“... with a charming little girl, as the bows bounce on her plaits; a gracious châtelaine with a young black boy and a darling little capering dog are engaged in something so outlandish that you look on shaken at the filth materialising under your eyes. ‘Auntie Walker’s Samplers’, the new works on the walls in Camden Arts Centre, made in situ for one of the ...”

“... in Richmond, California, a town in the East Bay, north of Oakland and Berkeley, whose thriving Black communities maintained cultural and affective ties to Southern culture through music, religion and food. She enrolled in adult education classes and by the early 1960s was working as a nurse while promoting a burgeoning side venture as a maker of ‘Crazy ...”

“... of violence. The first is represented by the instance of a young woman shot from a lorry by the Black and Tans in Galway, the particular casualty behind the sharp, grim lines that goNow days are dragon-ridden, the nightmareRides upon sleep: a drunken soldieryCan leave the mother, murdered at her door,To crawl in her own blood, and go scot-freeThe going ...”

“... In a respectful but chary review of The Life and Times of Michael K (1983) in the New York Review of Books, Nadine Gordimer wrote about J.M. Coetzee’s ‘conscious choice’ of allegory as a literary mode in his first three novels. The reasons for this, she speculated, were temperamental: It seemed he did so out of a kind of opposing desire to hold himself clear of events and their daily, grubby, tragic consequences in which, like everyone else living in South Africa, he is up to the neck, and about which he had an inner compulsion to write ...”

“... 1934, educated by Jesuits, and spent formative periods of his youth in New York, San Francisco and Black Mountain, North Carolina. His reverence for the Virgin folded easily into his adoration of Hollywood’s golden age stars. But he also became something of a star himself. His early poems were inspired by queer desire and systematic derangement achieved ...”

“... facts that the narrator knows, or wants to know, about his parents and grandparents. In June 1914 Michael and Una O’Shaughnessy have a reason for their stay in Cornwall: to conceal the date of birth of their child, conceived out of wedlock. This child is Rene, who grows up in Dublin, Bray and Sandymount in the 1920s. In 1934 she is an actress in a touring ...”

“... below – but there is a tenth man in the picture, who does not apparently merit a namecheck: a black servant. He is in the background, visible between the heads of Burney and Warton, carrying a salver with a pair of wide-bodied decanters on it. His shoulders tilt slightly forward; he moves with the butler’s measured plod as he bears the precious cargo of ...”

“... literary renunciations or betrayals involved in writing as a privileged tourist, he does have two black central characters and speaks in their voices with the same confidence that he does in those of his white men and women. Davis Morel, an African-American holistic doctor, psychologist and militant anti-Christian polemicist newly arrived in Botswana, and ...”

“... his most genuine belief perhaps being that when he performed poetry readings ‘stripped to a black leather or satin posing-pouch’, the poems took on another meaning. No doubt: but one connected to Jeremy Reed rather than his poems. The last third of Kirkup’s book is given to the account of a love affair with a young American, ‘the most beautiful ...”

“... Readers making their way through Michael Bracewell’s latest novel may gradually become aware of a small but persistent ache: it comes of the author nudging them in the ribs. There is no chance of being caught napping during the various crises and cruces of The Conclave because Bracewell signposts them all with a diligence and clarity that would not disgrace a sightseeing guide ...”

“... by that rickety wood. I’d seen it before, in that frame, and I knew who it was: my grandfather Michael. I knew that’s who it was though I’d never met him. The grandfather was covered in dust and damp patches dried in. But that was him: he had the darkest eyes I’d ever seen. His hair was slick, combed up to a glistening ridge; the lips were thin, the ...”

“... each of the stories shows the importance of race, they all challenge the assumptions that to be black must mean feeling like a loser, and that feeling like a loser is always caused by being black. Blackness does not always imply defeat, and alienation can’t always be explained by race. In several stories, a ...”

“... a complication has emerged, which threatens to bar our family’s return to its amnesiac state. Michael Collins, Neil Jordan’s film, is not about us as a family, but we are part of its revolutionary story and provide much of its romance. In May 1917, Michael Collins came down for a few days to Longford, one of those ...”

“... built up, and seeing practically no here here under the massed elephant-grey trees and glinting black water. The pharaohs no doubt still to come, though they would surely thrive here, at least as well as in the Yucatan. A book called​ ‘Kale’ will provoke more than one called ‘Lettuce’. Florida feels like a clever and bold title to me, with strong ...”

“... sticking out of his breast pocket, wearing on his head, of all things, a trilby hat with a broad black band; lined up behind him are three messengers waiting to take his copy to the post office. The man is identified as the Reuters correspondent, J.W. Collins. The text tells us, though, that the Reuters correspondent in Abyssinia in 1935 was Major Jim ...”