At the National Gallery
Julian Bell: Beyond Caravaggio, 15 December 2016
“... This effect presages the ‘dark style’ met later in the exhibition in Caravaggio’s St John the Baptist in the Wilderness (1603) and his Salome of c.1609, a forsaking of fine description for brute urgency that met with Bellori’s censure. For a follower, like Bellori, of the Italian tradition based on figure drawing and epitomised by Raphael, the ... ”