“... of ‘contemporary art’: Nicholas Serota (at the Tate), Charles Saatchi, Sarah Kent (Time Out), Richard Dorment (Daily Telegraph, oddly enough). Against: Modern Painters, Brian Sewell (Evening Standard), Giles Auty (Spectator), Glynn Williams (at the RCA) and any number of Johnsonian or Waugh-like commentators who throw ...”

“... author to a little thing he was hosting. Who was there? Oh, you know, the usual crew: Tennessee Williams, Laurence Olivier and Vivien Leigh, and Hemingway’s great chum, the one he called ‘the Kraut’: Marlene Dietrich. ‘You could have knocked me over with a pin,’ Styron wrote to his aunt Edith, ‘when Leo took me over to meet Dietrich and she took ...”

“... Topic [A], with Tina Brown, which created its own buzz by having Hendrik Hertzberg and Armstrong Williams slug it out about whether or not it mattered that Kerry had been 100 yards from the Vietnam border while Bush was 14 million yards away (Hertzberg had worked it out). But the parties turned out to be more noisy than buzzy, more shouty than noisy, more ...”

“... visit her in Cornwall, where she was living with Cecil Gray, a musicologist, while her husband, Richard Aldington, was serving on the Western Front. H.D. thought the writer was an elderly schoolmistress: she got a surprise when the 24-year-old millionaire’s daughter turned up. Souhami compares their meeting to the moment when Beach’s hat flew off in the ...”

“... were didactic – ‘one of the things they were about was the indisposability of plastic.’ Richard Deacon, who is with Cragg ‘the most expensive, the most written about, the best patronised ... of the new British sculptural establishment’, makes startling hybrids: ‘To produce one of his small sculptures an old brass navigational aid must have ...”

“... The new generation of ‘cultural materialists’, however (the term is borrowed from Raymond Williams, who contributes an afterword), are much more suspicious of ‘high culture’. In his introduction to Political Shakespeare, Jonathan Dollimore analyses a tripartite pattern in ideological conflicts of consolidation, subversion and containment. In ...”

“... repressive figure of Joachim – though it does help one to understand the shock-waves caused by Richard Strauss, rocking the boat with solecisms, crudities, reckless infringements of instrumental propriety, general vulgarity and callowness, and troubling Tovey the chaste grammarian and self-appointed guardian of the sacred Teutonic flame. (But he doesn’t ...”

“... argument, as there are, however, in recent alternatives to it. In his Shelley: The Pursuit (1974) Richard Holmes decided that both Claire and Elise had been pregnant by Shelley, that Claire’s pregnancy had aborted, and Elena was Elise’s baby. Claire Tomalin, in Shelley and His World (1980) argued more reasonably that the child was Claire’s; and in a ...”

“... neutralists make substantial moral claims. To defend the two-face schema, Gray could say, echoing Richard Rorty, that there’s the bit where neutralists say it, and then there’s the bit where they take it back. ‘It’ here is the neutralists’ claim that they avoid controversial moral ideals. But then they take this claim back, relying on a moral ideal ...”

“... nor the romantic, nostalgic impulse in British architecture could easily be eradicated.’ Clough Williams-Ellis’s Portmeirion, which somehow escaped being tarred as kitsch, linked architects and writers of opposing tastes in delighted admiration, provided they didn’t look too closely.As Andrew Saint​ has observed, among the first colonisers of the no ...”

“... The Thames underwrites a narrative of royal escapes, murdered princelings, futile rebellion. Richard II is rowed downstream to confront Wat Tyler and his peasant army. Unable to call on anything as formidable as the Metropolitan Police’s Territorial Support Group, the boy king refuses to step ashore. ‘Rough, rude men’ had been sent ‘all over the ...”

“... piece of rhetorical brilliance about the profligacy of Thatcherism. In 1990 he sneered at Raymond Williams as a kindly old fellow from the valleys. In 1999, he savaged an authorised biography of Mandela, creating a stir on the letters page by identifying him – correctly – as a former communist. He rarely lets a response to a piece he has written go ...”

“... or messengers. Ellison’s dream was of a different kind. His friends included the black novelist Richard Wright and critics like Kenneth Burke and Stanley Edgar Hyman; his heroes were Joyce and Eliot; he studied The Golden Bough for the mythical themes he hoped would make his novel immortal. Ellison aspired mightily and he dressed the part as he imagined ...”

“... this assumption has been frustrated. Writing in 2004, five years into devolution, the historian Richard Finlay noted that ‘for all the talk of Scotland being more radical than England and of the nation being predisposed towards left-of-centre redistributive policies, these characteristics have not really manifested themselves in any meaningful ...”

“... to place and pin them down in a way that could not be done with real American poets – Carlos Williams, Wallace Stevens, John Ashbery. She even places Lowell inside a critical trope. ‘The New Critical doctrine that every poem is a little drama built around a central paradox is ... in the very fabric of their lives ... especially Lowell, whose life is ...”