Four pfennige per track km

Thomas Laqueur: Adolf Eichmann and Holocaust photography, 4 November 2004

Eichmann: His Life and Crimes 
by David Cesarani.
Heinemann, 458 pp., £20, August 2004, 0 434 01056 1
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Photographing the Holocaust: Interpretations of the Evidence 
by Janina Struk.
Tauris, 251 pp., £15.95, December 2003, 1 86064 546 1
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“... much heart.Reitlinger devotes a substantial number of pages to Eichmann and concludes, in a phrase David Cesarani quotes, that Eichmann’s ‘career was that of a German civil servant, absorbed in his work and getting no glory for it’. Reitlinger didn’t fail to recognise his significance in the murder of millions of Jews but, like Arendt later on, he ...”

On the Brink

James Lever: Philip Roth, 28 January 2010

The Humbling 
by Philip Roth.
Cape, 140 pp., £12.99, November 2009, 978 0 224 08793 3
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“... in Axler’s proposed salvation-by-child, or by love or sex (‘He who forms a tie is lost’ – David Kepesh’s friend George O’Hearn, telling it straight in The Dying Animal). They won’t save him, and nor will solitude: it’s the absence of ties which has brought him to this pass. Axler has no family: no memories of dear Morty Sabbath to stay his ...”

Fellow Freaks

Sam Thompson: Wells Tower, 9 July 2009

Everything Ravaged, Everything Burned 
by Wells Tower.
Granta, 238 pp., £10.99, April 2009, 978 1 84708 048 6
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“... the Paris Review, McSweeney’s and the New Yorker. He is also a journalist, specialising, like David Foster Wallace, in first-person-singular expeditions into curious reaches of American culture. Tower’s non-fiction adventures have included a bicycle odyssey along the New Orleans levee a year after Hurricane Katrina, a search for a possibly extinct ...”

Words as Amulets

Ange Mlinko: Barbara Guest’s Poems, 3 December 2009

The Collected Poems of Barbara Guest 
edited by Hadley Haden Guest.
Wesleyan, 525 pp., £33.95, July 2008, 978 0 8195 6860 1
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Women, the New York School and Other True Abstractions 
by Maggie Nelson.
Iowa, 288 pp., £38.50, December 2007, 978 1 58729 615 4
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“... of being the odd woman out in a number of studies of the poets of the New York School. The group may have been a chimera (in John Ashbery’s words, ‘we happened to be friends’), but the label – borrowed from the abstract expressionist painters in their circle, and marketed through Donald Allen’s anthology The New American Poetry – has somehow ...”

Can they?

Dan Hancox: Podemos, 17 December 2015

Politics in a Time of Crisis: Podemos and the Future of a Democratic Europe 
by Pablo Iglesias, translated by Lorna Scott Fox.
Verso, 237 pp., £10.99, November 2015, 978 1 78478 335 8
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“... has given organisational form to a new European left-wing populism. In the European elections of May 2014, with a tiny, crowd-funded budget and just four months of existence, it gained 1.2 million votes and five MEPs. By the end of the year it led the two establishment parties in the polls. The roots of Podemos lie in the huge 2011 indignados protests ...”

Only Men in Mind

Susan Pedersen: R.H. Tawney, 21 August 2014

The Life of R.H. Tawney 
by Lawrence Goldman.
Bloomsbury, 411 pp., £65, September 2013, 978 1 78093 704 5
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“... he didn’t credit the men and women he met in the East End – ‘a subservient lot’, he told David Marquand years later – with his conversion to socialism. That may have already been underway but would be shaped by his work teaching in the industrial north.His quarrel with Oxford in a sense drove him there. In ...”

More than a Million Names

Mattathias Schwartz: American Intelligence, 16 June 2016

Playing to the Edge: American Intelligence in the Age of Terror 
by Michael Hayden.
Penguin, 464 pp., £21.99, February 2016, 978 1 59420 656 6
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“... temporary safety’. According to Hayden, we must also consider the number of innocent people who may be killed in a future terrorist attack. ‘What might be admirable for a court system is unconscionable for an intelligence agency,’ he writes. Hayden was appointed to lead the National Security Agency in 1999 by Bill Clinton, and stayed on through 9/11 up ...”

I am a severed head

Colin Burrow: Iris Murdoch’s Incompatibilities, 11 August 2016

‘The Sea, the Sea’; ‘A Severed Head’ 
by Iris Murdoch.
Everyman, 680 pp., £14.99, March 2016, 978 1 84159 370 8
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“... Murdoch’s descriptive prose: ‘A memory came back to her from her Italian journey, the young David of Donatello, casual, powerful, superbly naked, and charmingly immature.’ And no one could read more than a couple of her novels without recognising that they usually take place in summer, often in a large house, and rarely shift their gaze significantly ...”

In Fiery Letters

Mark Ford: F.T. Prince, 8 February 2018

Reading F.T. Prince 
by Will May.
Liverpool, 256 pp., £75, December 2016, 978 1 78138 333 9
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“... might have issued from Christ’s breast.The consummation imagined here is tellingly related in David Kennedy’s astute essay on Prince’s ‘Portrayal of National Bodies’ to a notebook entry the poet made in 1950, which details a bored church elder haunted by a ‘dream of naked man, opening his arms, receiving love and death upon his bare ...”

Philosophical Vinegar, Marvellous Salt

Malcolm Gaskill: Alchemical Pursuits, 15 July 2021

The Experimental Fire: Inventing English Alchemy, 1300-1700 
by Jennifer M. Rampling.
Chicago, 408 pp., £28, December 2020, 978 0 226 71070 9
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“... alchemy or his interests in astrology, numerology and biblical prophecy. Whatever madness may have crept into his method (possibly a result of mercury poisoning), natural philosophy had different boundaries to modern science, encompassing – or porous to – the supernatural. The alchemical papers at King’s have produced several books, most ...”

One’s Self-Washed Drawers

Rosemary Hill: Ida John, 29 June 2017

The Good Bohemian: The Letters of Ida John 
edited by Rebecca John and Michael Holroyd.
Bloomsbury, 352 pp., £25, May 2017, 978 1 4088 7362 5
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“... as many constraints and fewer comforts. The hoped for careers rarely developed. The bohemian man may have idealised women as muses and models but he was unhampered by bourgeois obligations to be faithful or to earn money, though rarely was he so unconventional as to undertake any housework or childcare. The bohemian woman with children was as much shackled ...”

Cyberpunk’d

Niela Orr, 3 December 2020

Such a Fun Age 
by Kiley Reid.
Bloomsbury, 310 pp., £12.99, January, 978 1 5266 1214 4
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“... and interactivity, which are used as plot points and even as formal constraints (this began with David Foster Wallace’s conception of the maddening video called ‘the entertainment’ in Infinite Jest). Live news segments are pivotal set pieces in Such a Fun Age, and the video of Emira at the grocery store sets the story going. It’s funny that this is ...”

Tocqueville in Saginaw

Alan Ryan, 2 March 1989

Tocqueville: A Biography 
by André Jardin, translated by Lydia Davis and Robert Hemenway.
Peter Halban, 550 pp., £18, October 1988, 1 870015 13 4
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“... preferred. In post-war France, Raymond Aron saw Tocqueville as the great counter-weight to Marx. David Riesman’s The Lonely Crowd reminded Americans that Tocqueville had feared they would become ‘other-directed’ conformists, incapable of the generosity, independence and energy that democratic government required. In England, Tocqueville’s work was ...”

Christopher Hitchens states a prosecution case

Christopher Hitchens, 25 October 1990

Crossman: The Pursuit of Power 
by Anthony Howard.
Cape, 361 pp., £15.95, October 1990, 0 224 02592 9
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“... the nickname itself derives from schooldays at Winchester rather than from Labour politics, and it may well be true that Crossman bore the title all his life. Still, I’m quite clear that he earned it afresh, as it were. There’s an old Claud Cockburn doggerel that goes (from my memory): Here lies the body of Dick Double-Crossman, Classical don with ...”

Into the Gulf

Rosemary Hill, 17 December 1992

A Sultry Month: Scenes of London Literary Life in 1846 
by Alethea Hayter.
Robin Clark, 224 pp., £6.95, June 1992, 0 86072 146 9
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Painting and the Politics of Culture: New Essays on British Art 1700-1850 
edited by John Barrell.
Oxford, 301 pp., £35, June 1992, 9780198173922
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London: World City 1800-1840 
edited by Celina Fox.
Yale, 624 pp., £45, September 1992, 0 300 05284 7
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“... by the society that produced it, in terms of the roles, acknowledged or unacknowledged, that it may have played, of the conflicts implicit in individual works and of what they did and did not portray. The history of art cannot be the history of art alone. Well, no, but it is difficult to see here, or in the essays themselves, anything essential to this ...”