“... Among Montale’s many translators, Arrowsmith and Galassi are more faithful to the original; Robert Lowell and Jeremy Reed take greater licence. Galassi’s translations ‘sound’ better than Arrowsmith’s and have a more reliable sense of what Montale wrote than either Lowell’s or Reed’s. But only Lowell, in the ten versions gathered in ...”

“... Rose [Lee] virus’. Although Davis strings us along for a page, this bit is from a 1952 Robert Heinlein novella. One hundred million house mice did indeed overrun the Southern Californian town of Taft in 1926, and the picture of ‘Federal men killing mice’ with what look like scythes is a documentary photograph not a science fiction film ...”

“... on a Train (1951) to Marnie (1964) – the period many regard as the peak of his career – Robert Burks served as cinematographer, George Tomasini as editor, and Bernard Herrmann as composer. The deaths of Burks and Tomasini and the falling out with Herrmann must, as Auiler suggests, have had something to do with the director’s subsequent ...”

“... the Drudge Report but against America Online, Drudge’s Internet service provider. It’s as if Robert Maxwell had gone for W.H.Smith in his vendetta against Private Eye. The discovery phase of the suit is due to be completed by mid-October. Both Clinton and Gore are reported to be cheering on Blumenthal’s action. One would not expect Matt Drudge to find ...”

“... worked hard on this problem. They believed, in the words of the great American physicist Robert Millikan, that Maxwell ‘created our modern electrical world’, and this modernity is worth remembering. The second metaphysical puzzle he faced was also a problem of knowing the underlying realities of physical systems. Natural philosophers of the steam ...”

“... Writers in the early part of our century fell in love with the interminable work, the book that seemed infinite. The Cantos, Remembrance of Things Past, The Man without Qualities were all tasks designed to last the writer’s lifetime, and they did. But there are degrees and differences among these projects. The Cantos were a ragbag, as Pound once half-mockingly called them, into which he could throw the contents of his mind in the form of poetry, but they were a ragbag that dreamed of a secret ordering ...”

“... 1975), and in English by Natalie Zemon Davis (The Return of Martin Guerre, 1983) and Robert Darnton (The Great Cat Massacre, 1984), involves giving a detailed description of events in the lives of ordinary people and is almost always based on court records – A Trial of Witches is a good, The Bewitching of Anne Gunter a fine, and Shaman of ...”

“... shaman Harry Smith, is arcane, but the critical world has been primed for its reappearance. Robert Cantwell’s When We Were Good and Greil Marcus’s The Invisible Republic – recent accounts of the curious development of American folk music – both devote considerable space to the Smith collection, making impressive claims on its ...”

“... she lived in the age of ‘Haydn and Mozart and Beethoven’. I do not believe that the parallels Robert Wallace draws, in Jane Austen and Mozart (1983), between her fictional and his orchestral structures can be sustained in the detail Mr Wallace proposes, but he does indicate how small an opportunity Jane Austen had to know the composers Professor Halperin ...”

“... There are brief excursions from the central dialogues: one to the old lady’s husband, Robert, who hears a susurrus of women’s voices in his flat in Positano. Beneath the old woman’s bedroom, by a convex mirror (whose symbolism is tactfully indicated), a man takes notes. It is all poised, very deliberately, at the point where enigma borders ...”

“... the inevitable Henry Kissinger, Mr Moon, Vice-President Bush and the President of the World Bank, Robert McNamara. More serious was the realisation that the antique-dealer, Deverini, who was accused of having helped Gelli to enter Monaco illegally, had earlier been accused of murder. It was remembered, too, that a Colonel Salvatore Florio, who had once ...”

“... ineffectiveness was partly caused by ineffective leaders. Where was the Labor equivalent of Sir Robert Menzies – a man of great physical presence and even greater political cunning? The answer, when it finally came, was Gough Whitlam. He was a man of commanding height, a middle-class barrister like Menzies, a skilled debater, supremely self-confident, a ...”

“... Wordsworth’s genius lay in its own sort of negative capability. The most striking feature of his poetry, as of his personality, is their intense and intimate relations with what always remained outside them. He never seems identified with his own discoveries, even with the drama of his own sensibility. Yet what he writes is subtly and comfortingly self-confirmatory, never more so than when the world, the human heart, the music of humanity, the mountains, are speaking to him (‘as if admonished from another world’, ‘To give me human strength by apt admonishment ...”

“... end – or their end. Four of them – Blunden, Owen, Read and Sassoon – won the Military Cross. Robert Graves’s hard saying might stand as their watchword: ‘the only way out of the war is the way through it.’ Intellectually, they had much in common with pacifist Bloomsbury, but they had bound themselves to a separate caste and remained faithful to its ...”

“... of her flirtation with her brother-in-law, Clive Bell. Elizabeth Barrett turns out to be Vanessa, Robert Browning is revealed as Clive, and Flush is, of course, Virginia herself, the jealous third party. The extraordinary weight that Trombley places on Woolf’s guilt over this episode, which he considers one of the ‘two pivotal crises’ of her life, is ...”