“... echoed in the closing pages of Clive James’s Brilliant Creatures, whose author-hero is said to be a ‘chapter of accidents’, and in the title and precarious plot of Anthony Powell’s O, How the wheel becomes it! The wheel is Ophelia’s, and suggests the incessant circlings of fortune, but quickly, in Powell’s hands, comes to hint at roulette and the ...”

“... Germans – and over the whole period of the camps up to 1945, what happened inside Germany was to be an almost insignificant proportion of the holocaust.* He was released in 1939 and pursued his career in America. Yet none of the later accounts establishes more clearly what the camps were already designed to produce: the slave mentality, the regression to ...”

“... Sylvia Townsend Warner expected her correspondence to be published, indeed she sensibly provided for it. ‘I love reading Letters myself,’ she told William Maxwell, her literary executor, ‘and I can imagine enjoying my own.’ She was born in 1893, an only child. Her father was a Harrow master, who, in a way not very complimentary to his profession (but quite right for STW), never sent her to school ...”

“... has been perhaps the most important historiographical change of this generation. It has been aided by a new reverence for numbers: ‘history that is not quantitative cannot claim to be scientific,’ says Ladurie in an essay of 1969, and in the following year, more arrogantly: ‘modern techniques, in the age of computers ...”

“... Paul Auster is an amphibious writer whose eclectic methods and influences make one unsure by which end to try and grasp him. His early self-exile to an apprenticeship in Paris as a poet and translator, absorbing the lessons of the ‘high’ aesthetic rigorists – Beckett, Blanchot, Jabès, Celan – was an unexpected preliminary to his return to America and, after several years, his dark, formally self-conscious entry onto the scene of the American novel with The New York Trilogy, an elaborate anti-detective volume full of Hawthorne, Melville and Thoreau ...”

“... is to follow. These furthermore are ‘Cambridge histories’ in the classic sense, laid down by Lord Acton a century ago: general editors co-ordinate a series of chapters on related topics, each written by an authority in the field it defines. Academic culture today teems with multi-author volumes, many no more than ...”

“... to, the rattle of machine-gun fire evaporates in unlocatable confusion and unless you happen to be in the street where a grenade lands it might as well be an event in another war. The shelling can be both fiercely local and exasperatingly distant. In Otes we found the epicentre of the ...”

“... the Sunday in John Junor’s long days, then the Daily under Roy Wright. Beaverbrook had been dead by then for ten years. The amiable son, who touchingly refused the title in a spirit of unaffected and perhaps warranted humility, reigned rather than ruled in his place and was known officially as Sir Max Aitken, unofficially, after his gallant war, as ...”

“... I had that Terry Waite in the back of the car once. Unlike the celebrity fares picked up by Private Eye’s proverbial taxi-driver, the Archbishop of Canterbury’s special envoy was technically occupying the front passenger seat. But such were the dimensions of legate and vehicle – the one broad yet gangly, the other originally designed by the Germans to give a thousand years of ergonomic motoring – that my companion seemed to be resting the crown of his head against the rear de-mister ...”

“... children again, in Living in a Big Way. In 1951, he taught the kids how to dance in Paris. So that by the time he came to make Singin’ in the Rain (1952), he had perfected a childlike quality in his own performance. In order to express his good mood in the title number, he ‘thought of the fun children have splashing about in rain puddles and decided to ...”

“... times and places, even the ones written yesterday and just down the road. But these three works by Kenzaburo Oë, who won the Nobel Prize for Literature in 1994, have an unusual flavour of missives cast into the sea long ago, only now arriving on our island beach. Nip the Buds, Shoot the Kids was published in Japan in 1958, and is now translated for the ...”

“... According to the caption, this is a ‘Celebration of Ramadan, from “The Meetings” illustrated by al-Hariri, 13th century’. Oh no it isn’t. Al-Hariri, author of the Maqamat (literally ‘Standings’, but more usually translated as ‘Sessions’) died in 1122. The painting is actually by the 13th-century artist ...”

“... imperative’, an enterprise more vulgarly known as the Death Railway, planned and carried through by the Japanese Imperial Army. At any point in history a logistic imperative is something to be avoided at all costs, whether it involves cutting the Americas in two or building St Petersburg in a freezing swamp. It is familiar ...”

“... life to his girlfriend (‘one confession veiling the next’), and the whole truth turns out to be a narration of the lies he has told. The first of Rayner’s untruths squirms into our heads like one of those children’s stories which are intended to show how dangerously lies can escalate. He is at a boarding-school in North Wales when a friend mentions a ...”

“... Empire, which gave the Scots their world stage, has disintegrated, Scots Toryism been demolished by its English counterpart and the self-consciously Scotch or kailyard school of literature regained the ascendancy. In England, or at least in the metropolis, John Buchan evokes that primordial English resentment that is the reward of all ambitious North ...”