“... of experienced EPA staffers and scientists,’ Rebecca Leber reported early this year in Mother Jones, ‘while putting old friends and industry reps in charge of key environmental decisions.’ The military and charter flights he booked for himself, his $2 million security detail, his payment of $120,000 to an opposition research outfit to spy on hostile ...”

“... playing a kind of burlesque version of themselves. These are men like the braggadocio Peter Shakerly; the railer Charles Chester, who was the model for Carlo Buffone in Jonson’s Every Man Out of His Humour; Humfrey King, the poetic tobacconist; the barber-surgeons Tom Tooley and Richard Lichfield; the tavern joker John Stone. These loquacious ...”

“... there with them. It’s not significantly less boring in the game than it would be in real life. Peter Molyneux, a brilliant British game designer with a particular interest in ‘God games’ – games in which the player creates a world – had a great notion in a game called The Movies, which came out in 2005. In it the player designs and then runs a ...”

“... Shankar was fêted by jazz musicians, and photographed with Dizzy Gillespie, Count Basie, Quincy Jones and Shelley Manne, but there is no report of his meeting equivalent figures in classical music. George Avakian, the head of popular music at Columbia Records who had signed Dave Brubeck and Miles Davis, heard Shankar play at New York Town Hall and invited ...”

“... as he was always known – was born, the family lived in a grand house near Chalfont St Peter. But Charles wasn’t a successful doctor; his ambitions seem to have been more as an inventor. At one point he tried to interest the Post Office in a phone box that locked you in if you rang the emergency services (this was meant to deter hoax ...”

“... harnessed to official ideologies under Elizabeth and James I. Terence Hawkes, Francis Barker and Peter Hulme (AS), and Paul Brown (PS), link The Tempest with the ideology of colonisation, arguing that the play’s formal involutions reflect, not transcendent truths about illusion and reality, but the ideological strains of legitimising overseas ...”

“... Causes of the Late Increase of Robbers, a law and order manifesto for a very nasty party. If Tom Jones had encountered this Fielding in his rambles round Britain, a longish novel would have become a short story. Tom’s sexual transgressions were matters for the ecclesiastical courts, but he was a poacher, an idler unwilling to earn his living by regular ...”

“... imaginary woodlands, developing and expanding material from earlier lectures and essays. As Peter Holland’s eloquent afterword reminds us, Barton’s interest in the topic had first been excited by her reading of Ben Jonson’s Robin Hood play, The Sad Shepherd, for her monograph on Shakespeare’s great rival. Given this history, it may seem ...”

“... than before, but instantly distinguished from his team-mates by the prowl in his gait. Lord Peter Wimsey said that you can never mistake a fellow’s back; the same may be said of Jordan’s walk. It’s not lighter, or swifter than his peers’ – not now. But these qualities matter less in basketball than balance, a rhythm that develops in men used ...”

“... 1985, and Robert Bearman’s Shakespeare in the Stratford Records, 1994) but by the work of Peter Thomson and Andrew Gurr on the fortunes of Elizabethan acting companies, or of Douglas Bruster on Troilus and Cressida and the language of Jacobean economics, or of R.A. Foakes and Stephen Greenblatt on the contexts of King Lear. This is one biography which ...”

“... women and three men. There’s Don Draper (Jon Hamm), head of Creative; his wife, Betty (January Jones), who stays at home in upstate New York through her divorce and subsequent remarriage to Henry, looking after her and Don’s three children; Peggy Olson (Elisabeth Moss), who rises from twenty-year-old secretary to executive in Don’s team, the first ...”

“... closest thing to a crisis in the public acceptance of Operation Desert Storm occurred when CNN’s Peter Arnett broke the rule against showing bodies, and transmitted images of Iraqi civilians killed by one of our smart bombs. Senator Simpson of Wyoming promptly labelled Arnett an Iraqi ‘sympathiser’. The criticism even extended to Ted Turner, who was ...”

“... the essential, the thrilling thing was to ‘smack the pansies down’. The period covered by Peter Parker’s astonishing two-volume compilation culminates in the pansies’ at least partial vindication, the long deferred passage of the Wolfenden Committee’s recommendations into law in 1967. Together these books present for the first time an assemblage ...”

“... as it was disdainful of the lower orders. Yet, nearly a year before Look Back in Anger, Peter Hall directed another play with one set and five characters, who perform music-hall turns, make long speeches and take off their trousers; in which nothing much happens, key elements of the first half are echoed in the second, there is a crucial off-stage ...”

“... second time I saw him must have been a few years later at the Mermaid Theatre at a performance of Peter Luke’s play Hadrian VII with Alec McCowen. Then it was his characteristic walk that I noticed: he tripped down the aisle after the designer, Gladys Calthrop, his hands, fingers pressed together, half slipped into his trouser pockets ...”