“... Anita Brookner’s first novel appeared in 1981. Since then she has published it again, slightly altered, almost every year. It is a remarkable feat. Nor is it irrelevant to what she has to say, for quiet persistence is part of what her fiction affirms. The same characters, the same situations, the same histories of seclusion and distress appear over and over again ...”

“... atomically splitting under their eyes. Much of The Truth about Lorin Jones is made up of dialogue. Anita Brookner, in Latecomers, almost does without it. The few lives (substantially, four) she has created have been so displaced, made so uncertain, in a past that is itself so blankly mysterious, that it is as if ...”

“... Anita Brookner’s novels have been preoccupied with women who feel themselves to be profoundly separate. This may be the result of either choice or necessity, or of stoically making a choice of necessity. They are often tempted to alleviate this solitariness by falling in love with a man or attaching themselves to a couple or a family, but this usually ends in recoil and failure ...”

“... So far as the evidence of five novels goes, Anita Brookner has one basic theme, which she varies with considerable and increasing technical resource. All five books are quite short, and all have some of the qualities of what James called the beautiful and blest nouvelle, since they are intensive in plot and on the whole refuse the temptation to broaden into novels ...”

“... an indulgence. No novelist has offered sterner resistance to the glamour of magic realism than Anita Brookner, meticulously recording the particularities of everyday compromise. Nevertheless, she too has thought deeply about the need to rewrite fairy stories. Her new novel is a searching study of innocence, and the limitations of innocence. Lewis ...”

“... says modern art.’ In her discreetly original study of Romanticism and Its Discontents, Anita Brookner quotes Alfred de Musset’s satire, Lettres de Dupuis et Cotonet (1836-37). Dupuis and Cotonet are two literal-minded provincials who spend 12 years trying to find out what Romanticism is. At first, it seems to refer to plays which ignore the ...”

“... the idea for this book, and the publishers were free to say no. Andrew Stephen had one defender in Anita Brookner – but the effectiveness of her attack on his attackers was diminished by its appearing in the Observer while that paper was ending its serialisation of the book. He also mounted his own defence, or attack. The day after he had been ...”

“... having made a small but definite act of defiance against a spiritually tyrannical brother. Anita Brookner’s heroine ends as she began, writing a chapter on Eugénie Grandet in her book on Balzac, having lost a lover and acquired the duty of looking after a selfish and dependent father. The wrong choices, in the men’s novels are violent and ...”

“... told that they don’t always enjoy it. In fiction the rich and the rest of us can change places. Anita Brookner’s new novel shows Harriet, who is married to a rich businessman much older than herself, travelling out of London on the Brighton line. The suburban houses by the tracks strike her as ‘poignantly homely, beautifully unassertive’. She ...”

“... student, prim, gauche, improbably starry-eyed, impossibly self-obsessed, a junior version of the Anita Brookner wallflower (i.e. not yet prepared to consign herself to the sad margins of singlehood). But whereas the high-minded Brookner woman is given to maundering over Balzac or Flaubert, Isabel derives her vicarious ...”

“... as they are, as enigmatically unfulfilled (unlike Pym, they did not write novels), and, like the Brookner heroine in Look at me, taking the same involuntary pleasure in the dreary little comedies of daily routine. Pym was a bit despondent about this. ‘It was supposed to be a sort of Margaret Drabble effort,’ she wrote to Philip Larkin, ‘but of course ...”

“... usually reliable, has an odd essay about all the ways in which Angela Carter is not like Anita Brookner; trapped by this initial division, her piece becomes a stutter of differences, as she grinds her chalk in one hand and smoothes her cheese in another: ‘Unlike Hélène Cixous, Anita Brookner is not a ...”

“... able to write oneself into a new way of life, more amusing than the old: in this sense (which is Anita Brookner’s sense) writing is a penance for not being lucky in love but also a way of being livelier than life. Words also preserve memory ‘which would have vanished utterly had he not enclosed it in a fortress of words’ (Christa Wolf). Writing is ...”

“... In what her publishers claim to be the first monograph in English on David, Dr Brookner explains that she sees her book as a ‘preparation’ for more specialised studies at present under way in France and America. It is intended ‘for the general reader whose eye has been arrested by David’s images and whose mind has been haunted or irritated by their supernal energy and conviction ...”

“... a saucer in the other, a signet ring just visible on the finger beneath the saucer’. Ruth, in Anita Brookner’s first novel, was in love with a professor with ‘a neutral, faintly resigned presence’: but Kitty’s case is even more hopeless. Maurice is not only English, but specifically upper-class Gloucestershire; and Kitty loses him to a girl ...”