“... There are not many facts available about Donald Barthelme, at least on this side of the Atlantic. He has been hailed as a leading Post-Modernist, but Post-Modernism (to the extent that it has a credo) stresses the unreliability of facts and the supremacy of fictions. He has also been viewed as a pungent satirist. One thing that can be stated is that Barthelme’s literary career has mostly been pursued in the pages of the New Yorker ...”

“... Like Hoyle and Stephen Potter, Georges Perec was a devotee of indoor games. La Vie Mode d’Emploi (1978), a title combining lifemanship, gamesmanship and one-upmanship, was the monumental creation of an author whose other productions included a treatise on Go (the Japanese board-game) and a weekly crossword for the magazine Le Point. Perec, who died in 1982 at the age of 46, is credited with the invention of the longest known palindrome (over five thousand letters ...”

“... No one could describe the last ten years as an uneventful period in English criticism, but there are times, and this February is one, when it all seems to boil down to a couple of brawls and a series of obituary notices. One by one the giants have departed: Leavis, Richards, Empson, and now Raymond Williams. The first three had come through to ripe and embattled old age, but Williams was still in his prime as a writer and critic ...”

“... mythology. From his revisionist viewpoint Yeats’s championship of the Protestant Ascendancy and Patrick Pearse’s sentimentalisation of the Spirit of the Gael are equally deplorable. Instead of a continuous national tradition, Deane’s sense of Ireland’s cultural history is of a series of discontinuous, and heavily ideological, historical ...”

“... The folks that live on the hill? It’s not exactly what you’d expect of a Kingsley Amis title, but in another two years the old devil will be 70 and perhaps he is beginning to mellow. John McDermott remarks in his appealing study of Amis’s novels that the hero-as-shit, at large in a world of mutual animosity and obsessive self-interest, is one of their most characteristic figures ...”

“... The rich are different from us.’ ‘Yes – they have more money.’ Though it is Hemingway’s riposte that sticks in the memory, Scott Fitzgerald’s belief in the difference of the rich has one thing to be said for it: it makes far more sense of the history of the novel. The rich and their doings are clearly over-represented in the house of fiction, and access to wealth almost invariably affects or confirms a fictional character’s identity ...”

“... David Craig has an unfashionable concern with truth-telling in fiction. In his earlier role as a literary critic, he wrote a book called The Real Foundations in which he showed how some of the most respected 19th and 20th-century novelists and poets had blatantly falsified social reality. If a work of realistic fiction is to be convincing in general, according to Craig, it ought to convince us in particulars ...”

“... When Lucy Snowe goes to the theatre in Villette, she is entranced by the performance of the great actress Vashti, a plain, frail woman ‘torn by seven devils’, a ‘spirit out of Tophet’ delighting her audience with a glimpse of hell. Vashti is easily identified as the tragedian Elisa Rachel, whom Charlotte Brontë had seen in London in 1851. Sarah Bernhardt may be better known today, but it was Rachel who haunted the English literary imagination throughout the 19th century ...”

“... Why not a novel in verse? It’s all a question of expectations, and in The Golden Gate the Indian-born poet Vikram Seth single-handedly overturns most readers’ expectations about what can, and cannot, pass as a novel. Whatever the frame of mind in which you begin it, by the end it has come to seem the most natural – and the most accessible, and easily assessable – thing in the world ...”

“... Trinidadian novelist’. This might place him with such non-British writers as Nadine Gordimer and Patrick White, but he is later included in Bradbury’s alphabetical checklist of British novelists since 1876. It looks as if an adverse judgment has been passed by default. It is not that Bradbury shies away from evaluative criticism: the book is full of ...”

“... Mythology was once defined by Robert Graves as the study of whatever religious or heroic legends are so foreign to a student’s experience that he cannot believe them to be true. Mythical stories are disturbing and invite disbelief; but our own myths are so taken for granted as to be largely invisible. Conventional encyclopedias of mythology exclude Biblical narratives ...”

“... Stirrings’ are, among many other things, what poetry can cause in us, as I.A. Richards once noted. In a notorious passage in Practical Criticism, Richards suggested that a good test of a poem’s sincerity would be to meditate for a while on the following topics: 1. Man’s loneliness (the isolation of the human situation). 2. The facts of birth, and of death, in their inexplicable oddity ...”

“... Christopher, the new Columbus, is conceived on a beach at Acapulco at the beginning of 1992. Mexico’s overseas debt stands at $1492 billion, soon to rise to $1992 billion, and the Yucatan peninsula has been ceded to the Club Mediterranée in the vain hope of paying the interest. The population of Mexico, or Makesicko, City has reached thirty million human beings and four times as many rats ...”

“... Our lives teach us who we are,’ Salman Rushdie observed in one of three widely-read and somewhat contradictory statements of faith that he published last year. These are now reprinted at the end of Imaginary Homelands, a compendious collection of book reviews, cultural critiques and political essays written over the last ten years and, for the most part, in much less fraught circumstances ...”

“... The story goes that, on the day when William Empson moved into Magdalene College, Cambridge, to take up a fellowship, his suitcases (as was the custom in those days) were unpacked by one of the college servants. The gyp was so shocked by the contents of Empson’s bags that he decided to report him to the college authorities. Next morning the young poet and critic was summoned before the senior dons and accused of concealing ‘sexual machinery’ in his luggage ...”