Human Stuff

Lawrence Gowing, 2 February 1984

... on his temple (from which Socrates, outwardly a satyr, adopted it), was self-knowledge, and Dante began the Paradiso with a prayer to him: ‘Enter my breast and infuse me with your spirit, as you did when you tore Marsyas from the covering of his limbs.’ Plato said that the strains of the pipes, which he excluded from the Republic, indicated those ...

Back to the Wall

Nicholas Penny, 21 September 1995

In Perfect Harmony: Picture and Frame 1850-1920 
edited by Eva Mendgen.
Reaktion, 278 pp., £45, May 1995, 90 400 9729 1
Show More
Show More
... broken texture and light palette. In the 1860s some artists, including Anselm Feuerbach and Dante Gabriel Rossetti, employed imitations of 16th-century Italian frames for paintings made in a 16th-century style and with figures in 16th-century costume. Franz von Lenbach not only found genuine antique frames for his paintings but, we learn in this ...

Superpriest

Denton Fox, 21 January 1988

Robert Grosseteste: The Growth of an English Mind in Medieval Europe 
by R.W. Southern.
Oxford, 337 pp., £30, July 1986, 9780198264507
Show More
Politics, Policy and Finance under Henry III, 1216-1245 
by Robert Stacey.
Oxford, 284 pp., £27.50, July 1987, 0 19 820086 2
Show More
Show More
... out this corruption at its source? As it is, he saw early and clearly what many men saw later, Dante in, inter alia, the Donation of Constantine, Langland in Lady Meed, until too many men saw it and Europe was overturned. Grosseteste would not have approved of Wycliffe, but Wycliffe was right in claiming him as his predecessor. Southern’s ideal reader ...

Tiff and Dither

Michael Wood, 2 January 1997

Diaries. Vol. I: 1939-60 
by Christopher Isherwood, edited by Katherine Bucknell.
Methuen, 1048 pp., £25, October 1996, 0 413 69680 4
Show More
Show More
... Huxley on ‘a favourite topic: the poorness of all literature’: Homer was terribly overrated, Dante was hopelessly limited, Shakespeare was such a stupid man, Goethe was such a bore, Tolstoy was silly etc. We had disposed of nearly everybody, and Aldous was really enjoying himself – until a nasty doubt struck him: ‘What about Lope de Vega? I’ve ...

Darling, are you mad?

Jenny Diski: Ghost-writing for Naim Attallah, 4 November 2004

Ghosting 
by Jennie Erdal.
Canongate, 270 pp., £14.99, November 2004, 1 84195 562 0
Show More
Show More
... ran ‘Murder, metaphor and memory’; the Catholic Herald, ‘A lusty Beatrice leads her Dante’; the Literary Review, ‘A sensitivity . . . unusual in a man’ (or was that code for Alice Thomas Ellis having cottoned on?); the Oldie didn’t go for the sex much but spoke of Lorca and Pasolini sharing the same Mediterranean Catholic mind as ...

Diary

James Lasdun: With the rent-collector, 21 October 2004

... to some kind of analysis, but in the thick of it one feels more need of a Dostoevsky or even a Dante than a study from the Department of Social Security. Judy’s apartment has been turned over to five young Mexicans, illegal itinerant carpenters. Three of them are there, the other two are in hospital. In pitch darkness – the electricity to the apartment ...

I Contain Multitudes

Terry Eagleton: Bakhtin is Everywhere, 21 June 2007

Mikhail Bakhtin: The Word in the World 
by Graham Pechey.
Routledge, 238 pp., £19.99, March 2007, 978 0 415 42419 6
Show More
Show More
... but his wife, Elena Alexsandrovna, took odd jobs to keep the pair alive, and this devotee of Dante and Goethe ended up teaching accountancy to pig farmers as part of the collectivisation effort. Having served his time in Kazakhstan, he settled in Saransk, where he lived for a while in a disused jail and taught at the Pedagogical Institute as a one-man ...

Like a Carp on a Lawn

Graham Robb: Marie D’Agoult, 7 June 2001

The Life of Marie d'Agoult, Alias Daniel Stern 
by Phyllis Stock-Morton.
Johns Hopkins, 291 pp., £33, July 2000, 0 8018 6313 9
Show More
Marie d’Agoult: The Rebel Countess 
by Richard Bolster.
Yale, 288 pp., £16.95, September 2000, 0 300 08246 0
Show More
Show More
... devoted herself to her salons and her writing: an Essai sur la liberté, a comparative study of Dante and Goethe, a history of the early Dutch Republic, three historical dramas, articles on politics, religion and morality, and her memoirs. This is an oddly monotonous period in both biographies, enlivened only by Marie’s wit. Her late comment on the great ...

Lacan’s Ghost

Wendy Doniger, 3 January 2002

The Mirror: A History 
by Sabine Melchior-Bonnet, translated by Katharine Jewett.
Routledge, 308 pp., £16.99, January 2001, 0 415 92447 2
Show More
Show More
... way of switching right and left, as well as more generally distorting life, made it diabolic. Dante puts narcissists in Purgatory with the counterfeiters; he depicts Rachel and Leah (who mirrored one another in Jacob’s bed) holding mirrors, while Beatrice arranges an optical experiment with three mirrors. In Paradise Lost, Eve falls in love with her ...

When Men Started Doing It

Steven Shapin: At the Grill Station, 17 August 2006

Heat: An Amateur’s Adventures as Kitchen Slave, Line Cook, Pasta-Maker and Apprentice to a Butcher in Tuscany 
by Bill Buford.
Cape, 318 pp., £17.99, July 2006, 9780224071840
Show More
Show More
... of it and not to make money – and that’s the spirit in which he approached his adventures. The Dante-quoting, ‘O sole mio’-singing butcher in Tuscany affected to be an amateur too, one who made money through his art but who despised the world of – spitting out the English with sarcastic emphasis – ‘bizzzness’: ‘I have a bad bizzzness. I am ...

Case-endings and Calamity

Erin Maglaque: Aldine Aesthetics, 14 December 2023

Aldus Manutius: The Invention of the Publisher 
by Oren Margolis.
Reaktion, 206 pp., £18, October 2023, 978 1 78914 779 7
Show More
Show More
... the wood, I go out to a spring, and from there to my aviary. I have a book under my cloak, either Dante or Petrarch, or one of the minor poets, such as Tibullus, Ovid, and the like. I read of their amorous passions and of their loves, recall my own, and take a little pleasure in this thought. In the evening, he put on his ‘courtly garments’ and entered ...

Every Watermark and Stain

Gill Partington: Faked Editions, 20 June 2024

The Book Forger: The True Story of a Literary Crime That Fooled the World 
by Joseph Hone.
Chatto, 336 pp., £22, March, 978 1 78474 467 0
Show More
Show More
... PHS were invented by Wise.Dowden was understandably taken aback at Wise’s effrontery. So too was Dante Gabriel Rossetti, when Wise borrowed some of Shelley’s unpublished letters from him, only to copy and publish them in a pamphlet that – according to its imprint – originated in New York. Wise’s justification was that he was simply making the work of ...

‘Where’s yer Wullie Shakespeare noo?’

Michael Dobson: 17th-century literary culture, 11 September 2008

Archipelagic English: Literature, History, and Politics 1603-1707 
by John Kerrigan.
Oxford, 599 pp., March 2008, 978 0 19 818384 6
Show More
Show More
... Paradise Lost was influenced less by native examples than by classical and Italian ones: Virgil, Dante, Tasso, Ariosto. Perhaps the most serious limitation of Kerrigan’s perspective is that for a great many early modern anglophone writers, the other parts of the archipelago ultimately mattered less than the rest of the civilised world. A list of ...

The Unreachable Real

Michael Wood: Borges, 8 July 2010

The Sonnets 
by Jorge Luis Borges, edited by Stephen Kessler.
Penguin, 311 pp., $18, March 2010, 978 0 14 310601 2
Show More
Poems of the Night 
by Jorge Luis Borges, edited by Efraín Kristal.
Penguin, 200 pp., $17, March 2010, 978 0 14 310600 5
Show More
Show More
... world’. With devastating mischief – failures of alchemy indeed – Borges suggests Homer and Dante may have reached the same insight. Borges’s poem ‘El Otro Tigre’/‘The Other Tiger’ concerns the beast that is not in the poem, that couldn’t be in the poem because it is not made of words or tropes and because even the act of naming it turns it ...

Diary

Marina Warner: Medea, 3 December 2015

... In spite of her virulence, the figure of Medea commands our attention – and our sympathy. Dante put Jason in the Inferno for his treatment of her and few since have objected. The myth was already old when Homer was writing; the audience at Euripides’ first production in 431 BCE didn’t need to be told her back-story when she stepped onto the ...