“... Ong on subway graffiti, and the section opens with a splendidly passionate and ambitious piece by Margaret Doody on the revision of the hymnal used by Princeton University Chapel, a booklet called ‘Inconclusive Language Hymns’ which is produced by the First Congregational Church. From here, Doody strikes out boldly into territory of wide aesthetic and ...”

“... courtier, eager to win honour and wealth not available in the Basque country by service in the king of Spain’s entourage. Once Loyola’s plans for the Society of Jesus took shape, they were made possible by his courtier’s sense of how to charm and persuade the powerful to look favourably on his vision: not least his skill in influencing noble ladies ...”

“... for once, rather seriously and ‘knowingly’. 25 October 1930. Emerson says: ‘Today is a King in disguise.’ When I’m with Sieg there is nothing in disguise. I do miss him – but I’m better alone. He sent a message through his doctor that, since Sassoon’s last visit, his feelings towards him were not what they had once been: Sassoon upset ...”

“... for instance, which we discover in ourselves when we ask why we find it hard not to smile at Julia Margaret Cameron’s photographic illustrations to the Idylls of the King. Historians of photography inform us that photographers, having vainly endeavoured to imitate paintings in order to be artistic, came eventually to see ...”

“... quoted in Miss Fane in India were written to her aunt in England. She finds the future Julia Margaret Cameron, the photographer, ‘a little, ugly, underbred-looking thing’; the talkative Misses Eden, Emily and Frances, are old and ugly and stink like polecats. There is a long tedious dinner at the Babington Macaulays, but the host escapes personal ...”

“... of setting or mood; as with other novels which assimilate some crucial text (‘Crusoe, her King Charles’s head’), and thereby gain the freedom to shift away from straightforward narration, certain kinds of verisimilitude seem not greatly to the point. Jane Gardam, for instance, makes no bones about endowing her under-age heroine with an unnatural ...”

“... But they were heard by men trained to understand nothing but the absolute sovereignty of the king-in-Parliament, and for whom ideas of federation or devolution, let alone self-government, were delusory or actively pernicious.Two centuries later, the Kilbrandon Report of 1973 shied away from any sort of federal solution, on the grounds that it worked ...”

“... river, like memory, full of people, places, ideas, things, all with an ambiguous reality status. King Kole, the Aboriginal cricketer, standing at the rail of the Paramatta, watching a pilot-boat butt its way across Gravesend Reach, knew he had arrived at the Land of Death. Gravesend did for Pocahontas, the Indian princess, too: she died there, on her way ...”

“... and imprisoned leaders of reform societies and printers of the radical press. ‘Church and King’ was the watchword of magistrates and manufacturers, who employed spies to root out any evidence of radical sympathies. After 1815 a new generation of local activists began to campaign alongside veterans of the earlier struggle. Reform societies organised ...”

“... Robert Graves’s I, Claudius, or Danny Hill: Memoirs of a Prominent Gentleman (edited by Francis King) and Margaret Forster’s ‘edition’ of Thackeray’s Memoirs of a Victorian Gentleman, the book mingled respected literary figures still alive in Britain with private characters who, if not invented, were surely ...”

“... Conservative Government to ease Jewish disabilities might have borne fruit even in the 1830s, but King George IV declared himself against any change in this direction. At the same time, the Board of Deputies, which since 1760 had claimed to represent Anglo-Jewry, was willing to settle for certain changes in the law and to give up the vision of a Jewish Member ...”

“... ahead of its time in terms of branding: Festac had its own flag (black and gold), stamps, song (by King Sunny Ade), toilet paper, T-shirts and cups. Marilyn Nance, an official photographer for the North American zone, described the branding as ‘the Olympics, plus a biennial, plus Woodstock. But Africa style.’ The festival’s emblem was the 16th-century ...”

“... institution’ – an accolade bestowed in 1924, on the occasion of a special visit by King George V and Queen Mary towards the end of the season. The programme culminated, at the king’s request, with the Sea Songs (he found ‘Rule, Britannia!’ a ‘jolly fine tune’, infinitely to be preferred to ‘The ...”

“... the Flood and its aftermath were often resolved by appeal to the holdings of virtuosi museums. As Margaret Nickson informs us here in her helpful analysis of Sloane’s library, Wilkins’s work was one of the first folios which the young Hans Sloane purchased when he reached London as an ambitious apothecary in the early 1680s. Decades later, various drafts ...”