“... in what turned out to be the precious Ekofisk area. In 1966 the Burmah Oil vessel, Ocean Prince, found oil off Cromer but nothing was said about this (the find was anyway too small to exploit): the companies played down their activity and tried to suggest that they were doing the Government a favour by prospecting at all in such inclement ...”

“... he has secretly invested in McCoy’s securities firm, Pierce and Pierce. A sodden British hack, Peter Fallow, who works for the depraved newspaper City Light, is assigned to the case of the white assassin who is supposedly being protected by friends in high places. (One of the more mordant truths proclaimed by this novel is that in high places there are no ...”

“... including so much as a single pro-slavery text, for example, the Longman pairs The History of Mary Prince, a West Indian Slave with ‘The Benevolent Planters: A Dramatic Piece’. (The title is not intended ironically.) And where an excerpt from the autobiography of the ex-slave Olaudah Equiano is juxtaposed in the Norton with anti-slavery endorsements by ...”

“... struggle for political reform. Despard’s cause was illuminated from a new direction by Peter Linebaugh and Marcus Rediker in The Many-Headed Hydra: Sailors, Slaves, Commoners and the Hidden History of the Revolutionary Atlantic (2000), which devoted a chapter to his formative adventures in the Caribbean and Central America together with his wife ...”

“... a ‘legendary period in movies’. In The Last Picture Show, Welles’s friend and protégé Peter Bogdanovich had made ‘a film for everybody’. The Godfather was an ideal merging of ‘commerce and art’. Martin Scorsese’s Mean Streets was ‘a triumph of personal filmmaking’ and a gripping thriller. For Sontag, these films were merely a case of ...”

“... together. Elena was now Helen, Mummy not Mami; Papa became Daddy; the boys were still Donald and Peter, of course, but they had far fewer words at their disposal by which to express themselves. They were now British – British refugees, to be exact – not just because their identity documents said so, but because their survival depended on it. And thus ...”

“... in front of the court itself, a timid-looking, hair-waxed gentleman stops for the cameras. It’s Peter Badge, the Chief Metropolitan Stipendiary Magistrate: the hearing will take place before him, and he will make the decision as to whether there’s a case to be tried or not. He looks like a little chaffinch. ‘Mr Badge,’ we are told later, ‘is ...”

“... and Exter, let alone such important directors of Russian descent as Pitoeff, Komisarjevsky, Peter Brook and Jacques Tati, all of which is surely relevant to the modern reader’s view of the subject. He also virtually omits the cabaret and the ‘Blue Blouse’ agitprop movement, though he gives a useful account of the latter’s successor, the TRAM ...”

“... funny account of provincial literary neurosis, had appeared in book form in 1972, and Peter Carey’s ‘American Dreams’, a post-Vietnam satire, in 1974. David Foster’s first novel, The Pure Land, came out in 1975, and, deceptively to one side in the same year, stood Johnno, David Malouf’s first prose work. ‘It spread, throughout the ...”

“... AJPT and Lewis, but Bruce McFarlane, John Morris, Rupert Cross, Cyril Darlington, J.Z. Young, Sir Peter Medawar, Gilbert Ryle ... the line stretched on. No doubt it was all more humdrum in reality, but one was left with the impression of great intellectual giants inhabiting a world of mad English eccentricity: an older world of indulgence, scandal, fun and ...”

“... way be about him – which shuffles in on the guest-list a piece, for example, on Lost Highway, Peter Guralnick’s book about country music. Every so often Marcus extends the rubric: ‘Because of Elvis’s arrival, because of who he was and what he became, because of his event and what we made of it, the American past, from the Civil War to the civil ...”

“... to ‘show … the very age and body of the time his form and pressure’. He cites this remark of Prince Hamlet’s as evidence that ‘Shakespeare certainly thought of his art in this way’ (though only a couple of pages afterwards he criticises earlier commentators for naively or disingenuously trawling the utterances of Shakespeare’s characters for ...”

“... If the latter, it implied that the authority of bishops came from the pope, successor of Peter, chosen by Christ to be the rock on which he built his church (Matthew 16.18), rather than that every bishop directly represented Christ’s authority. Prince-bishops in the Holy Roman Empire were not the only prominent ...”

“... this migration. Waiting for Godot as performed in San Quentin prison is not quite the same play as Peter Hall’s first London production. We cannot simply put Auschwitz out of our minds while watching The Merchant of Venice. Writerly meaning does not always trump readerly meaning. Walter Benjamin believed that works of literature secreted certain meanings ...”

“... disjunction between them in Bobbio’s account is rather different from how it is set out in The Prince. Ascesis, prohibition, prescription, self-repression can be ‘bad’ means to a good end – ‘bad’ in the sense that unless they contribute to that end, they cannot be commended as ways of life in themselves. But history, alas, has seen to it that ...”