At the Whitechapel
Jeremy Harding: William Kentridge, Thick Time, 3 November 2016
“... procession is seditious, menacing, propelled by a wild music – part carnivalesque, part dirge (Philip Miller is the composer) – and by the moves of a jubilant dancer, in silhouette like the rest of the troupe. Elsewhere in the piece, we’re asked to think about time as if it weren’t the thing we experience. That’s not easy: just as ideas about the ... ”