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“... and French, American and Native American: the histories are interdependent. Consider Britain’s savage war against ‘tribal’ insurgents in Iraq and its foundational role in creating that country, and how obscured that relationship is in present discussions about the impending war. Elazar Barkan’s The Guilt of Nations: Restitution and Negotiating ...”

“... not straight ethnography, however: Segalen had a case to make, the same case that Gauguin and Robert Louis Stevenson had made before him, against the degradation of native life which had set in, first with the coming of Christian missionaries to the islands early in the 19th century, and then with the onset of a colonial administration. The Maoris had ...”

“... nights, criminal operations and complicated political double-dealing. The collaborationist writer Robert Brasillach pointed out in 1943 that it was an ideal setting for detective stories, and Patrick Marnham’s gripping book is a detective story of sorts. It recounts the life of a man who was, in himself, particularly opaque. Jean Moulin was ambitious and ...”

“... has entered literary mythology – but without lasting success. As Johnson was to say of Richard Savage, another denizen of Grub Street, ‘he was therefore obliged to seek some other means of support; and, having no profession, became by necessity an author.’ The accession of the Roman Catholic James II in 1685, and his deposition in 1688 by his nephew ...”

“... He became the bosom companion (and, later, biographer) of the squalid and glamorous poet Richard Savage. At night, ‘in high spirits and brimful of patriotism’, they walked the streets together, denouncing ministerial corruption and vowing to stand by their country. Savage’s licentiousness, Boswell reported, may have ...”

“... background, and although Herbert Howarth wrote well about it in Some Figures behind T.S. Eliot, Robert Crawford has made a substantial addition. His patient Oxford D.Phil. thesis is intended more generally to illustrate Eliot’s preoccupation with the primitive and the city, but its opening chapters are about St Louis and the Mississippi. He illustrates ...”

“... Island. William Styron is almost as monstrous as Hellman herself: self-centred, nervy, and savage with contempt for anyone who gets in his way. When he accidentally burns the fancy pan-fried quail he is preparing for Hellman and her friends in Hellman’s kitchen one night, he blames the resulting mess on Mahoney and her fellow cook, who have been ...”

“... and that ‘the crazed parataxis still flashes the voltage of the street.’ We are told that Robert Southey’s ‘over-long nose’ gave his face a ‘workmanlike quality, and his work ethic is what he is largely remembered for’. And this, of a representation of melancholy: ‘He wears only linens over his loins. If they are soiled, we don’t ...”

“... mood was infectious among the personnel in charge of exterminating the brutes. The Atlantic’s Robert Kaplan cheerfully reported that ‘Welcome to Injun Country’ was the refrain among American soldiers worldwide. The primal blood-lusts of the war on terror survived Obama’s renaming of it. The Seal Team that in 2011 eventually scalped Osama bin Laden ...”

“... largely ended with Beckett – of crepuscular states, of alienation and leaping surrealism, and of savage fictionality. He took from Dostoevsky the idea that plot is not something that merely happens to a character, but that a really strange character leads plot around like an obedient dog. He took from Strindberg the idea that the soul is not a continuous ...”

“... using the war? ‘But it was war,’ he said despairingly. ‘Greece, Yugoslavia, Russia – savage war. But Pearl Harbor too – Hiroshima – and later, what about Vietnam, and now the West Bank, where they are breaking people’s bones? In all these places the innocent died and die, women and children by the hundreds of thousands: who spoke for ...”

“... was first identified, a group of writers that included Amis, Larkin, Wain, Donald Davie, Robert Conquest and others. As J.D. Scott put it in the baptismal piece in the Spectator, ‘The Movement, as well as being anti-phoney, is anti-wet; sceptical, robust, ironic, prepared to be as comfortable as possible.’ Amis in particular had, as a later ...”

“... that Parshley had cut at least 10 per cent of the original text, and showed that the most savage cuts affected Beauvoir’s account of exceptional women in history. She also demonstrated that Parshley had made a hash of Beauvoir’s philosophical vocabulary. After reading Simons’s essay, Beauvoir replied: ‘I was dismayed to learn the extent to ...”

“... Edward Coke’s Institutes how well so ever he could plead.’ The royalist historian-physician Robert Brady remarks sourly that Coke ‘hath a fine fetch to play off the Great Charter and interpret it by his Modern-Law, that was not then known or heard of’. Such scepticism​ still appeals to our own knowing cast of mind. All the same, a closer ...”

“... such comments are revealing of how he was perceived: he was “monstrous”, “barbarous”, “a savage”. This was exactly the language used by many travel writers at the time to characterise … people of African origins – such as Barber.’ A detail from the Tate’s copy of ‘A Young Black’, painted in the manner of Reynolds, date ...”