“... in order to dispel the anthropological premise of modern economics: ‘the myth of barter’. Adam Smith supposed – as primers on economics complacently repeat – that economic life emerged from a propensity of the species to truck and barter. The Wealth of Nations imagines ‘a tribe of hunters or shepherds’ among whom producers of arrowheads, tanned ...”

“... about having to put on so much make-up and even more about the bore of taking it all off, Maggie Smith seems to enjoy transforming herself into Miss Shepherd, today showing me her grey mottled legs as if they are a newly completed landscape. She’s particularly pleased with the ulcers she has incorporated into the decorative scheme, displaying them with the ...”

“... It was only when Jim McCann, ex-Belfast bomber, current film financier, introduced him to Jean-Paul Belmondo, that his palms started to get clammy. ‘Jean-Paul, let me introduce you to Mark Thatcher, just back from Saudi Arabia.’ A few stiff drinks in the Paris nightclub and he carried it off – until Roman Polanski ...”

“... occasionally to be seen: reproductions on board of work by modern British painters – Ravilious, Paul Nash, Henry Moore, Pasmore. These, I think, were put out by Shell and turn up occasionally nowadays at auction, though not quite at Sotheby’s. That I’ve always liked – and found no effort in liking – British paintings of the Forties and Fifties I ...”

“... the Sex Pistols as Johnny Rotten or Sid Vicious, eclipsing the group’s musical muscle: drummer Paul Cook, guitarist Steve Jones and bassist Glen Matlock. (It was Matlock who wrote nearly all the group’s best tunes, only to be pushed out for being a Beatles-loving middle-class namby.) Andrew Loog Oldham, who managed the Rolling Stones, was the crucial ...”

“... said, his greatness and his doom indistinguishable. It reads more like art than life, but then as Paul Delany reminded us in a recent article in this journal (24 January), life ‘too is “written” – shaped, selected, mythologised – by the same rules that govern the creation of literary texts’. Here, each of the countless fragments of memory out of ...”

“... influence of Durkheim with its special emphasis on structures. Both Raymond Aron and more recently Paul Veyne admit the influence of the sociological methods of Dilthey, Simmel and Weber in underscoring the specificity of historical events. In De la Connaissance Historique H.-I. Marrou attacks the narrow concept of what constitutes historical ...”

“... queens of the 1920s toured far and wide and sold millions of records. Their ‘empress’, Bessie Smith, appeared on Broadway and in movies. After her death in 1937, a memorial concert was held at Carnegie Hall. But Smith’s country cousins – ‘walking musicians’ – were lucky if they got recorded at all. ‘They ...”

“... commentary on the town and its hypocrisies. Grace is found by an aspiring young writer called Tom (Paul Bettany), who is engaged in an inquiry into Moral Rearmament. Tom believes that the people of Dogville have no sense of community; and Grace’s arrival provides a perfect test of this notion. Politely, soft-spokenly reluctant to impose on Dogville, she is ...”

“... this year. Both have covers featuring Boty with one of her best-known paintings, With Love to Jean-Paul Belmondo (1962). On the Gazelli book she sits below it, wearing a high-necked dress and looking down coyly at the cat on her lap. On Kristal’s she is in front of it, staring straight out, naked. Boty saw parallels between herself and Marilyn Monroe, whom ...”

“... ruins, the exploration of geographical and social wastelands. Some, following in the footsteps of Paul Theroux’s Kingdom by the Sea, see the Northern towns as horrors. Others, indignant at the haemorrhage of jobs and skills, chart the progress of disindustrialisation. Ian Jack’s Before the Oil Ran Out and Robert Chesshyre’s The Return of a Native ...”

“... trade without regard for their critical reception. I did, however, take the precaution of inviting Paul Theroux and Fay Weldon to read mine, and, if they wished, to give me a quotation for the cover. Both agreed, and their comments were extremely helpful in persuading booksellers that here was a book they might risk having on their shelves. Robin Denniston of ...”

“... assimilate him to the picturesque. ‘The dead are cadmium blue,’ he declares in ‘Homage to Paul Cézanne’: ‘We spread them with palette knives in broad blocks and panes.’ To gaze into ‘panes’ as opaque as these is mortally to reflect. That a spiritual challenge should be found in the medium is entirely characteristic. Like Hopkins, Wright ...”

“... growth’ in its contemporary sense is a relatively recent development. Some will say that Adam Smith was the first theorist of economic growth (a term he didn’t use), but even as late as 1946, Evsey Domar, one of the founders of modern growth theory, could remark that the rate of growth was ‘a concept which has been little used in economic ...”

“... Thus, to Sontag (one cannot easily imagine a more contrary personality or temperament), he is ‘a Paul Klee in prose as delicate, as sly, as haunted. A cross between Stevie Smith and Beckett: a good-humoured, sweet Beckett.’ Christopher Middleton writes: ‘Well before the 1920s, the text for Walser is a non-thing, as ...”