In the Studio
William Feaver: Sitting for Frank Auerbach, 22 October 2009
“... and Indian ink), the painter narrows his eyes and lifts his chin and grimaces, like Edgar in King Lear, spotting choughs from the clifftop. Usually we talk for the first hour. Then, after a five-second break, he works in a silence interrupted only by grunts and mutterings and the occasional correction of something said in the preceding stream of comment ... ”