“... a distinctly Igbo English. His writing is quiet, and in this regard he is similar to writers like William Trevor and Okot p’Bitek. He is free of literary anxiety. My kind of storytelling has to add its voice to this universal storytelling before we can say, ‘Now we’ve heard it all.’ I worry when somebody from one particular tradition stands up ...”

“... Among Hugh Trevor-Roper’s historical interests it is the Early Modern period, from the late Renaissance to the Baroque, that has claimed his most distinctive literary form, the long essay. He is our finest practitioner of the genre since Macaulay – who wrote when the economics of publishing were friendlier to it ...”

“... few days dipping into novels – Penelope Fitzgerald, Anne Tyler, Carol Shields, Beryl Bainbridge, William Trevor, Tim Parks among others – to limber up. Then she rolled up her sleeves and having extracted the technical nuts and bolts (beginning, middle, end; main and subsidiary plot and characters), wrote Naim Attallah’s novel in six ...”

“... purposive, energetic-sounding verb ‘moved into’, is meaningless unless it is explained that William Golding’s The Paper Men was a late, and lame, novel of remarkable thinness by an old famous author about being a famous author. It was metafictional only in the way that reality TV is metatelevisual. Stevenson never reflects on a writer’s aesthetic ...”

“... and his voice – once richly modulated, now trembly. In 1971 he agreed to act in The Old Boys by William Trevor at the Mermaid; the crew fitted him with an invisible prompter attached to an earpiece. At the first public performance the prompter malfunctioned, sending out a loud hissing, leaving both Redgrave and the audience in a state of high ...”

“... Hugh Trevor-Roper, who died in January 2003 shortly after his 89th birthday, had several of the qualities cherished in Britain’s so-called ‘national treasures’. His schoolboyish playfulness and relish of mischief never deserted him, nor did an unerring compass in matters of style, which assured an elegant, and seemingly effortless, command of language and bearing ...”

“... with it an unspoken obligation to talk personally. Plomley became part of the furniture. There’s William Trevor ruminating unshowily on the job of writing; the just pre-Pennies from Heaven Dennis Potter remembering his Forest of Dean childhood; and Charlotte Rampling, very solemn, on the death of her sister and making The Night Porter – Plomley ...”

“... Seven years after his death, Hugh Trevor-Roper’s reputation is still a cauldron of discord. He would have enjoyed that. Steaming in the mix are the resentments of those he expertly wounded, the awe of colleagues at the breadth and depth of his learning, dismay at his serial failures to complete a full-length work of history, delight in the Gibbonian wit and elegance of his writing and – still a major ingredient – Schadenfreude over his awful humiliation in the matter of the Hitler diaries ...”

“... There’s no doubt that Jack Trevor Story was a dab hand at titles. Man Pinches Bottom, One Last Mad Embrace, Little Dog’s Day and Live Now, Pay Later are good enticements and accurately indicate the plot, predicament and even the moral of each novel. His most famous title is still his first, The Trouble with Harry (1949), thanks to Alfred Hitchcock, who acquired the film rights for $500 but made a classic film out of a shabby deal ...”

“... ill-fated Oxford phase (all his phases were short-lived and ill-fated) that he encountered Hugh Trevor-Roper, then Regius Professor of Modern History, who kept a dossier on his activities for the next 25 years. Adam Sisman, Trevor-Roper’s biographer, has now used the dossier as the foundation for a short, spry book, The ...”

“... finished novel, Troubles, which took shape rapidly and was published in 1970, winning praise from William Trevor and Elizabeth Bowen. ‘If I had bothered to look at [my] diary,’ he noted two months after its publication, ‘I wd also have used the “flight of stone steps leading up into thin air”, which I simply forgot.’ He had added a detail to ...”

“... about due. It never rains but it pours. Now we have two, each in its different way outstanding. Trevor Wilson goes over the ground covered by Woodward, but at greater length and in far greater depth. This ‘total history’ of Britain at war not only covers operational, political, social, economic and literary aspects of the war, but focuses our attention ...”

“... too short makes close ones blurred. Short and long sight are the first disabilities which Patrick Trevor-Roper discusses in The World through Blunted Sight, his newly-revised exploration of the effect of eye-defects on personality, art and literature. He endorses T. Rice’s epitomes of short and long-sighted personalities which, made some sixty years ago ...”

“... his predecessor in the same chair, while Lord Dacre of Glanton, more commonly known as Professor Trevor-Roper, is the recently retired Regius Professor at Oxford. From this conjunction, a classical or prophetic scholar would no doubt bring forth a portent: if the conjunction of three kings signified so much, what might the conjunction of three Regiuses ...”

“... Any definition of the word ‘mogul’ that’s going to stretch to include Jules Stein and Trevor Nunn is so loose as to be worthless. In the first two essays in Moguls, Pye seems to want to examine the corporate structure of the American entertainment industry, to examine it as if it were any other kind of business. Stein was a particularly ...”