“... He has created​ more than any artist after Picasso,’ Jasper Johns said of Robert Rauschenberg, his one-time partner, and the Rauschenberg retrospective now at Tate Modern (until 2 April) fully attests to the sheer abundance of his six-decade career (he died in 2008). There are impressive inventions here, such as his extravagant combinations of painting, collage and sculpture, as well as mixed experiments, such as his rambunctious forays into new media technologies, but there is a lot of recycling and wheel-spinning too ...”

“... that the very term ‘abstract expressionism’ – it was coined in 1946 by the art critic Robert Coates writing in the New Yorker about paintings by Hans Hofmann – provides a clue: if one renounces depiction all that is left is expression. But that would be a mistake, one often made when trying to understand some of the best-known works on show ...”

“... the pipes in 1715 and 1745. The real squeeze was in the pocket. Hoppit quotes a feisty diatribe by Robert Freebairn, a prominent Jacobite in 1715 (although he was the queen’s printer), who had to flee to the Continent after the rising was put down:Before the Union we have no Taxes but what were laid on by our own Parliaments, and those very easie, and spent ...”

“... and climb to a great atrium, 110 feet high, punctuated by the huge Broken Obelisk by Barnett Newman in the centre (it looks like a rusty exclamation point from God) and a panoramic Water Lilies by Monet on the wall opposite (unfortunately, it shrinks in this vast space). The second floor also contains the cavernous Contemporary ...”

“... bothering to consult the operational War Diaries, proceeds to spin out the John Connell-Correlli Barnett myth that Montgomery’s only contribution to the Desert arena was an incomprehensible uplift in morale. Monty’s plan for the defence of Alam Halfa, he declares, was inherited from Auchinleck: he neglects to mention that Auchinleck’s only plan for ...”

“... he staged his paintings. ‘We were surprised to learn that his suicide was so ritualistic,’ Robert Motherwell said. For me, and I imagine for many others then as now, Rothko just was his paintings – paintings that seemed, when we stood before them spellbound, to be our shifting moods themselves. It is with some trepidation that one opens a new ...”

“... without ethnic or geographic cohesion are ideological libertarians. Wisconsin was the home of Robert La Follette Sr, the Senate’s greatest progressive, and of Joseph McCarthy, its most infamous reactionary. It has voted for Democratic presidential candidates in every election since 1988. But off-year elections with low voter turnout – and ...”

“... a strategy of decrepitude’). But he is also bewildered by Nairn’s long and enjoyable resort to Robert Musil’s The Man without Qualities as a source of comparison. For Dewar, the parallels drawn with Musil’s disintegrating Austria-Hungary are ‘tendentious … who knows or cares?’ It may be a long novel for politicians with infernally little spare ...”

“... August, the Labour Party’s spokesman on home affairs, John Fraser, wrote to the home secretary, Robert Carr, about the cases. The Sunday Times report on Fraser’s letter said that he had asked Carr ‘to pay special regard to the method of proof used by transport police’ and the lack of ‘independent witnesses’. According to the article, Ridgewell was ...”

“... industry and that the best talents have gone elsewhere. Porter echoes Martin Wiener and Correlli Barnett in highlighting the corrosive influence of the class system and an inappropriate philosophy of gentlemanly behaviour. Such attitudes have been compounded by the dangerously short time-horizons of key institutions. According to Porter, ‘the structure of ...”

“... Europe to glorious victory. This was later challenged by historians on the right such as Correlli Barnett and John Charmley, who claimed that the war was a calamity for Britain, with consequences from near national bankruptcy and humiliating dependence on American financial support to industrial decline, Soviet domination of much of Europe and the loss of ...”

“... Early in​ 1971, Robert Hughes, recently appointed as Time magazine’s chief art critic, was ripping out his loft apartment at 143 Prince Street when he received an unexpected visitor. This was Henry Geldzahler, curator of modern art at the Metropolitan Museum. Hughes, probably the most macho and combative critic in his profession, was, by his own account, sweaty, foul-tempered, sore-footed and ‘grey with ingrained dirt ...”

“... business schools have been covering the ground with Malcolm Bradbury, Martin Wiener and Correlli Barnett. Their audit of the nation is complete. Confirming old suspicions about the degeneracy of the sociology department, it has also brought out a newer truth about English culture and its responsibility for the decline of the industrial spirit. Doubtless the ...”

“... to terms with his own sexuality. There are villains: Dr Henderson, Pollock’s Jungian analyst, Robert Motherwell, Clement Greenberg; and heroes and heroines: the sad, remote father, the brothers, particularly Sande, and his wife Arloie, Reuben Kadish, Roger Wilcox, Rita Benton. They write with respect about Lee Krasner and without parti pris. My impression ...”

“... which alters once and for all the common perception of an area in the field. One such case was Robert Rosenblum’s essay, ‘The Abstract Sublime’, published in 1961. Its conclusion was that, ‘in its heroic search for a private myth to embody the sublime power of the supernatural, the art of Still, Rothko, Pollock and Newman should remind us that the ...”