“... According to E.P. Thompson, The Pilgrim’s Progress and The Rights of Man are the two ‘foundation texts’ of the English working-class movement. It is above all in John Bunyan, he argues, that we find ‘the slumbering Radicalism’ which was preserved through the 18th century, and broke out again and again in the 19th ...”

“... Abbey’ as a ‘post-revolutionary’ work. Roe argues the poem is haunted by the spirit of John Thelwall, the radical orator who was extremely popular in the 1790s and to whom Roe’s book is dedicated. In 1798 Thelwall was living a few miles away from Tintern Abbey, having retired from political engagement after the wave of arrests which followed the ...”

“... the drawing room – and sat me by a different fireplace and an old but different desk – was John Macfie, a tall and whiskery gentleman who lives there with his family. He poured me a whisky before sitting down in a red armchair beside the darkened windows. ‘At the front, in Louis’s bedroom, you get the punctuation of street noise,’ he ...”

“... house on the site has been rebuilt, and so the room he occupied is, as his biographer J.M. Thompson has said, a metaphysical space. You go down a passage between shops; it widens a little, into a high-walled enclosure. It doesn’t look like a place where a tragedy would occur, but if we had a diagnostic for such places we would always cross the road ...”

“... in fact, for Miss Harrison’s soppy side: the Brownings, the Brontës, Alice Meynell, Francis Thompson, Tagore’s ‘King of the Dark Chamber’ and ‘The Post Office’. When Charlotte Mew found her individual voice, all these influences persisted, just as her school friends remained her first and last refuge throughout her life. With them, there was ...”

“... of secret masters: Gerald Kersh, James Curtis, Mark Benney, Robert Westerby, Alexander Baron, John Lodwick, Jack Trevor Story. They have been struck from the canon, these technicians, these life-enhanced witnesses. They are noticed only by slumming journalists (who have built up their own collections of the stuff) or by condescending arts programmers ...”

“... the projects was a university in Brighton, soon to become the University of Sussex. Its principal, John Fulton, worked to enlist Briggs, who was about to take ship for an assignment in Australia. Fulton offered him the post of his deputy. Briggs hesitated until he, Susan and their two small children were onboard. Then, as the Tannoy warned of departure within ...”

“... aren’t they? Are they? A generation ago, the historians E.J. Hobsbawm, George Rudé, and E.P. Thompson demonstrated that even rioting crowds are ‘not fickle, peculiarly irrational, or generally given to bloody attacks on persons’. Their conclusions have been confirmed by three decades of historical case-studies of violent crowds in England, Europe and ...”

“... It was her megaphone message. Such scenes of fear and loathing demand the pen of Hunter S. Thompson, Rolling Stone chronicler of the American campaign trail, for we are in his beloved ‘bat country’, where the dark shapes of power and prejudice swoop around the heads of the bemused voters. What would he have made of the Alliance, with its Pollyanna ...”

“... for easy targets in the Green Belt. Binding, dipping through the casebooks, makes use of the Thompson/Bywaters affair (having to insist that his character is called ‘Ethel’ not ‘Edith’), nods at the police killer Harry Roberts in his Epping Forest hide, as well as contriving a transatlantic shipboard conclusion in homage to Dr Crippen. In all ...”

“... the West End. Of course there were examples of avant-garde plays which didn’t go down well, and John Arden’s Serjeant Musgrave’s Dance was a notorious box-office disaster. But Arnold Wesker’s Roots (which is cited as having disappointing ticket sales in its first run) did capacity business on its revival alongside the other two plays in the ...”

“... gerund title word is ‘making’. Something has happened to ‘making’, though, since E.P. Thompson’s The Making of the English Working Class (1963). Thompson’s title tells us that his subject is a discrete historical process, class-making. In the book, he’ll specify the large forces at work in that making ...”

“... Smith Institute for the Criminally Insane, banging the same drum in the Independent. Not long ago John Bird and John Fortune did a sketch about the privatisation of air. These days it scarcely seems unthinkable. 28 February. There have been football riots in Bruges, where Chelsea have been playing, with, responsible for ...”

“... among his many books, seems to give pride of place to a blockbuster history of the Cold War. Dr John Lewis, editor of the Modern Quarterly, so far from being, as Inglis would have it in one of his punchy characterisations, a ‘hard nut’ of the Communist Party, was an ex-Unitarian minister, much given to moral discourse and retaining a distinctly clerical ...”

“... version of English continuity. As Cairns Craig has argued in Cencrastus, Christopher Hill and E.P. Thompson see class struggle as fundamental to English history, but conceive that history to be ‘shaped as an autonomous inner trajectory defined by the conflicts and the accommodations between classes which do not need to be understood except in their relations ...”