On the white strand

Denis Donoghue, 4 April 1991

The Selected Writings of Jack B. Yeats 
edited by Robin Skelton.
Deutsch, 246 pp., £12.99, March 1991, 0 233 98646 4
Show More
Show More
... of his life. Jack Yeats had ambitions as a writer, too. He wrote miniature plays, starting with James Flaunty, or the Terror of the Western Seas in 1901. And novels, of which The Amaranthers (1936) is the best. But it is hard to see how Robin Skelton’s claim for JBY as a writer could be sustained. When the whole of his writing becomes available, Skelton ...

Safe Spaces

Barbara Newman, 21 July 2022

Uncertain Refuge: Sanctuary in the Literature of Medieval England 
by Elizabeth Allen.
Pennsylvania, 311 pp., £52, October 2021, 978 0 8122 5344 3
Show More
Show More
... sanctuary spaces ceased to be available. Still, the tradition of legal sanctuary clung on until James I finally ended it in 1623. A decade later, John Ford used sanctuary as a plot device in his play The Chronicle History of Perkin Warbeck (1634). Warbeck was a pretender who claimed to be Richard, Duke of York, one of the princes in the Tower murdered by ...

Jericho

Ronald Blythe, 17 September 1981

The Diary of a Country Parson, 1758-1802 
by Reverend James Woodforde, edited by John Beresford.
Oxford, 364 pp., £65, June 1981, 0 19 811485 0
Show More
The English Countrywoman: Her Life in Farmhouse and Field from Tudor Times to the Victorian Age 
by G.E. Fussell and K.R. Fussell.
Orbis, 221 pp., £10, June 1981, 0 85613 336 1
Show More
The English Countrywoman: Her Life and Work from Tudor Times to the Victorian Age 
by G.E. Fussell and K.R. Fussell.
Orbis, 172 pp., £10, June 1981, 0 85613 335 3
Show More
Show More
... James Woodforde’s diary retains its lumbering, unremitting interest. The obvious question is: what made him keep it? To tell us about his times, or to tell his page about himself? These are the reasons why most men keep diaries, but neither was the compulsion behind this one. This is perhaps why, with this latest edition of Parson Woodforde, we push along beside a writer who, one imagines, would not have cared to be designated social historian or confessional writer, but who nevertheless, deliberately or artlessly, reveals himself and his age with a starkness akin to the hard Norfolk light falling on a ditch ...

Foreigners

Denis Donoghue, 21 June 1984

Selected Essays 
by John Bayley.
Cambridge, 217 pp., £19.50, March 1984, 0 521 25828 6
Show More
Collected Poems: 1941-1983 
by Michael Hamburger.
Carcanet, 383 pp., £12.95, March 1984, 9780856354977
Show More
Poems: 1953-1983 
by Anthony Thwaite.
Secker, 201 pp., £8.95, April 1984, 0 436 52151 2
Show More
Show More
... of time!”.’ Bayley distinguished between those writers – he had Virginia Woolf and Henry James in mind – upon whom ‘a passionate and omnivorous interest in life’ is laid as a sacred duty, and other writers – Tolstoy and Jane Austen sustained this quality – who are too far inside life to find it ‘interesting’. The art of Tolstoy and Jane ...

Maybe he made it up

Terry Eagleton: Faking It, 6 June 2002

The Forger’s Shadow: How Forgery Changed the Course of Literature 
by Nick Groom.
Picador, 351 pp., £20, April 2002, 9780330374323
Show More
Show More
... rather like the laws of physics. The mystery of the Universe’s origins is not so much how, pace King Lear, something could have come of nothing, since a random fluctuation in a quantum field might have popped an inflatable particle into fleeting existence, but rather where the quantum field itself might have come from. Or is to raise such a question merely ...

Chances are

Michael Wood, 7 July 1983

O, How the wheel becomes it! 
by Anthony Powell.
Heinemann, 143 pp., £6.95, June 1983, 0 434 59925 5
Show More
Brilliant Creatures 
by Clive James.
Cape, 303 pp., £7.95, July 1983, 0 224 02122 2
Show More
Pomeroy 
by Gordon Williams.
Joseph, 233 pp., £7.95, June 1983, 0 7181 2259 3
Show More
Show More
... do the events of this world lay open to us!’ The thought is echoed in the closing pages of Clive James’s Brilliant Creatures, whose author-hero is said to be a ‘chapter of accidents’, and in the title and precarious plot of Anthony Powell’s O, How the wheel becomes it! The wheel is Ophelia’s, and suggests the incessant circlings of fortune, but ...

The Rack, the Rapier, the Ruff and the Fainting Nun

Nicholas Penny: Manet/Velázquez, 10 July 2003

Manet/Velázquez: The French Taste for Spanish Painting 
by Gary Tinterow and Geneviève Lacambre et al.
Yale, 592 pp., £50, March 2003, 0 300 09880 4
Show More
Show More
... not only because of the faith of the ‘gaunt and ghastly’ Earl, but because Edie Ochiltree, the King’s beadsman, an itinerant sage of proud bearing and wild white hair who encounters the Earl in his private chamber, might also have been a fit subject for Ribera’s brush. What Scott and his readers would have thought of as a typical painting by Velázquez ...

Skipwith and Anktill

David Wootton: Tudor Microhistory, 10 August 2000

Travesties and Transgressions in Tudor and Stuart England 
by David Cressy.
Oxford, 351 pp., £25, November 1999, 0 19 820781 6
Show More
A House in Gross Disorder: Sex, Law, and the Second Earl of Castlehaven 
by Cynthia Herrup.
Oxford, 216 pp., £18.99, December 1999, 0 19 512518 5
Show More
Show More
... is the record of a verdict. Star Chamber, a prerogative court, is an important exception (hence James Sharpe’s recent The Bewitching of Anne Gunter), and church court records are sometimes quite full. Thus Cressy can tell us the stories of an excommunicated Catholic, buried illegally by night in the chancel of her parish church; of a young man who dressed ...

The crime was the disease

Mike Jay: ‘Mad-Doctors in the Dock’, 15 June 2017

Mad-Doctors in the Dock: Defending the Diagnosis, 1760-1913 
by Joel Peter Eigen.
Johns Hopkins, 206 pp., £29.50, September 2016, 978 1 4214 2048 6
Show More
Show More
... insanity in an English courtroom, but the case that really launches his narrative is that of James Hadfield, who on 15 May 1800 was arrested in the Drury Lane Theatre after firing a pistol at George III as he was blowing a kiss to his subjects from the royal box. There was no question that Hadfield had acted with deadly intent. He had loaded his pistols ...

Dear Miss Boothby

Margaret Anne Doody, 5 November 1992

The Letters of Samuel Johnson: Vol. I: 1731-1772, Vol. II: 1773-1776, Vol. III: 1777-1781 
edited by Bruce Redford.
Oxford, 431 pp., £25, February 1992, 0 19 811287 4
Show More
Show More
... The editor very occasionally supplies material from published biography, but his usual source is James Clifford, and one can tire of Clifford’s editorialising – for instance, on Hester Thrale’s behaviour after the death of her husband: ‘Mrs Thrale’s usual reaction to death was to run away.’ If we’re going to have occasional opinions from ...

The Word on the Street

Elaine Showalter, 7 March 1996

Primary Colors: A Novel of Politics 
by Anonymous.
Chatto, 366 pp., £15.99, February 1996, 0 7011 6584 7
Show More
Show More
... Shapiro found it ‘the best aide’s-eye view of politics since Robert Penn Warren’s All the King’s Men’. In the New Republic, Matthew Cooper, after revealing (‘full disclosure’) that he himself is now dating Mandy Grunwald, who held the position in the Clinton campaign of the novel’s sexy heroine Daisy Green, says that ‘finally the modern ...

My Old, Sweet, Darling Mob

Iain Sinclair: Michael Moorcock, 30 November 2000

King of the City 
by Michael Moorcock.
Scribner, 421 pp., £9.99, May 2000, 0 684 86140 2
Show More
Mother London 
by Michael Moorcock.
Scribner, 496 pp., £6.99, May 2000, 0 684 86141 0
Show More
Show More
... like a charity case, or a Wanted poster. Dead or alive. ‘Vote Michael Moorcock’, it said. ‘King of the City’. King of the City, a hefty London novel, character-packed, busy with competing narratives (confessing, denouncing, celebrating, plea-bargaining for its own sanity), was being punted by its publicists as ...

The Chief Inhabitant

Diarmaid MacCulloch: Jerusalem, 14 July 2011

Jerusalem: The Biography 
by Simon Sebag Montefiore.
Weidenfeld, 638 pp., £25, January 2011, 978 0 297 85265 0
Show More
Show More
... to clamber round the intricate corridors of another octagon, the very strange Red Mount Chapel in King’s Lynn, which seems to be some 15th-century Norfolk pilgrim’s effort to reproduce either the tangled claustrophobia of Jerusalem’s Church of the Holy Sepulchre, or the outward appearance of the Dome of the Rock, which Christian tour-guides in Jerusalem ...

You are not Cruikshank

David Bromwich: Gillray’s Mischief, 21 September 2023

James Gillray: A Revolution in Satire 
by Tim Clayton.
Yale, 400 pp., £50, November 2022, 978 1 913107 32 1
Show More
Uproar! Satire, Scandal and Printmakers in Georgian London 
by Alice Loxton.
Icon, 397 pp., £25, March, 978 1 78578 954 0
Show More
Media Critique in the Age of Gillray: Scratches, Scraps and Spectres 
by Joseph Monteyne.
Toronto, 301 pp., £49.99, June 2022, 978 1 4875 2774 7
Show More
Show More
... book is a magisterial study of a great popular artist: a full-scale interpretation of James Gillray’s output of satirical prints, and a biography that warrants comparison with the best ever done on an 18th-century artist. It has been furnished with gorgeous reproductions, along with close-ups that illuminate Gillray’s care for visual detail ...

Boil the cook

Stephen Sedley: Treasonable Acts, 18 July 2024

The Rise and Fall of Treason in English History 
by Allen D. Boyer and Mark Nicholls.
Routledge, 340 pp., £135, February, 978 0 367 50993 4
Show More
Show More
... 1352, which is still on the statute book, treason consists of ‘Compassing the Death of the King, Queen, or their eldest Son; violating the Queen, or the King’s eldest Daughter unmarried, or his eldest Son’s Wife; levying War; adhering to the King’s Enemies; killing the ...