New Deal at Dunkirk

Geoffrey Wheatcroft: Wartime Tories, 22 May 2025

Blue Jerusalem: British Conservatism, Winston Churchill and the Second World War 
by Kit Kowol.
Oxford, 336 pp., £30, September 2024, 978 0 19 886849 1
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... Europe to glorious victory. This was later challenged by historians on the right such as Correlli Barnett and John Charmley, who claimed that the war was a calamity for Britain, with consequences from near national bankruptcy and humiliating dependence on American financial support to industrial decline, Soviet domination of much of Europe and the loss of ...

The Departed Spirit

Tom Nairn, 30 October 1997

... of modern times enjoyed such an astonishing opportunity? Only four months after the election Tony Blair ran into a spiritual earth tremor as well: his nation changing its ideological skin. He knew as well as other subjects what was happening and expressed it in his remarks at Trimdon on 31 August: the ‘People’s Princess’ was officially ...

Wham Bang, Teatime

Ian Penman: Bowie, 5 January 2017

The Age of Bowie: How David Bowie Made a World of Difference 
by Paul Morley.
Simon & Schuster, 484 pp., £20, July 2016, 978 1 4711 4808 8
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On Bowie 
by Rob Sheffield.
Headline, 197 pp., £14.99, June 2016, 978 1 4722 4104 7
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On Bowie 
by Simon Critchley.
Serpent’s Tail, 207 pp., £6.99, April 2016, 978 1 78125 745 6
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Shock and Awe: Glam Rock and Its Legacy 
by Simon Reynolds.
Faber, 704 pp., £25, October 2016, 978 0 571 30171 3
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... the World’. Recall: Bryan Ferry duetting with Cilla (‘and special guests Gerald Harper and Tony Blackburn!’). Recall: a newly shorn Bowie guest-starring on Bolan’s camp-for-kids teatime show, Marc. This was what made them who they were: they could play in both keys, MOR versions of avant-garde modernity. People still get into knots about the ...

What Henry Knew

Michael Wood: Literature and the Taste of Knowledge, 18 December 2003

... whole issue before our minds, in Peter de Bolla’s book Art Matters.2 De Bolla is looking at a Barnett Newman painting (Vir Heroicus Sublimis) in the Museum of Modern Art in New York. He has decided that the usual critical questions – what does this painting mean, what is it trying to say – are the wrong ones. He offers one or two not all that ...