“... an eight-volume History of England from the First Invasion by the Romans to the Accession of William and Mary, using sources inaccessible to Protestants. The four volumes on the 16th century were contrived, as Lingard admitted, to ‘make the Catholic cause appear respectable in the eyes of a British public’. Newman, Anglicanism’s arch-traitor, was ...”

“... by the Lord Protector, who favours her elder half-sister, Lady Mary, the future (Catholic) queen. William Cecil, a rising royal secretary, is protective towards Elizabeth, mindful of the role history may have in store for her. Shardlake is retained as one of her lawyers. Now 47, he is lonely, world-weary, and bored of drawing up conveyances and wills (perhaps ...”

“... the kingdom of England itself, but a large proportion testified to pious Anglo-Norman energy after William I’s conquest of England in 1066, resulting in the formation of a diverse range of communities whose distinctive ‘rules’ for communal life were an implied criticism of the monasteries that had gone before. Well-functioning monasteries constantly do ...”

“... We buy a luminous blue and white Victorian tile at Gabor Cossa which one of the partners thinks is William de Morgan but isn’t and then cross the road to the Fitzwilliam. I take in a chance selection of pictures, dictated by which happen to be in range of available banquettes, and in particular the Van Dyck portrait of Archbishop Laud. It’s hung beside one ...”

“... its demolition in 1941 was a disgrace.Augusta Persse was born in 1852, and in 1880 she married Sir William Gregory, who was 35 years older than her. He died in 1892, and she outlived him by forty years. Lady Gregory made herself useful to Yeats, as Roy Foster shows in his biography of the poet, because of her interest in folklore and her knowledge of the area ...”

“... didn’t concern him. But before he wrote the poem he wrote an essay, ‘The Public v. the Late Mr William Butler Yeats’, set out as an argument between a public prosecutor and a counsel for the defence, in which the value of poetry is itself interrogated.The prosecutor makes little of Yeats’s engagement in ‘Easter 1916’: ‘After the rebellion of ...”