At the Hunterian
Andrew O’Hagan: Joan Eardley gets her due, 4 November 2021
“... Eardley’s paintings of the Samson children, they seem to have some common knowledge only the painter can access. They are fidgety children who become fixed with candour; they are tenement apparitions, scratched into the urban record, surrounded by a randomness of graffiti and change.Eardley’s short career is one of the most fascinating of her ... ”