vaughan Williams and most English composers, Elgar in particular, provided numerous examples of ‘incompetant’ conducting and playing; most of the rest, always excepting his teacher Frank Bridge, have fallible technique. Bernard van Dieren (who fails to ...”

“... the 20th century’. As it happened, Gibran could remember not only his previous reincarnation as William Blake, but also a subsequent incarnation as Dante Gabriel Rossetti. During the First World War he was offered a high-ranking political post and agents of the Ottoman Empire tried to assassinate him. He was impervious to pain and he communicated with a ...”

“... would hardly think so from his portrait. The earliest dateable likeness is the engraving by Robert Vaughan, done in the mid 1620s, when Jonson was around fifty. The face is jowly, bearded, dour, heavily lived-in. The shadowed eyes remind me of photos of Tony Hancock. Comedy, they seem to say, is no laughing matter. It was one of Jonson’s sayings that ‘he ...”

“... a fine sermon’ by the Rev. Thomas Henry Stanley, who was standing in for the incumbent, the Rev. William Reeve. Reeve was away – in case you care, he was in Blankenberghe, Belgium. On August Bank Holiday in that year Britten went to see a show with Paul Robeson in it; a supporting act was ‘a clown’ – this performer, the editors explain, was ‘Clown ...”

“... 3; and the evening ended (again rousingly but not nationalistically) with Rossini’s Overture to William Tell. The result was an eclectic mixture, but it was much more European than British, and the programmes were conspicuously devoid of those military, nautical, jingoistic or imperial overtones so much in evidence in Britain during those years. But while ...”

“... I am of that odious class of men called democrats,’ Wordsworth wrote to his friend William Mathews in 1794. Much the same can be said of Coleridge, on the evidence of his letters and publications of the mid-1790s. By the early decades of this century, British, French and American scholarship concurred in finding both poets to be, in the 1790s, republicans and advanced reformers, who then suffered disappointment in the course of the French Revolution and, in different ways and at different times, changed their minds ...”

“... about Mansfield Park’s view of its own heroine. If we did not know that industrial imagery in William Blake’s work generally carries a negative charge, it would be harder to argue that the speaker of the ‘Tyger’ poem is not Blake himself, a point highly relevant to the work’s meaning. On the other hand, if we discovered that ...”

“... feminism has proved of interest to the second wave, and much of her work has been republished. William Maxwell, a friend and correspondent who was for years her editor at the New Yorker, published a selection of her letters in 1982, and Claire Harman, having edited the Collected Poems in 1983, published a good biography in 1989. Wendy Mulford’s lively ...”

“... course, exactly how events and memory both proceed: associatively, digressing, jolting, looping. William Burroughs makes the same point when discussing his cut-up technique: ‘Take a walk down a city street … You have seen a person cut in two by a car, bits and pieces of street signs and advertisements, reflections from shop windows – a montage of ...”

“... minutiae as though the future of civilisation depended on it. There’s a long letter to William Mann taking him to task for his misconception of the umlaut; and, in the LRB archive, a hilarious correspondence, from the early 1980s, between Keller and the editors, about the distinction between the colon and the semi-colon, the use of the dash, the ...”