“... frames: dense colour becomes a peep-hole. Sunlight flashing on pebbles beneath a fast stream. John Clare, in ‘Recollections after a Ramble’, writes of sitting by the banks of a river and thinking: ‘If I tumbled in/I should fall direct to heaven.’ The wet colour is hazy, soft; it does its best to subvert the over-emphatic actuality of the borrowed ...”

“... Julie’s domestic existence is shattered; in Enduring Love, Clarissa and Joe witness the death of John Logan as he falls from a balloon, are changed for ever, and spend the rest of the novel trying to absorb the consequences of the spectacle; Black Dogs is in part about how Bernard Tremaine, a politician, scientist and rationalist, drifts away from his ...”

“... instead to provide scraps of gossip that might give insights into his character and conversation. John Aubrey related that Shakespeare was the son of a butcher who ‘when he killed a calf would do it in high style, and make a speech’. By the early 18th century, Shakespearean biography was turning into something of an industry, with an indiscriminate ...”

“... English landscape’, with all that followed in terms of a settling of accounts with Constable and Turner, and Blake and Palmer, and Crome and the watercolourists and Ford Madox Brown, was at all compatible with being a painter ‘in the 20th century’. The pressure of this last question – or indeed of all three – is not to be collapsed into shorthand of ...”

“... by which his music was compromised. Energetic refutation from Anglophone scholars such as W.J. Turner and Tom Wotton had little effect. Two French musicologists, J.G. Prod’homme and Julien Tiersot, wrote shorter biographical studies. Prod’homme completed only two volumes in Le Cycle Berlioz, documentary and critical companions to the works, but ...”

“... Private Gardens of London. Written by a landscape gardener, and beautifully photographed by John Miller, the book’s focus is a series of nearly forty gardens from different parts of the metropolis. The Museum of London’s scheme to collect pictures and photographs of London gardens will surely result in a more representative sample, but this is a ...”

“... O’Brien, reviewed in the present issue, dramatises the experiments and predations of the surgeon John Hunter, founder of the Hunterian, as he sniffs out his raw material – including one of the ‘Irish giants’ who showed themselves to the crowd for a fee in 18th-century London. The new, modern sensitivity to these abuses grows out of the corpse of ...”

“... by gun-toting terrorists,       or moon-eyed murderers on death row, or self-captivated Turner Prize exhibitionists,       but balloonists, actually. Armitage jettisons a lot of ballast in favour of a number of free-floating riffs in which the phrase ‘We could do worse’ introduces a succession of alternative ways of ...”

“... merely quaint. His legacy hasn’t worn well. Compared with his closest American contemporaries, John Singer Sargent (also working in England), Thomas Eakins (determinedly homebound) and Mary Cassatt (moving between France and America), Whistler seems lightweight. He possessed neither Sargent’s bravura as a portraitist at the centre of the Anglo-American ...”

“... mathematics. Understanding colour, the play and manipulation of light, were of as much concern to Turner as to Davy, whose article on the analysis of paint ‘used by the ancients’ appeared in the same magazine as Keats’s ‘Ode on a Grecian Urn’. The panorama, Daguerre’s diorama and the kaleidoscope were the novelties of early 19th-century London and ...”

“... known as King Philip’s War, Reverend Hope Atherton was the chaplain accompanying Captain William Turner’s militia on their march to an Algonquian encampment near Deerfield, Massachusetts in the Connecticut River Valley. There they ambushed the sleeping tribe, slaughtered some of them and drove others into the river, which swept them over the waterfall ...”

“... Others, such as Nelson Algren (the director of its Illinois branch), Conrad Aiken, Saul Bellow and John Cheever, had already begun to make their reputations. Studs Terkel would find his calling when the FWP sent him out onto the streets of Chicago to collect oral history. Most striking was the impetus given to the careers of black authors: Zora Neale ...”

“... its nature always mutable. There was no crisis from which it did not emerge invigorated. John Nash designed Piccadilly Circus as a rond-point for his great picturesque town plan leading up Regent Street to the Regent’s Park. The view south was to culminate in the Prince Regent’s Palace at Carlton House. Long before the work was ...”

“... imagination Carter may perform, she always comes to rest in the right ideological position,’ John Bayley wrote in a notoriously slighting 1992 review: the ballet idea works well, but otherwise he’s a bit tin-eared. A ‘moral pornographer’, Carter called herself sometimes; she could also have called herself an ideological choreographer. It’s not ...”

“... work of MFA graduates and/or instructors), divided into three main groups: ‘technomodernism’ (John Barth, Thomas Pynchon), ‘high cultural pluralism’ (Toni Morrison, Sandra Cisneros) and ‘lower-middle-class modernism’ (Raymond Carver, Joyce Carol Oates), with Venn diagrams illustrating the overlap between these groups, and their polarisation by ...”