“... and re-order, just as Kathy Acker had appropriated and re-ordered the writing of others – Harold Robbins or Cervantes or Ian Fleming or Propertius. Recently, on the radio, Leslie Dick remarked that Kathy Acker’s writing was an extension of her reading, that her plagiarism was a way of reading, or rereading, appropriating and customising what she ...”

“... the cover-up. In February 1973, after his re-election, Nixon fired Helms and replaced him with James Schlesinger. In an initiative to regain public trust as the crisis escalated, Schlesinger announced he was ‘determined that the law shall be respected’ and that anyone aware of illegal CIA activities was obliged to report them. Nixon was finally forced ...”

“... James Angleton​ , chief of counterintelligence at the CIA for twenty years, was not the ideal spy. The ideal spy is a mouse-coloured blur in the crowd, someone like George Smiley, described by his wife as ‘breathtakingly ordinary’. There was nothing ordinary about Angleton. Once experienced, his history, his appearance, his manner, and his stubborn refusal to be clear were all indelible ...”

“... stock-exchange of reputations. As a minister he was also, and less forgivably, an appalling – in James Meade’s phrase, a ‘paranoid’ – bully, shouting at civil servants who could not answer back, insulting senior officials in the presence of their juniors, and displaying an astonishing incapacity to understand the ethic of public service or the ...”

“... The place was forsaken and his own.In his introduction to a book of critical essays on O’Connor, Harold Bloom argues that there is a gulf between O’Connor the lay theologian and O’Connor the storyteller. In his opinion, the theologian does the storyteller a disservice. He would rather she had restrained what he calls her ‘spiritual ...”

“... same language. A strong dose of metaphysics temporarily moved Byron to the heady stuff of Childe Harold III, and Shelley took the hint of Byron’s Horatian manner to write the urbane Julian and Maddalo. But, much more important, each brought to fruition in the other a pre-existing style of genius quite opposite to his own. It was Byron’s company, of all ...”

“... a professional trajectory, about intense preoccupations and about meetings with remarkable men (Harold Bloom, Paul de Man, Lacan etc), not about wives and children or, indeed, meetings with remarkable women. It is, unusually, a memoir without alibis, without a palpable design on the reader. As a critic Hartman never takes over, but he doesn’t believe that ...”

“... the fact. There are even some snatches of gossip and odd bits of biography. The young Lacan met James Joyce and may have psychoanalysed Picasso. He was also consulted by Sartre, who happened to be having hallucinations at the time. We learn that Foucault and Derrida couldn’t stand each other, rather as one imagines Gordon Ramsay and Jamie Oliver don’t ...”

“... Some younger people saw her as a sort of relic – people like the Sitwells and Ronald Firbank and Harold Acton – but all that rather bored her. She was very up to the minute, and would be full of the latest musical comedy or the latest thing that had been written. But she wrote a memoir of Wilde, which I published along with his letters to her in a magazine ...”

“... his context. Words weren’t his language; he spoke in action. In one of many piquant anecdotes in James Curtis’s encyclopedic new biography, on hearing the thumps as Keaton repeatedly threw himself against their common office wall at Twentieth Century Fox, the film editor Gene Fowler stuck his head into Keaton’s room. ‘What are you doing?!’ ‘I’m ...”

“... known,’ Hardwick remarked, as if piety and intelligence were obviously incongruous qualities. Harold Bloom felt that ‘O’Connor would have bequeathed us even stronger novels and stories, of the eminence of Faulkner’s, if she had been able to restrain her spiritual tendentiousness.’ She was aware that many of her readers felt this way. ‘You ...”

“... of The Dance of Death, unclassified on its title page, though indicated within, was endorsed by Harold Hobson in 1933 as ‘that most frivolous of entertainments, the musical comedy’, here transformed into an instrument for serious drama, ‘as though one were to see No, No, Nanette taken, without incongruity, as the mouthpiece for a 20th-century Contrat ...”

“... to a hero, is not typical. When he wanted to build a computer at the Institute he met resistance: Harold Cherniss, a specialist in ancient Greek philosophy, became an Institute professor in 1948 when the machine was already under construction. ‘When you look back,’ Cherniss says today, ‘there are obviously strong arguments in favour of building the ...”

“... to the heritage of Spanish Islam is seldom remarked on. (There isn’t a single reference to it in Harold Bloom’s weak, lazy introduction to Edith Grossman’s translation of 2003.) When he was writing the novel in the early 17th century Spain was racked by an economic crisis whose chief causes included the depopulation of the countryside after the expulsion ...”

“... seductively in his recent memoir, Between the World and Me. Formally modelled on the first part of James Baldwin’s The Fire Next Time, the book is addressed to Coates’s teenage son, Samori, on the occasion of the non-indictment of Brown’s killer, a white police officer called Darren Wilson. ‘We are captured, brother, surrounded by the majoritarian ...”