“... Irish history has, however, come from post-Althusserian scholars like Paul Bew, Peter Gibbon and Henry Patterson,* and their work on the class dynamics of Unionism, as well as the nature of Southern nationalism, leads to very different conclusions: Struggles over the status of the North are no more automatically anti-imperialist than crimes against property ...”

“... over the idea that every writer must be an artist of the first class,’ the director of the FWP, Henry G. Alsberg, said: I think we have invested art with this sort of sacrosanct, ivory-tower atmosphere too much. The craftsmen who worked on the cathedrals were anonymous . . . I think cheap books, less fuss about our sacred personalities, and more service to ...”

“... with a very strong stylistic stamp, Firbank can easily be thought of as doing just one thing. Henry Green, who learned much from Firbank’s experiments, is another example, the impression solidified by the confusable gerunds of his titles, Living, Loving, Doting. But, like Green’s books, Firbank’s are in fact ...”

“... ways her genius as a publisher continued to lie in publicity and marketing – the recognisable green livery of the Virago Modern Classics showed her sense of aesthetics as well as her commercial acumen. To establish the new publishing house for writing by women, she drew together a band of collaborators: Harriet Spicer, Ruthie Petrie, Ursula Owen ...”

“... the bedroom in which she poses. It’s eerie without being contrived, like a scene from a novel by Henry Green. Brandt’s formal attitude here is well matched by the cold intimacy of Freud’s portraits of Kitty Garman and Caroline Blackwood. But in other respects these crisp early Freuds seem the antithesis of the postwar style. Girl in a ...”

“... Hampden, and is duly enchanted. ‘The sun was rising over mountains, and birches, and impossibly green meadows ... it was like a country from a dream.’ Richard wants to major in Classics, but he is told that the subject is in the hands of one professor, Julian Morrow, who has only five students. He decides to seek out Morrow, and the writing excitedly ...”

“... Each footstep stirred A melancholy shriek from vines that trailed Up a cathedral’s height to the green mist, And drifting down were scattered veils of light. I do not doubt the benevolence of that Untrodden place. We lived. And were five years Upon the island, where every shape betrayed The trailing hem of nature. Nothing was asked, Nothing vouchsafed which ...”

“... The Country Child, both for adult readers, she brought ‘the whole of my childhood, eternal and green’ to a very large number of readers. ‘The figures of my mother and father come alive and talk gravely to one another.’ Even Little Grey Rabbit and Milkman Hedgehog, she insists, are Late Victorian rustics. In a foreword to the later editions, she wrote ...”

“... of brilliance’, as the Slade’s inspiring and famously bad-tempered drawing master, Henry Tonks, called it – caught the moment when the academic rigour of the life class was beginning to be infused with stirrings of the new. Carrington entered the school in the year of Fry’s exhibition, around the same time as Gertler, Nevinson and the Nash ...”

“... Luto means ‘mourning’, but also gestures to Shakespeare and Fletcher’s song from Henry VIII: ‘Orpheus with his lute made trees/…/Bow themselves when he did sing.’ Such poems allow patterns of pattern-making to overlap and inform one another, from butchers’ precision to woodcuts to singing to scribal practice. ‘My father’s cuts ...”

“... flights of fancy become tedious, I slowly walk up the path that leads to the mountain. The pale green trees undulate as a single mass, their flowers a riot of unbelievably beautiful colours.By contrast, the woman prefers to walk around Seoul at night, among shadows and LED lights, passing dive bars and canals, crossing rubbish-strewn underpasses and ...”

“... John and his sister Gwen. They had come to London to study under the irascible but inspiring Henry Tonks and soon attracted a group of talented students around them. ‘Those Johns you know have a hold that never ceases,’ Ida wrote to a friend. She stayed for six years, working hard to be an artist and making friendships that lasted all her life. Among ...”

“... of animation on everything the poet saw and put into words. In a sense it was much the same for Henry James, that other great equivocator of the American literary scene, and always a great admirer of Whitman. James’s prose, even the late prose, is paradoxically as physical as Leaves of Grass, and in the same way. A kind of sublimation was involved in both ...”

“... on time I don’t linger to admire the scenery. Every time I go past the fountain, near where Henry Royce’s statue used to stand, I mutter and tick away to myself: ‘Fkin bastids fkin bastids fkin bastids’. I saw that on a wall once and it seems to express something inchoate and furious. The Council came and took away the statue, which had always ...”

“... So, too, the elaborate parallels and contrasts: Robert Walpole and Bolingbroke, Walpole and Henry Pelham, and, pervasively, Pitt against Newcastle. Behind this lies an ancient literary decorum: when Brooke observes, ‘Walpole’s correspondence is a record of his friendships; his memoirs and journals, of his hatreds,’ he points to the Ciceronian ...”