Remembering Janet Hobhouse

Elisa Segrave, 11 March 1993

“... played her friends off against each other, telling one person what another had done for her (‘David brought me a bottle of champagne and kept his taxi waiting’), I now see as the neediness of a greedy child who didn’t have enough childhood and who was longing for her own father to love her. (Janet re-met her father at the age of 16 on a self-arranged ...”

Lunchtime No News

Paul Foot, 27 June 1991

Kill the messenger 
by Bernard Ingham.
HarperCollins, 408 pp., £17.50, May 1991, 0 00 215944 9
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“... relations with ITN,’ concludes Ingham, ‘were much easier. I got on extremely well with Sir David Nicholas and Sir Alastair Burnet and Sue Tinson.’ No wonder. Burnet was a legendary Thatcher-worshipper and Sue Tinson was once a candidate for the job of Head of Information at Tory Central Office. On page 366, Sir Bernard declares his hatred for ‘the ...”

Schools of History

Walter Laqueur, 26 September 1991

Hitler and Stalin: Parallel Lives 
by Alan Bullock.
HarperCollins, 1187 pp., £20, June 1991, 0 00 215494 3
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Stalin: Breaker of Nations 
by Robert Conquest.
Weidenfeld, 346 pp., £18.99, September 1991, 0 297 81194 0
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“... if controversial’, although, as I see it, justice could be done to them only by a writer like David Lodge or Malcolm Bradbury. It seems evident to me that their work is for the most part based on a very small element of truth whose significance is inflated out of all proportion, that facts buttressing the case are carefully selected, and all the evidence ...”

Beach Scenes

Gavin Millar, 1 August 1985

A Man with a Camera 
by Nestor Almendros, translated by Rachel Phillips Belash.
Faber, 306 pp., £9.95, June 1985, 0 571 13589 7
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Players of Shakespeare: Essays in Shakespearian Performance by 12 Players with the Royal Shakespeare Company 
edited by Philip Brockbank.
Cambridge, 179 pp., £12.50, June 1985, 0 521 24428 5
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Year of the King 
by Anthony Sher.
Chatto, 208 pp., £10.95, June 1985, 0 7011 2926 3
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“... and further in the labs, using mirrors in interiors to reflect sunlight as a sole source ... There may be a small queue of cinematographers shuffling forward now with hands raised to claim equal credit in these endeavours. What is true is that Almendros used the methods as thoroughly and successfully as anyone, and was bold about applying them in major ...”

Oozy

Diana Rose, 20 September 1984

A Nice Girl like Me: A Story of the Seventies 
by Rosie Boycott.
Chatto, 250 pp., £8.95, April 1984, 0 7011 2665 5
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“... We would like some examples of ‘the witty and highbrow artistic references’ which her friends, David and Jeremy, bandied about. But all we hear of Jeremy’s thoughts, when he and Rosie ‘tumble’ into bed, is that he thinks ‘fate had brought them together and they’d met in another lifetime.’ Jeremy is respectfully described as a ‘Cambridge ...”

Stardom

Megan Vaughan: Explorers of the Nile, 8 March 2012

Explorers of the Nile: The Triumph and Tragedy of a Great Victorian Adventure 
by Tim Jeal.
Faber, 510 pp., £25, September 2011, 978 0 571 24975 6
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“... surprising. Determining the ‘source’ of a river is, it turns out, not a simple matter. There may be many plausible contenders. You can argue that it is the joining together and accumulation of the water from a number of tributaries that constitutes the ‘source’, not any one of them in particular. This issue gave pause even to Victorian explorers, not ...”

Imps and Ogres

Marina Warner, 6 June 2019

Big and Small: A Cultural History of Extraordinary Bodies 
by Lynne Vallone.
Yale, 339 pp., £20, November 2017, 978 0 300 22886 1
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“... and folk tales are clumsy and blundering and foolish, and their strength doesn’t always prevail: David fells Goliath with a slingshot (like a child in a bombsite playground), and poor boy Jack can outwit the ogre at the top of the beanstalk, however big and strong and vicious and rich he is, and make off with the golden goose. Such stories are popular ...”

Clever, or even Clever-Clever

Adam Kuper: Edmund Leach, 23 May 2002

Edmund Leach: An Anthropological Life 
by Stanley Tambiah.
Cambridge, 517 pp., £60, February 2002, 0 521 52102 5
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The Essential Edmund Leach: Vol. I: Anthropology and Society 
by Stephen Hugh-Jones and James Laidlaw.
Yale, 406 pp., £30, February 2001, 0 300 08124 3
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The Essential Edmund Leach: Vol. II: Culture and Human Nature 
by Stephen Hugh-Jones and James Laidlaw.
Yale, 420 pp., £30, February 2001, 0 300 08508 7
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“... But in his own eyes he remained the gangling, untidy public school rebel, still recognisable in David Hockney’s official portrait of him as Provost. ‘Quirky, unpredictable, a believer that truth emerges from contradiction, a roughneck in argument’, according to Noel Annan, his predecessor as Provost of King’s. His friend Audrey Richards said that he ...”

In search of Eaffry Johnson

Brigid Brophy, 22 January 1981

Reconstructing Aphra 
by Angeline Goreau.
Oxford, 339 pp., £8.95, November 1980, 0 19 822663 2
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“... sojourn in Surinam: ‘But she was never afraid, she said. Never once hesitated; though her memory may have colored [sic] her original experience. She drank in every detail ...’ There is nothing resembling Maureen Duffy’s grasp (the result of deep study of the state papers, the point at which the amanuensis flinched) of the complex international, national ...”

Nietzsche’s Centaur

Bernard Williams, 4 June 1981

Nietzsche on Tragedy 
by M.S. Silk and J.P. Stern.
Cambridge, 441 pp., £27.50, March 1981, 0 521 23262 7
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Nietzsche: A Critical Life 
by Ronald Hayman.
Weidenfeld, 424 pp., £18.50, March 1980, 0 297 77636 3
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Nietzsche. Vol. 1: The Will to Power as Art 
by Martin Heidegger, translated by David Farrell Krell.
Routledge, 263 pp., £11.50, March 1981, 0 7100 0744 2
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“... whose savage pamphlet, often right about details and mostly wrong about the larger issues, may have helped to produce the fortunate effect of Nietzsche’s becoming a philosophical writer rather than remaining a philologist – though he was already set on that course before he published The Birth of Tragedy. Their commentary also provides information ...”

At K20

Frances Morgan: On Yoko Ono, 6 March 2025

“... was meant as a score for painting, poetry, objects, events or music, although these categories may also be a provocation in themselves (if you’re burying a cloud in the garden, is it an event or a poem?). Ono’s own subversive gestures have been recuperated by the institutions at which they were directed. In the winter of 1971, she placed adverts in ...”

Spadework

John Brown, 18 November 1982

Shadow Man: The Life of Dashiell Hammett 
by Richard Layman.
Junction, 285 pp., £9.95, August 1981, 0 86245 027 6
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“... acknowledges, on research done for other projected and equally unauthorised lives of Hammett by David Fechheimer and William Godschalk, and upon material gathered by William Nolan, editor of Dashiell Hammett: A Casebook. In other words, Shadow Man emerges from a background of intrigue: prolonged scuffling in the literary undergrowth and a growing sense of ...”

Golden Fleece

W.R. Mead, 1 March 1984

Sheep and Man 
by M.L. Ryder.
Duckworth, 846 pp., £55, November 1983, 0 7156 1655 2
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Outback 
by Thomas Keneally.
Hodder, 256 pp., £12.95, October 1983, 0 340 33669 2
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“... a scarcity value, it is possible that early man drew it into his protective fold. Domestication may even represent the acceptance of a long-standing association between man and animal which was of mutual benefit. Undoubtedly, without domestication – ‘the greatest conservation movement of all time’, as David Harris ...”

Send no postcards, take no pictures

John Redmond, 21 May 1998

One Train 
by Kenneth Koch.
Carcanet, 74 pp., £7.95, March 1997, 9781857542691
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A World where News Travelled slowly 
by Lavinia Greenlaw.
Faber, 53 pp., £6.99, January 1997, 0 571 19160 6
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A Painted Field 
by Robin Robertson.
Picador, 98 pp., £6.99, February 1997, 0 330 35059 5
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“... Some, like ‘Aesthetics of Comedy Asleep’, are mere squibs: ‘Don’t wake the clown/Or he may knock you down.’ Others like the witty ‘Aesthetics of Surrealism’ – ‘To find the impossible/With breasts’ – are near-Wildean aphorisms which simply flash by. But however substantial they are, all of the pieces, like tasty canapés, can be ...”

Prince and Pimp

Paul Foot, 1 January 1998

The Liar: The Fall of Jonathan Aitken 
by Luke Harding and David Leigh.
Penguin, 205 pp., £6.99, December 1997, 0 14 027290 9
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“... the Guardian and Granada journalists looked glum. The former MP (he lost his safe seat in the May landslide) was lying all right, but he was lying with such charm, verve and enthusiasm that he looked and sounded like a winner. The case seemed lost. The dramatic story of how Aitken was finally defeated by his own lies is superbly set out in the final ...”