Forget the Klingons

James Hamilton-Paterson: Is there anybody out there?, 6 March 2003

Evolving the Alien: The Science of Extraterrestrial Life 
by Jack Cohen and Ian Stewart.
Ebury, 369 pp., £17.99, September 2002, 0 09 187927 2
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XTL: Extraterrestrial Life and How to Find It 
by Simon Goodwin and John Gribbin.
Weidenfeld, 191 pp., £12.99, August 2002, 1 84188 193 7
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... by science fiction writers, and Cohen and Stewart provide their own short SF story about how an unknown creature might perceive a Nasa probe sent in the near future to Europa, a satellite of Jupiter. (There are great hopes that life might be found in the ocean that is believed to lie beneath its frozen surface.) They also dot their text with plot summaries ...

Venus in Blue Jeans

Charles Nicholl: The Mona Lisa, 4 April 2002

Mona Lisa: The History of the World’s Most Famous Painting 
by Donald Sassoon.
HarperCollins, 350 pp., £16.99, September 2001, 0 00 710614 9
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... different face, more than ten years later. How it would have looked when he painted it is another unknown: her currently crepuscular aspect is the result of several centuries of protective varnish, tinged yellowish by oxidisation. As early as 1625, a viewer complained of the picture being ‘so damaged by a certain varnish that one cannot make it out very ...

Pens and Heads

Blair Worden: Printing and reading, 24 August 2000

The Nature of the Book: Print and Knowledge in the Making 
by Adrian Johns.
Chicago, 707 pp., £14.50, May 2000, 0 226 40122 7
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Reading Revolutions: The Politics of Reading in Early Modern England 
by Kevin Sharpe.
Yale, 358 pp., £25, April 2000, 0 300 08152 9
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... in his Novum Organum, ‘the force, effect, and consequence’ of three inventions which were unknown to the ancients, ‘namely, printing, gunpowder and the compass. For these three have changed the appearance and state of the whole world.’ Since Bacon’s time almost everyone has agreed that the social and cultural impact of printing must have been ...

An Even Deeper Bunker

Tom Vanderbilt: Secrets and spies, 7 March 2002

Body of Secrets: How America’s NSA and Britain’s GCHQ Eavesdrop on the World 
by James Bamford.
Century, 721 pp., £20, May 2001, 0 7126 7598 1
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Total Surveillance: Investigating the Big Brother World of E-Spies, Eavesdroppers and CCTV 
by John Parker.
Piatkus, 330 pp., £10.99, September 2001, 0 7499 2226 5
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... one NSA official said, ‘to show how good we are at it.’ To counter a threat that is ominously unknown by vesting more powers in an Agency that is itself largely unknown is politically expedient, but as the NSA’s glacially slow declassification of its files shows, a monopoly on security only breeds further ...

Don’t Move

Jeremy Noel-Tod: Fictional re-creations of Vermeer, 9 August 2001

Girl with a Pearl Earring 
by Tracy Chevalier.
HarperCollins, 248 pp., £5.99, July 2000, 0 00 651320 4
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Girl in Hyacinth Blue 
by Susan Vreeland.
Review, 242 pp., £6.99, May 2001, 9780747266594
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A View of Delft: Vermeer Then and Now 
by Anthony Bailey.
Chatto, 288 pp., £16.99, April 2001, 0 7011 6913 3
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Vermeer's Camera 
by Philip Steadman.
Oxford, 207 pp., £17.99, February 2001, 0 19 215967 4
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... his modest oeuvre – 35 canvases, not counting a couple of debatably attributed pieces – was unknown to the international public until Théophile Thoré, a French critic, began to collect and promote it in the mid-1860s. It offered a new version of the homely Dutch art invoked by mid-19th-century novelists such as George Eliot, who made her famous ...

77 Barton Street

Dave Haslam: Joy Division, 3 January 2008

Juvenes: The Joy Division Photographs of Kevin Cummins 
To Hell with Publishing, 189 pp., £200, December 2007Show More
Joy Division: Piece by Piece 
by Paul Morley.
Plexus, 384 pp., £14.99, December 2007, 978 0 85965 404 3
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Control 
directed by Anton Corbijn.
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... music down, and created its iciness and Gothic grandeur. On Joy Division’s debut album, Unknown Pleasures, you can hear the space in the music, dragging the listener in. Joy Division didn’t last long. They made two studio albums, played 120 gigs and came to an abrupt end on Sunday, 18 May 1980, when Ian Curtis killed himself. He’d been up all ...

At the National Portrait Gallery

Peter Campbell: Gerhard Richter, 14 May 2009

... scenes or people that change as one fraction of a second follows another, views always there but unknown before it was possible to freeze them with a camera shutter, that gives Richter’s portraits from the 1960s – the later ones are much more ‘composed’ – their particular quality. Mother and Daughter (B) (1965) shows two women walking towards ...

At the Grand Palais

Barry Schwabsky: Christian Boltanski, 11 February 2010

... the sentimentality, of the work lay in its attempt to show the sheer fact of the uniqueness of unknown people, an individuality without identity, something akin to Agamben’s ‘bare life’. Boltanski doesn’t use photographs any more, but there are less direct ways to evoke this ungraspable individuality. Old clothes have long been a favourite material ...

Short Cuts

Joanna Biggs: Marguerite Duras, 6 October 2016

... interview called La passione sospesa, came out with a tiny Italian press in 1989 and was unknown in France until it was translated in 2013. It now appears in English as Suspended Passion (Seagull, £17) and it shows Duras at her most scrutable. Marguerite Donnadieu was born in 1914 in Gia Dinh, French Indochina, to a teacher mother and civil servant ...

Two Poems

Christopher Reid, 1 September 2005

... notice)? Some nook of Dante’s Hell waits toasty-warm for them, no doubt, but meanwhile for the unknown hero it’s a case of ‘smile, boys, that’s the style!’ Ever thus . . . Neddy lets his Poetry Gazette flop to the floor. Flashing teeth, he’ll show them yet. One last swig, and he rests his mug with an untidy clunk and teaspoon jitter. The clock ...

Lethal Specks

Hugh Pennington: Polonium, 14 December 2006

... end intended its cause to be discovered. A lingering death caused by a painful poison unknown to science sends out a powerful message. But not as strong as one caused by radioactivity. Nuclear fear is deeply etched into our souls. It is doubtful whether Cobra, the cabinet committee for co-ordinating crisis management, would have met several times ...

At Tate Britain

Peter Campbell: Peter Doig, 6 March 2008

... brings no suggestion of influence; the impression is rather of tales from travellers who, unknown to each other, visited the same country. There is comfort in proof that this sort of resonance between traditions is still possible. It must arise from a particular apprehension of place. There is little or nothing in the means used – the controlled ...

On Hallyu

Krys Lee, 1 June 2023

... a few strictly controlled exceptions for business, government and education. The outside world was unknown, beyond the American military bases and what could be glimpsed on television. As soon as the country opened up, young Koreans hurried abroad to see what was happening elsewhere. Now the world is looking at ...
... 90 per cent of the victims were black. There were other lynchings, of course: mobs murdered an unknown number of Mexicans – in the thousands – by hanging, burning and shooting, particularly in the south-western states. Foreigners were often victims. In 1891 a huge mob lynched 11 Italian Americans in New Orleans because some of them had been acquitted ...

Screaming in the Castle: The Case of Beatrice Cenci

Charles Nicholl: The story of Beatrice Cenci, 2 July 1998

... in late 1598 or 1599. An alternative tradition, taking into account the unlikeliness of the unknown Guido being able to visit her in the Corte Sevella prison, says it was based on a glimpse the artist had of her in the street as she went to her death. Shelley saw it in 1818, in the Palazzo Colunna in Rome, and described the face as ‘one of the ...