The Debate

Eliot Weinberger, 26 September 2024

... Poor Don.​ He thought it would be an easy golf-cart ride back to the White House, rolling over the recumbent body of Sleepy Joe. Then the Dems pulled a switcheroo and suddenly he was faced with a middle-of-the-roader without much of a damaging paper trail, whose demeanour was the unlikely combination of tough prosecutor and warm human ...

Here/Not Here

Wendy Steiner: On Jean-Michel Basquiat, 4 July 1996

... With the copyright sign after it, the warning is itself a quotation, ‘owned’, presumably, by Basquiat himself. But its message is totally ambiguous: don’t turn us into subjects; if you must be a subject, don’t let the camera see your eyes; or maybe, don’t look into the mechanism of my art. In a culture created ...

Forgive us our debts

Benjamin Kunkel: The History of Debt, 10 May 2012

Paper Promises: Money, Debt and the New World Order 
byPhilip Coggan.
Allen Lane, 294 pp., £20, December 2011, 978 1 84614 510 0
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Debt: The First 5000 Years 
byDavid Graeber.
Melville House, 534 pp., £21.99, July 2011, 978 1 933633 86 2
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... extends from the late 1940s into the 1970s. The end of the second appears to have been announced by the crisis – at first a ‘financial’ crisis, now often a ‘debt’ crisis – that broke out in 2008. The precise boundary between the postwar eras gets drawn differently depending on which feature of the terrain is emphasised. In terms of overall growth ...

Who Are They?

Jenny Turner: The Institute of Ideas, 8 July 2010

... for which I got a red plastic bracelet. I had to keep it on overnight, the man told me; it would be fine in the bath or shower. Not many other people had red bracelets, I couldn’t help but notice. A lot had red ribbons round their necks with ID cards hanging from them – they were Contributors. Others had yellow ribbons, denoting Volunteers. Some ...

Diary

Alan Bennett: What I Didn’t Do in 2007, 3 January 2008

... 2 January. Catching up on the literary round-ups at the year’s end I’m struck as so often by how cantankerous the world of literature is, and how smarmy, both backbiting and back-scratching much more so than the theatre or show business generally. I’m sure this is because actors don’t moonlight as critics in the way novelists or writers do ...

Warmer, Warmer

John Lanchester: Global Warming, Global Hot Air, 22 March 2007

The Revenge of Gaia 
byJames Lovelock.
Allen Lane, 222 pp., £8.99, February 2007, 978 0 14 102597 1
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Climate Change 2007: The Physical Science Basis Summary for Policymakers: Contribution of Working Group I to the Fourth Assessment Report of the Intergovernmental Panel on Climate Change 
IPCC, February 2007Show More
Heat: How to Stop the Planet Burning 
byGeorge Monbiot.
Allen Lane, 277 pp., £17.99, September 2006, 0 7139 9923 3
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The Party’s Over: Oil, War and the Fate of Industrial Societies 
byRichard Heinberg.
Clairview, 320 pp., £12.99, October 2005, 1 905570 00 7
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The Economics of Climate Change: The Stern Review 
byNicholas Stern.
Cambridge, 692 pp., £29.99, January 2007, 978 0 521 70080 1
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... activists have not committed any acts of terrorism. After all, terrorism is for the individual by far the modern world’s most effective form of political action, and climate change is an issue about which people feel just as strongly as about, say, animal rights. This is especially noticeable when you bear in mind the ease of things like blowing up ...

Not Much like Consent

Daniel Trilling: Crisis at the Met, 30 March 2023

Broken Yard: The Fall of the Metropolitan Police 
byTom Harper.
Biteback, 446 pp., £20, October 2022, 978 1 78590 768 5
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Tango Juliet Foxtrot: How Did It All Go Wrong for British Policing? 
byIain Donnelly.
Biteback, 341 pp., £20, November 2021, 978 1 78590 716 6
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... Morgan was found with an axe in his head in the car park of a South London pub frequented by police officers. Despite four murder investigations and an inquest, no one has been convicted of the crime. In September 2021, a court ruled that the historic practice of sending undercover officers to spy on protest movements – carried out ...

Stalker & Co

Damian Grant, 20 November 1986

... depth in English political fictions, when these are compared with works of European origin, may be due to the fact that the English simply lack any experience of the totalitarian state: ‘The special world created by secret-police forces, censorship of opinion, torture and frame-up trials is, of course, known about and ...

Damn all

Scott Malcomson, 23 September 1993

Culture of Complaint: The Fraying of America 
byRobert Hughes.
Oxford, 224 pp., £12.95, June 1993, 0 19 507676 1
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... I find I cannot. I must maintain a certain pretension, which is far enough from my wish. I must be put on my defence, I must take up the gauntlet continually, or I find I lose ground ‘I am nothing, if not critical.’ The predicament is one which Robert Hughes shares with Hazlitt, of whom Keats gamely wrote: ‘if ever I am damn’d – damn me if I ...

Elective Outsiders

Jeremy Harding, 3 July 1997

Conductors of Chaos: A Poetry Anthology 
edited byIain Sinclair.
Picador, 488 pp., £9.99, June 1996, 0 330 33135 3
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Nearly Too Much: The Poetry of J.H. Prynne 
byN.H. Reeve and Richard Kerridge.
Liverpool, 196 pp., £25, April 1996, 0 85323 840 5
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Carl Rakosi: Poems 1923-41 
edited byAndrew Crozier.
Sun & Moon, 209 pp., $12.99, August 1995, 1 55713 185 6
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The Objectivists 
edited byAndrew McAllister.
Bloodaxe, 156 pp., £8.95, May 1996, 1 85224 341 4
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... stay in London thirty years ago, there is an interesting exchange with the psychiatrist David Cooper. Sinclair: It seems to me that what has emerged from this Congress [the Dialectics of Liberation] is the necessity for what has been described as madness – as one of the few active means of keeping society alive ... Cooper: Yes, I think we’ve ...

Hopi Mean Time

Iain Sinclair: Jim Sallis, 18 March 1999

Eye of the Cricket 
byJames Sallis.
No Exit, 190 pp., £6.99, April 1998, 1 874061 77 7
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... paths divided. There was no percentage in Bill’s advisers bullet-pointing paperbacks composed by a peripatetic, a white man who wrote in black-face. Griffin does not aspire to Easy’s confidential charm, his bright-eyed savvy, his innocence. He’s a white man’s black, darker in spirit, thwarted and confused. And New Orleans, the setting for Sallis’s ...

Poetry and Christianity

Barbara Everett, 4 February 1982

Three for Water-Music 
byDonald Davie.
Carcanet, 69 pp., £2.95, July 1981, 0 85635 363 9
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The New Oxford Book of Christian Verse 
edited byDonald Davie.
Oxford, 319 pp., £7.95, September 1981, 0 19 213426 4
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... is experienced, it hardly lives up to the concept: madrigals I heard once on the river at Oxford by night involved merely damp, and mosquitoes, and an occasion all innocent pretentiousness. And yet a good many people feel, and are surely right to go on feeling, that they know all about water-music, simply because of Handel. It is surprising how much of ...

A Time for War

Peter Clarke, 21 October 1982

The Rebirth of Britain 
edited byWayland Kennet.
Weidenfeld, 275 pp., £12, October 1982, 0 297 78177 4
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Claret and Chips 
byHugh Stephenson.
Joseph, 201 pp., £8.95, September 1982, 0 7181 2204 6
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... well finish up a few fields from the end of the runway’. At the time he was looked at askance by many social democrats within the Labour Party (people like me, as I readily admit) for supposing that there would be so much as a runway. Within a year, however, we had all strapped our safety belts, magnificently unprepared ...
... most of the time it’s hard to discover what is going on, and even harder to know how much will be left of Britain’s national newspapers, or what state they will be in, at the end of the current battle of the tycoons. Most of these tycoons have little or no knowledge of owning or managing newspapers, and many of them ...

Darkness Audible

Nicholas Spice, 11 February 1993

Benjamin Britten 
byHumphrey Carpenter.
Faber, 680 pp., £20, September 1992, 0 571 14324 5
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... the impression that the world revolves around their subject. A biography of Benjamin Britten will be especially prone to this distortion, because Britten himself thought the world revolved around him and insisted that others conform to the illusion. The mad servant burlesques this aspect of Britten’s character. He usurps Britten’s place at the centre of ...